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Columbus College of Art & Design’s board of trustees confirmed Thomas White, an award-winning industrial designer and branding expert who has positioned organizations for growth in a variety of business sectors, including higher education, as CCAD’s new president during the board’s annual meeting on June 24.

White, 58, is a passionate advocate for the power of art and design to fuel economic growth and innovation. He succeeds Dennison W. Griffith in leading one of the nation’s oldest and largest private colleges of art and design. Griffith, who announced in August that he would retire when his contract expired June 30, was president for 16 years and most recently oversaw the opening of the CCAD MindMarket as a hub for businesses to engage with the college.

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If you want to see the future of car design, you might want to look to the past, to the concept cars designed decades ago.

Take L’Œuf électrique, a three-wheeled, egg-shaped electric model built for personal use by the French artist, industrial designer, and engineer Paul Arzens in 1946. It was conceived as a response to gas shortages during World War II, and it never went into production. But its fuel efficiency and compactness foreshadowed today’s Smart cars and hybrids.

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Upon her death on January 7, 2013 at the age of 91, Ada Louise Huxtable (1921-2013), a pioneering architecture critic, writer and historian, left her entire estate and her archives to the Getty Research Institute in Los Angeles. The bequest also included an apartment in New York City, a house in Marblehead, MA, and the archives of Huxtable’s husband, industrial designer, Garth Huxtable (1911-1989).  Huxtable served as the architecture critic for the New York Times from 1963 to 1982 (she was the first full-time architecture critic at an American newspaper) and as a writer for the Wall Street Journal.

The Huxtable Archives, which include notes, correspondence, research files, manuscripts, drawings, and photography, will become part of the Getty’s Special Collections holdings. Huxtable, a proponent of historic preservation, will have her own groundbreaking work conserved for the benefit of the public and the field of architecture thanks to her partnership with the Getty.

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