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On Saturday, January 31, 2015, the Wadsworth Atheneum in Hartford, Connecticut, will unveil its reinstalled collections of post-war and contemporary art. Featuring work from 1945 to the present, the collections will be housed in three dedicated galleries that have been newly renovated and refurbished over the past year.

The Wadsworth’s illustrious post-war and contemporary holdings will be divided between the Huntington Gallery, where mid-century abstract painting and sculpture by artists such as Ellsworth Kelly, Willem de Kooning, Alexander Calder, Helen Frankenthaler, Jackson Pollock, Mark Rothko, and Tony Smith will be displayed; the Hilles Gallery, which will feature works by Robert Rauschenberg, Kara Walker, Cindy Sherman, Andy Warhol, Chuck Close, and Richard Tuttle; and the Colt building’s mezzanine gallery, where one of Sol LeWitt’s famed wall drawings will be on view as well as works by other minimalists and conceptualists.

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On June 30, Sol LeWitt’s “Wall Drawing #370: Ten Geometric Figures (including right triangle, cross, X, diamond) with three-inch parallel bands of lines in two directions” (1982) will go on view at the Metropolitan Museum of Art in New York. The linear, black-and-white drawing will take five drafters four weeks to install.

LeWitt, a founder of both Conceptualism and Minimalism, made his first wall drawing in 1968. The process involved creating guidelines or diagrams so that the two-dimensional works could be drawn directly on a wall using everything from graphite and crayon to India ink and acrylic paint. LeWitt’s wall drawings were designed for limited duration and maximum flexibility within a broad range of architectural settings. Painstakingly executed by drafters, most of LeWitt’s wall drawings were eventually destroyed. “Wall Drawing #370” will be painted over when the exhibition ends on September 7, 2015.

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