Displaying items by tag: avant garde

Christie’s presents the sale of three works by Carl Andre, Sol LeWitt, and Dan Flavin from the collection of Paul Maenz to be sold in the evening sale of Post-War and Contemporary Art on November 10th. Through his gallery and the artists he represented, Paul Maenz had a profound impact on Cologne’s importance as a cultural and artistic center. Specialized in works by conceptual artists early on, the Galerie Paul Maenz Köln was instrumental in introducing avant-garde art of the 1970s and 1980s to Europe. New York and Cologne have had a decisive influence on the art world, both cities afford the kind of climate that artists value and possess intuitions that both challenge and support the art scene.

The Indianapolis Museum of Art (IMA) has spent over nine years honing their collection of avant garde fashion designs. This year, they are able to debut their efforts in an exhibition, simply titled, "Cutting Edge Fashion: Recent Acquisitions."

The show will look at an array of pioneering designers who have altered the fashion conversation world—be it through new silhouettes, innovative use of materials and draping, or the subversion of the status quo. Viewers, for instance, will find a design by Austrian-born fashion designer Rudi Gernreich, the inventor of the topless single-piece swimsuit, the monokini.

Everything but the kitchen sink would be one way to describe the staggering array of possessions owned by Lauren Bacall that go under the hammer in New York next week.

From fine art to kitchenware, from avant garde to the kitsch: hundreds of items collected and loved by the Hollywood siren go on sale Tuesday and Wednesday at Bonhams auction house.

The collection is nothing if not eclectic. It includes jewelry and clothes, Aboriginal and African art, English and French furniture and items bought in antique shops around the world.

The Courtauld Gallery is presenting the first major museum exhibition in over 20 years of one of the 20th Century’s most exceptional artists, Egon Schiele (18901918). A central figure of Viennese art in the turbulent years around the First World War, Schiele rose to prominence alongside his avant-garde contemporaries, such as Gustav Klimt and Oskar Kokoschka. He produced some of the most radical depictions of the human figure created in modern times, reinventing the subject for the 20th Century. The exhibition charts Schiele’s short but transformative career through one of his most important subjects – his extraordinary drawings and watercolors of male and female nudes.

"Egon Schiele: The Radical Nude" concentrates on the artist’s drawings and watercolors. It brings together an outstanding selection of works that highlight Schiele’s technical virtuosity, highly original vision and uncompromising depiction of the naked figure.

The Peabody Essex Museum announced a $5 million pledge Thursday from the Lynch Foundation, adding to the museum’s already impressive endowment.

The money will be used to establish continuity for the museum’s changing exhibition program, featuring exhibits like the recently opened Alexander Calder display, “Calder and Abstraction: From Avant Garde to Icon.”

The Lynch Foundation, formed by Marblehead’s Carolyn and Peter Lynch in 1988, focuses on health care, education, museums and Roman Catholic religious institutions. Carolyn Lynch has sat on the PEM board for nearly two decades; she is president and chairwoman of the Lynch Foundation.

About halfway through the 20th century, the international postwar artists who called themselves the Zero Group tried to hit the reset button. As they saw it, modern art had been irretrievably damaged by two world wars. The only thing to do was start over.

“The Art of Zero: Heinz Mack, Otto Piene, Günther Uecker and Friends,” at the Neuberger Museum of Art, takes us back to that clean-slate moment. Its artworks soothe and pacify with flickering lights, gentle kinetic movements and endless variations on the white-on-white monochrome.

Ileana Sonnabend was one of the greatest and most influential discoverers of artistic talent of the late 20^th century, known and appreciated for her intuition, strength of character, ground-breaking vision and for that eclecticism of taste and thinking that enabled her to understand and promote all that was new in American and European art. Created over many years and a material reflection of her commitment to supporting young artists and the avant-garde movements of the 20^th century, her extraordinary collection now finds a “European home” in the splendid monumental rooms on the second floor of the Galleria Internazionale d’Arte Moderna at Ca’ Pesaro.

The exhibition marks the first step in a long-term collaboration with the Sonnabend Collection and Sonnabend Collection Foundation, and offers an extraordinary opportunity to enrich the city’s 20^th-century art collections and the permanent displays at Ca’ Pesaro, which thanks to the works from the Ileana Sonnabend collection, will be able to offer its visitors a more comprehensive itinerary with plenty of masterpieces from the history of art of the whole of the 20^th century. The Sonnabend Collection picks up exactly at the point in which Ca’ Pesaro ended its collecting spree and relationship with the Biennale, and will lead the visitor past a series of works of the highest artistic quality forming part of the principal experimental schools of the late 20^th century through over 70 iconic works of the period.

100 years after the seminal Armory Show in New York City, The Heckscher Museum of Art presents Modernizing America: Artists of the Armory Show. On view through April 14, 2013, the exhibition features works from the museum’s permanent collection and explores the show that changed the country’s perception of modern art.

Organized by the Association of American Painters and Sculptors, the Armory Show, officially titled the International Exhibition of Modern Art, took place at the 69^th Regiment Armory and introduced radical works of art to the public; a far cry from the realistic art they were accustomed to. Artists, critics, and patrons were presented with European works that boasted avant-garde sensibilities and spanned genres like Futurism, Cubism, and Fauvism. The show transformed the landscape of modern art and inspired an unmatched growth and progression in American art.

Works on view include paintings by Marguerite Zorach (1877-1968) and Arthur B. Carles (1882-1952); works on paper by Joseph Stella (1877-1946), Oscar Bluemner (1867-1938), and Charles Sheeler (1883-1965); and sculptures by artists such as Walter Kuhn (1877-1949).

The Heckscher Museum of Art was founded in 1920 by August Heckscher in Huntington, New York. The museum boasts over 2,000 works and focuses mainly on American landscape paintings as well as American and European modernism and photography.