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The Margulies Collection is organizing an Anselm Kiefer exhibition that is due to open next autumn, in time for the 2015 edition of Art Basel in Miami Beach. The show in the Warehouse, the non-profit institution’s space in Miami’s Wynwood Arts District, will feature a monumental installation by the German-born, French-based artist, which he created specially for his major retrospective at London’s Royal Academy of Arts (until 14 December).

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The Norton Simon Museum announces a special installation of Édouard Manet’s poetic "The Railway," 1873, a highlight from the National Gallery of Art’s esteemed 19th-century collection. Evident in this dramatic work are Manet’s characteristic brushwork, his brilliant use of color and sense of composition, and his striking portrayal of modern life—indeed, the scene is set near the bustling Gare Saint-Lazare. Its installation at the Norton Simon Museum marks the first time the painting has been on view on the West Coast. It will be installed in the Norton Simon’s Impressionist Art Wing from Dec. 5, 2014, through March 2, 2015.

"We are delighted to continue the exciting exchange program with the National Gallery of Art," says Museum President Walter W. Timoshuk. "This mesmerizing masterpiece, the fourth loan from the esteemed Washington institution, will, we hope, enchant our visitors during its three-month stay."

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The Metropolitan Museum of Art’s marble sculpture "Adam" by Tullio Lombardo (ca. 1455–1532) will return to public view on November 11, following a tragic accident in 2002 and an unprecedented 12-year conservation project. It is the first life-sized nude marble statue since antiquity and the most important Italian Renaissance sculpture in North America. Tullio carved Adam in the early 1490s for the monumental tomb of doge Andrea Vendramin, now in the church of Santi Giovanni e Paolo, Venice, and it is the only signed sculpture from that iconic monument. The sculpture and its restoration will be the focus of Tullio Lombardo’s "Adam: A Masterpiece Restored," the inaugural installation in the Museum’s new Venetian Sculpture Gallery.

Thomas P. Campbell, Director and CEO of the Metropolitan Museum, said: “We are proud to return this great Tullio sculpture to public view in a beautiful new gallery. Our extraordinary conservators collaborated with a team of experts over 12 years to pursue this extremely challenging work. The results of their care and innovation are stunning.”

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The Portland Museum of Art placed the Robert Indiana sculpture “Seven” in front of the museum Monday morning. The steel sculpture, which announces the museum’s presence at 7 Congress Square, will be celebrated at 5:30 p.m. Friday as part of the city’s First Friday Art Walk.

Indiana, 86, lives on Vinalhaven off Rockland. “This is a public announcement that 7 Congress Square will always be a place for art,” said chief curator Jessica May. She called Indiana “one of the state’s most beloved artists,” and said placing art outside the museum is part of a larger effort to engage with the public whenever possible.

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The Dia Art Foundation is well known for its stewardship of two of the greatest pieces of American land art: Robert Smithson’s “Spiral Jetty” in Utah and Walter De Maria’s “Lightning Field” in New Mexico.

In 2015, after years of planning, it will open an ambitious new long-term project that is intended to ask provocative questions about what “American” means and to push the boundaries of the foundation’s roots in the Minimalist and Conceptual movements of the 1960s and ’70s.

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Guess what? If you walk into the Doris C. Freedman Plaza, at the southeast entrance of Central Park, you will encounter something unusual, even strange: four huge sculptures by internationally famed Chinese sculptor Sui Jianguo.

It is the first time a Chinese artist's work occupies this plaza, which is named for the founder of the Public Art Fund.

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For its 2014-2015 season, the Pérez Art Museum Miami (PAMM) has asked artists Nicole Cherubini, Mario Garcia Torres, Iman Issa, Shana Lutker, and Gary Simmons to create site-specific projects in the museum. In creating the commissioned works, the artists have been asked to respond to both the museum’s architecture and Miami. Projects range from Cherubini’s clay works to a large mural by Simmons to a historiographic installation from Torres.

“Site-specific and commissioned works are a vital part of PAMM’s curatorial and public vision and program."

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One hundred tons of inland ice from Greenland melts on Copenhagen City Hall Square as part of a project to highlight climate change. With Ice Watch, Olafur Eliasson and Minik Rosing direct attention to the publication of the IPCC’s 5th Assessment Report on the Climate.

On Sunday, twelve large blocks of ice, collected from a fjord outside Nuuk, Greenland, will arrive at Copenhagen’s City Hall Square. The ice, displayed in clock formation, is a physical wake-up call: Climate change is a fact. Temperatures are rising. The ice is melting. Sea levels are rising. With Ice Watch, artist Olafur Eliasson and geologist Minik Rosing have made a visually striking, haptic contribution to the climate debate.

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On Sunday, October 5, three monumental sculptures by Alexander Calder took up residence at the Seagram Building on Park Avenue in New York. The installation is part of a collaboration between Pace Gallery, a leading contemporary art gallery based in New York, and the Alexander Calder Foundation. The presentation will coincide with Storm King Art Center’s annual gala on October 8, which will be held in the Seagram Building’s famed Four Seasons restaurant. The gala will honor the Calder Foundation and its president, Alexander S.C. Rower, the artist’s grandson. Located sixty miles north of New York City, Storm King’s sprawling outdoor sculpture park features a number of works by Calder.

Pace Gallery, which represents Calder’s estate, has installed the three sculptures in front of the Seagram Building.

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The Saint Louis Art Museum will present a free exhibition presenting new works by artist Nick Cave, the Missouri native who has captivated audiences with artworks spanning sculpture, fashion, installation and performance.

The exhibition, "Currents 109: Nick Cave," opens Oct. 31 and runs through March 8, 2015. The exhibition will include installations in Galleries 249 and 250 in the museum’s new East Building; a new media installation in Gallery 301; and an intervention in Gallery 102, a large gallery devoted to historical African art.

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