Displaying items by tag: pierreauguste renoir

This spring, Christie’s will sell approximately 400 items from the collection of Huguette Clark, a reclusive copper heiress. The auction house has revealed that the trove includes Claude Monet’s ‘Water Lilies’, which has not been exhibited publicly since 1926 and is expected to fetch between $25 million and $35 million, and Pierre-Auguste Renoir’s ‘Young Women Playing Badminton,’ which is expected to bring between $10 million and $15 million.

Clark’s collection also includes musical instruments, Gilded Age furniture and rare books. The trove will be divided among two sales -- one on May 6 that will include the Monet and Renoir paintings, and another on June 18. The entire collection is expected to fetch more than $50 million. Before the sales, highlights from Clark’s holdings will go on view at Christie’s London and then at various locations throughout Asia.

Clark was the daughter of U.S. senator and copper tycoon, William A. Clark. Beginning in 1930, she led a largely reclusive life and when she passed away in 2011, she left behind an estate worth nearly $300 million. The proceeds from the upcoming sales will go to the estate, which will most likely be distributed between art institutions and distant relatives.

DeBruyne Fine Art of Naples, Florida, will host its thirteenth solo exhibition by internationally acclaimed artist Jenness Cortez. On view January 30 through March 31, 2014, 'Homage to the Creative Spirit 2014' presents the next chapter in an enriching visual conversation between the artist and the viewer. Among the many themes raised by her new realist work is Cortez’s heartfelt conviction that iconic images, when seen in familiar domestic settings, can inspire each of us to rediscover and revalue our own creative potential. Each intricate Cortez painting challenges the viewers’ intellectual curiosity and celebrates the sheer pleasure of beautiful painting. In her new work, Cortez plays author, architect, visual journalist, art historian, curator and pundit to help open our eyes to what we might otherwise have overlooked or taken for granted. In part, this year’s body of work pays homage Albrecht Dürer, George Stubbs, Albert Bierstadt, Pablo Picasso, George Inness, Winslow Homer, Claude Monet, Pierre-Auguste Renoir, Johannes Vermeer and Vincent Van Gogh.

A book published by Rizzoli New York will accompany the exhibition ‘Impressionists on the Water,’ which is currently on view at the Peabody Essex Museum in Salem, MA. The show presents over 90 paintings, prints, models and photographs by artists such as Edouard Manet, Claude Monet, Pierre-Auguste Renoir, Camille Pissarro, Georges Seurat and Alfred Sisley and explores how France’s waterways and oceans influenced these masters of Impressionism.

The book ‘Impressionists on the Water’ includes scholarly essays that examine the historical and cultural aspects of the nautical themes embraced by the Impressionists. The volume also charts the changing depictions of water from Pre-Impressionism through Impressionism to neo- and post-Impressionism. Contributors include Phillip Dennis Cate, a specialist in nineteenth-century French art; Daniel Charles, a noted historian with a particular expertise in maritime heritage; and Christopher Lloyd, Surveyor of the Queen’s Pictures, who is responsible for the care and maintenance of the UK’s royal collection of pictures.

‘Impressionists on the Water’ is available through Rizzoli’s website. The exhibition will be on view at the Peabody Essex Museum through February 17, 2014.

The Museum of Fine Arts, Boston (MFA) is asking the public to choose their favorite Impressionist works for a special exhibition, ‘Boston Loves Impressionism’. From January 6 through January 29, participants can vote for their favorite paintings on the MFA’s website or on Facebook. Voters will choose from a selection of 50 works from the MFA’s collection of Impressionist art, which includes masterpieces by Claude Monet, Pierre-Auguste Renoir and Edgar Degas. The top 30 paintings will be featured in the exhibition, which opens February 14.  

Malcolm Rogers, Ann and Graham Gund Director at the MFA, said, “While the Museum’s popular European Impressionism Gallery is closed for renovation, we thought it would be exciting to let the public choose which of their favorite works would remain on view. This is the first time we’ve ever presented an exhibition selected by the public. Boston has long loved Impressionism, and voters have the opportunity to write the next chapter in the story of Boston’s passion for the artistic movement that has played such an important role in the MFA’s history.”

‘Boston Loves Impressionism’ will remain on view at the MFA through May 26, 2014.

The Henry and Rose Pearlman Foundation, owner of 72 works of Impressionist and Post-Impressionist art, has launched a website (www.pearlmancollection.org) to make its collection readily available to the public. The site allows visitors to explore individual artists and works, create their own galleries from the collection, and to save those galleries privately or share them socially.

At the core of the Pearlman Collection are 33 works by Paul Cézanne including 16 watercolors that are rarely exhibited because of their sensitivity to light. The collection also includes works by Vincent Van Gogh, Amedeo Modigliani, Chaim Soutine, Paul Gauguin, Edouard Manet, Pierre-Auguste Renoir, Henri de Toulouse-Lautrec and Edgar Degas.

Henry Pearlman, the founder of Eastern Cold Storage, collected from the mid-1940s up until his death in 1975. The Henry and Rose Pearlman Collection is on long-term loan to The Princeton University Art Museum, where many of the major works are on display. A five-city tour of the collection’s masterpieces – organized in conjunction with Princeton – is planned for 2014-15. While individual works are often loaned to special exhibitions around the world, the collection has not been seen outside of the New York area for more than 35 years.

On November 9, 2013 the Crystal Bridges Museum of American Art in Bentonville, Arkansas unveiled the exhibition The Artists’ Eye: Georgia O’Keeffe and the Alfred Stieglitz Collection. The monumental presentation features 101 works of American and European art as well as African art from the collection of photographer and gallery owner Alfred Stieglitz. Works on view include masterpieces by his wife, Georgia O’Keeffe, Arthur Dove, Charles Demuth, Marsden Hartley, John Marin, Paul Cezanne, Pierre-Auguste Renoir and Henri Toulouse-Lautrec.

The exhibition traces the rise of American Modernism, a movement that Stieglitz championed through his career as a photographer and gallerist. When he opened his gallery in the early 20^th century, Stieglitz was one of the first gallery owners in the United States to showcase European Modernists. Soon, he became devoted to highlighting the works of American modernists, often purchasing artworks from them and providing them with studio space.

The collection that comprises The Artists’ Eye was donated to Fisk University in Nashville by O’Keeffe after Stieglitz’s death in 1946 and is now co-owned by Crystal Bridges and Fisk. The collection will travel between the two institutions every two years.

The Artists’ Eye will be on view at the Crystal Bridges Museum of American Art through February 3, 2014.

The Cincinnati Art Museum presents Degas, Renoir, and Poetic Pastels, an exhibition featuring a selection of the most famous pastel drawings in the world. The works are drawn from the museum’s permanent collection and include landscapes by Alfred Sisley, Edgar Degas’ ballet dancers, and portraits by Pierre-Auguste Renoir.

Pastel, which is derived from the Latin word pasta, or “paste,” has been a popular medium for artists since the 15^th century. Degas, Renoir, and their contemporaries enjoyed the medium because it didn’t need time to dry and boasted rich, saturated hues. The works on view at the Cincinnati Art Museum, which are from the second half of the 19^th century, are rarely on view due to their sensitivity to light.

Degas, Renoir, and Poetic Pastels will be on view through January 19, 2014.

The Dallas-based auction company, Heritage, will host a number of sales featuring objects from Pierre-Auguste Renoir’s (1841-1919) personal archive starting on September 19, 2013 in New York. Items include the artist’s eyeglasses, funeral receipts, clothing, paperwork, photos, medals, statues and books signed by fellow artists. The sale will also include letters and writings by Renoir that detail his travels, inspirations for paintings and relationships with models and dealers.

During the 1970s, Renoir’s heirs moved from France to Canada and then to Texas, taking the artist’s belongings with them. The trove, which will be broken into 150 lots, has been stored in various spots across North America until now. Scholars are hoping that an institutional buyer will step up and make a bulk purchase as the collection holds significant historic value.

The collection was put up for auction once before in 2005 but it failed to sell. Following the sale, anonymous buyers from Arizona purchased the lot. They are now consigning the works to Heritage.

The Sterling and Francine Clark Institute in Williamstown, MA received its largest gift to date from New York-based collectors Frank Martucci, and his wife, Katherine. The Martuccis donated an impressive collection of works including eight landscapes by the 19^th-century American painter George Inness (1825-1894).

The gift is extremely beneficial for the Clark, which focuses on collecting certain artists in depth; the museum currently boasts impressive collections of works by John Singer Sargent (1856-1925), Winslow Homer (1836-1910), and Pierre-Auguste Renoir (1841-1919). The Martuccis’ donation strengthens the Clark’s Inness holdings as they had only two paintings by the artist in their collection, which were acquired in 1955. The Martuccis also donated oil paintings by Eastman Johnson (1824-1906) and Gaston Latouche (1854-1913), an early watercolor landscape by Piet Mondrian (1872-1944), and five works by the Italian genre painter Mose Bianchi (1840-1904).

The new Inness landscapes will be featured in the exhibition George Inness: Gifts from Frank and Katherine Martucci from June 9 through September 8, 2013; the show will run concurrently with a major exhibition of paintings, watercolors, and prints by Winslow Homer.

The success of Sotheby’s and Christie’s Impressionist, Surrealist, and Modern sales in London this week is proof that the demand for such works is on the rise. On February 6, 2013 Christie’s brought in $214 million worth of sales, just one day after Sotheby’s evening auction garnered $228 million.

The top lot at Christie’s was Amedeo Modigliani’s (1884-1920) portrait of his common-law wife titled Jeanne Hebuterne (au chapeau) (1919). The work, which was completed just one year before Modigliani’s death, sold for $42.1 million to one of Christie’s Russian-speaking client services representatives, who was bidding on behalf of a client. The work significantly surpassed its high estimate of $34.5 million.

Other major sales from Christie’s auction included Rene Magritte’s (1898-1967) landscape Le plagiat (Plagiary) (1940), which sold for nearly $8.2 million, Pablo Picasso’s (1881-1973) Nu accroupi (1960), which went for $11.4 million, and Pierre-Auguste Renoir’s (1841-1919) L’ombrelle (1878), which garnered $15.2 million.

With 89% of lots sold, the sale was a record in the Impressionist, Surrealist, and Modern category by Christie’s in February in the UK.