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The Eduardo Paolozzi Foundation has donated the artist’s private archive to Tate, the "Guardian" reported. The donation encompasses hundreds of boxes filled with drawings, collages, notebooks, and other ephemera and is one of the most significant archives given to the institution to date.

The material had filled the sculptor’s chaotic studio in London’s Chelsea until his death in 2005. Adrian Glew, the Tate’s archivist, said that Paolozzi’s belongings were stacked “almost floor to ceiling,” and consisted of “games, puzzles, TV circuitry, computer and transistor boards, optical instruments, piano keys, Lego, shoes, teeth, die, beads, bobbins, matches, chocolate molds, rubber stamps, playing cards, gramophone records, film and audio tapes.”

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The Louvre kicked off its latest crowd-funding campaign on Tuesday with an appeal for a million euros to help fund the €12.5 million purchase of a jeweled piece of 18th-century furniture, known as the “Table of Peace,” which belonged to a French diplomat who negotiated the end of a Bavarian war.

After two years of budget cuts in state aid for cultural institutions, the Louvre is the second major French museum to turn to Internet fund-raising this month to pay for projects and acquisitions. For the first time, the Musée d’Orsay last week called for €30,000, or about $37,600, in contributions to help finance the €600,000 restoration of Gustave Courbet’s enormous painting of his studio, “L’Atelier du peintre.” By Tuesday, it had collected more than €20,000.

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The studio of legendary local artist Andrew Wyeth was named as a National Historic Landmark by the National Park Service, Monday.

This designation for the studio follows that of the two other properties owned and made open to the public by the Brandywine River Museum of Art. The studio has been added to the Kuerner Farm’s National Historic Landmark designation, which was previously awarded in 2011; both sites are important in that they provided artistic inspiration for the artist and that they capture the historical integrity of his milieu.

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Rembrandt couldn’t decide whether to depict a rich man who commissioned a portrait standing up, or on his horse. And when he did determine how to show the wealthy gentleman, on horseback, he painted over the original image of the “sitter” standing up. Both portraits appear when the painting is x-rayed. Was canvas so expensive, or did Rembrandt not want a mere commissioned picture crowding out the personal works in his studio?

Nicolas Poussin admired the art of antiquity, which came down to him (and to us) mostly as sculpture. This may be why Poussin’s The Triumph of Pan seems like a sculptural frieze in paint, an odd paradox of permanence and perpetual movement.

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Maine’s Portland Museum of Art (PMA) spent $2.3 million on a .57-acre plot of land surrounding Winslow Homer’s former studio on Prouts Neck in Scarborough to preserve the view the legendary painter had of the Atlantic Ocean. The U-shaped parcel of land, which surrounds the studio on either side, beginning at the small road that leads to it, runs down to Cliff Walk, a publicly owned waterfront space. According to the Portland Press Herald, it had belonged to Doris Homer, who died in 2009. She was the widow of the artist’s nephew.

The PMA restored Homer’s studio and has been conducting public tours of it since 2012.

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Olafur Eliasson has relaunched his website with an innovative web-based survey of his artwork. Your uncertain archive presents artworks, exhibitions, works in public space, pavilions, models, books, talks, and research by Olafur Eliasson and his studio. The site encourages chance encounters with its content, using an extensive system of tags so that you can discover the common threads running through everything. The connections mode is used to highlight associations, or simply drift through a cloud of archival objects.

Olafur Eliasson says: “What I’m interested in with my work at the Louisiana isn’t really that you experience an object or an artwork. I am interested in how you connect this landscape to the rest of the world and ultimately, how you experience yourself within it."

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The building at 421 E. 6th Street looks unassuming enough. It’s still got the facade of the Con Ed substation that it was in the 1920s, and chances are, if you’re strolling by on the way to Tompkins Square Park, you probably wouldn’t stop and stare.

But inside, the gigantic space is filled with the minimalist installations of Walter De Maria, who purchased the lot in 1980 and turned it into his studio and home that he occupied and built upon until his death last year. He transformed the building into a work of art itself, perhaps the encapsulation of his entire career and life.

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The New York Botanical Garden announces its major 2015 exhibition, Frida Kahlo's Garden, focusing on the iconic artist's engagement with nature in her native country of Mexico. Opening on May 16, 2015, and remaining on view through November 1, 2015, the exhibition will be the first solo presentation of Kahlo's work in New York City in more than 25 years, and the first exhibition to focus exclusively on her intense interest in the botanical world.

Visitors to the Enid A. Haupt Conservatory will walk through a stunning flowershow re-imagining Kahlo's studio and garden at Casa Azul ("Blue House") in Coyoacán, Mexico City. Curated by distinguished art historian and specialist in Mexican art Adriana Zavala, Ph.D., the multifaceted exhibition will include a rare display of more than a dozen original Kahlo paintings and drawings on view in the LuEsther T. Mertz Library's Rondina and LoFaro Gallery at the Garden. Accompanying events invite visitors to learn about Kahlo's Mexico in a new way through poetry, lectures, themed events, tours, a Mexican food market, and an iPhone app.

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James Meyer, a former studio assistant to the contemporary artist Jasper Johns, was arrested on Wednesday, August 14, 2013 for stealing 22 unauthorized works, which he then sold through an unnamed art gallery in Manhattan. Meyer, who worked at Johns’ studio in Connecticut from 1985 to 2012, made $3.4 million off of the sales, which totaled $6.5 million.

Meyer was assigned to protecting the works that Johns did not want sold but ended up creating fake inventory numbers and false documents for the paintings, which he photographed inside a binder that catalogued Johns’ authorized works. Meyer told the gallery in New York that he had received the paintings from Johns as a present and offered notarized documents that supported his claim.

Meyer could spend anywhere from 10 to 20 years in prison and has been accused of transporting stolen good across state lines and wire fraud.

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Pablo Picasso’s Paris studio where he painted the iconic Guernica in 1937 is at the center of a legal battle. The cultural group The National Committee for Artistic Education (CNEA) has been using the historic loft as its headquarters since 2002 but a French court is considering evicting the committee.

Founded in 1966, CNEA promotes arts education in schools and was given the space by Paris’ Chambre des Huissiers de Justice. As property prices in the artsy Saint-Germain-des Prés soar, the Chambre could make a considerable profit from the loft.

Besides being Picasso’s home and studio from 1936 to 1955, No. 7 Rue Grands-Augustins was the setting of a Honore de Balzac short story, the first home of Jean-Louis Barrault’s theatre company and a popular meeting place for Jean-Paul Sartre, George Bataille and Jean Cocteau. CNEA has hosted over 700 events at the loft.

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