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Displaying items by tag: Contemporary Art

Frieze Week always brings with it a flurry of art events, but few are as highly anticipated as the inaugural Art Miami New York (AMNY) fair. Produced by the esteemed ownership team of Art Miami, AMNY will bring the brand’s distinct style and ambiance to New York City. According to Nick Korniloff, the Founder/Partner of AMNY, “It only...

To continue reading this article about the inaugural Art Miami New York fair, visit InCollect.com.

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When auto magnate Norman Braman and developer Craig Robins laid the groundwork last year to build a new home for the Institute of Contemporary Art, they envisioned the private institution carving a cutting-edge niche in Miami’s arts scene and serving as the crown jewel of the city’s luxury shopping mecca.

But only half the museum campus is actually in the Design District.

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Boston’s Institute of Contemporary Art, the cultural anchor in the evolving Seaport District since its 2006 opening, is planning a 20,000-square-foot-plus expansion.

The waterfront museum will expand into the adjacent 100 Northern Ave., a 17-story glass office tower under construction by the Fallon Co. on Fan Pier.

The ICA plans to use the additional 23,000 square feet for more gallery space.

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The Parrish Art Museum will debut an extensive survey of the photography of Chuck Close, one of the most important figures in contemporary art, opening this Sunday, May 10 with a reception at 11 a.m.

On view through July 26, the exhibition will feature some 90 images from 1964 to the present, showcasing an arc of the artist’s exploration of photography— from early black and white maquettes to monumental composite Polaroids and intimately scaled daguerreotypes and his most recent Polaroid nudes. The exhibition explores how Mr. Close has stretched the boundaries of photographic means, methods and approaches.

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Asian collectors snapped up paintings by Vincent Van Gogh, Pablo Picasso and Claude Monet at a Sotheby’s auction in New York that totaled $368.3 million.

The tally on Tuesday was the second highest for an Impressionist and modern art auction at Sotheby’s and a 67 percent increase from a similar sale last May. The auctioneer also surpassed its high presale target of $351 million despite failing to sell 14 of the 64 lots.

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A former longtime Jasper Johns assistant was ordered Thursday to spend 18 months behind bars after admitting he stole artworks from the pop artist's Connecticut studio and arranged for them to be sold by a Manhattan gallery for nearly $10 million.

James Meyer, 53, of Salisbury, Connecticut, was also ordered to pay $13 million in restitution and to forfeit $3.9 million.

U.S. District Judge J. Paul Oetken said he believed Meyer was genuinely remorseful and was primarily a "kind, caring, thoughtful" man who committed a serious offense, selling unauthorized artworks on at least three occasions from 2006 to 2011, pocketing more than $4 million.

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The Renwick Gallery, the Smithsonian Institution’s decorative arts and crafts museum in Washington, DC, is due to reopen to the public on November 13 after a two-year, $30m renovation. Built in 1859 across from the White House, the Renwick is the first American building designed specifically to showcase art.

The inaugural exhibition, “Wonder”, will take over the entire museum. The Renwick commissioned nine contemporary artists, including Chakaia Booker, Tara Donovan, Maya Lin and Leo Villareal, to create site-specific, room-size installations out of unorthodox materials such as insects, tires and glass marbles.

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A major private contemporary art collection with a value estimated at $400 million is being donated to the Art Institute of Chicago by local philanthropists Stefan Edlis and Gael Neeson, in what the museum is calling the largest gift of art in its history and a coup for the institution and the city.

Numbering 42 pieces, stocked with iconic works by Andy Warhol, Jasper Johns and many other instantly recognizable names and spanning a time period from 1953 to 2011, experts called it one of the most significant collections of its kind in the world.

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It was the Roaring Twenties. Women bobbed their hair and hiked their skirts, and an estimated 100,000 speakeasies flourished in New York City in the face of Prohibition. Yet there was an oasis of calm: Frederick Law Olmsted’s Central Park. Overlooking the leafy landscape on the Upper East Side, the private homes of the privileged rose with the stock market and multiplied into elegant neighborhoods. In 1926, a small residence hotel with a Beaux-Arts façade opened at 20 East 76th Street and seamlessly blended into the neighborhood. The Surrey was luxurious and discreet; qualities movie actresses Claudette Colbert and Bette Davis and other celebrities appreciated. Later, John F. Kennedy made the popular residence his home in the city.

But by the beginning of the twenty-first century, the Surrey had lost its luster, until new owners launched a $60 million, 14-month-long renovation. Debuted in 2009, the aura of the 17-story, 190-room hotel‘s historic past remains intact, but interior designer Lauren Rottet has added a contemporary flair, helped along by the installation of thirty-one original works by international artists...

Continue reading this article about the Surrey Hotel, which was reinvigorated by the leading interior designer Lauren Rottet, on InCollect.com.

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Boston architect and Cleveland native Graham Gund, a 1963 graduate of Kenyon College, and his wife, Ann, have donated 80 modern and contemporary works of art to Gund's alma mater.

Many of the works are already displayed on the campus, the college said in a story published Wednesday in its official Kenyon News.

The college described the works, by masters including Pablo Picasso, Frank Stella, Kiki Smith, Paul Manship, Dale Chihuly and Christo and Jeanne-Claude, as comprising "a multimillion dollar value."

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