Displaying items by tag: prints

The Minneapolis Institute of Arts kicks off its centennial year this morning with an announcement of a major long-term loan of modernist painting.

The 400 paintings, drawings and prints collected by the late Myron Kunin, founder of the Regis Corporation, is believed to be one of the foremost collections of modernist painting in private hands.

"It's a rather important way to kick off the anniversary year," said MIA curator of painting Patrick Noon.

Arguably the two most influential 20th century Spanish artists, Pablo Picasso and Salvador Dali, come together in this landmark exhibition at The Dali Museum in downtown St. Petersburg, FL. Organized by The Dali and the Museu Picasso, Barcelona with the collaboration of the Fundació Gala-Salvador Dali, “Picasso/Dali, Dali/Picasso” runs through February 16, 2015.

The exhibit features rarely loaned works from more than 20 international museums and collectors worldwide. There are over 90 works in the exhibit including a large assortment of paintings, as well as drawings, prints and sculpture plus archival documents such as postcards from Dali to Picasso. After its premier at The Dali, the exhibit will be on display at the Museu Picasso, Barcelona from March 19-June 28, 2015.

The Dayton Institute of Art in Dayton, Ohio, is currently hosting “Deco Japan: Shaping Art and Culture, 1920-1945,” an intriguing exhibition that explores the influence of the Art Deco movement on Japanese culture. The show, which has been on view at a number of institutions, including the Seattle Art Museum in Washington, the Tyler Museum of Art in Texas, and the Columbia Museum of Art in South Carolina, is the first traveling exhibition outside of Tokyo dedicated to Japanese Art Deco. Drawn from the private Levenson Collection of Japanese art in Clearwater, Florida, “Deco Japan” features nearly two-hundred objects, including sculpture, ceramics, glassware, jewelry, textiles, prints, lacquerware, furniture, and paintings, including five works from Boston’s Museum of Fine Arts.

Art Deco emerged in Paris in 1925 at the Exposition Internationale des Arts Décoratifs et Industriels Modernes, where the style was first exhibited.

It was a very good year for the Hood Museum of Art. In 2014, the Dartmouth College institution received two major donations of artwork from alums. The college was already an art lovers' destination, offering such attractions as the stunning "The Epic of American Civilization" mural by José Clemente Orozco in the Baker Library. Exhibits included the likes of Picasso prints, aboriginal paintings, and the recently closed "Witness: Art and Civil Rights in the Sixties." The gifts of contemporary photography from Nancy and Tom O'Neil (class of '79) and of European and American art from the late Barbara J. and David G. Stahl (class of '47) add nearly 160 pieces to the Hood's permanent collection.

It's not every day — or year — that a college art museum can boast such acquisitions.

From the Fabulous '40s through the Swinging '60s to now, Pop Art's style has endured.

Earlier this year, the Allentown Art Museum explored the beginning of Pop Art's story in "British Pop Art Prints," which revealed how American Pop Art grew from a movement that started in London in the late '40s and early '50s by British artists such as Richard Hamilton and Eduardo Paolozzi.

Then came the Americans — Andy Warhol, Jasper Johns, Roy Lichtenstein and Claes Oldenburg — who rose from relative obscurity in New York to become some of the world's best-known artists, and had an influence on everything from design to fashion and film.

The museum explores that story in "American Pop: The Prints," an exhibit of works from the museum collection and Muhlenberg College that serves as a companion exhibit to "Robert Indiana from A to Z," a retrospective of work by one of the Pop movement's founding fathers.

During the inauguration of the Centre Pompidou’s new Photo Gallery, the museum’s president, Alain Seban, announced plans for an exhibition space dedicated to architecture and design. The new gallery will be located within the Centre Pompidou’s existing building in Paris’ lively Beaubourg neighborhood. According to “The Art Newspaper,” Seban said that he plans “to create, as soon as possible, a gallery of architecture and design by reclaiming spaces closed to the public.”

The new Photo Gallery, which is housed in former technical facilities at the Centre Pompidou, opened to the public on Wednesday, November 5. Stretching over 200 square meters, the gallery allows the museum to display a larger portion of its vast photography collection, which includes 40,000 prints and over 60,000 negatives.

The Norton Museum of Art presents "Master Prints: Dürer to Matisse," featuring astonishing works on paper including woodcuts, etchings, engravings, aquatints, and lithographs that range from the 15th to 20th centuries. This not-to-be-missed exhibition brings together several of the earliest as well as later examples of the golden age of printmaking. Works by old masters Dürer, Rembrandt, Goya, and Canaletto, will be displayed alongside those of modern masters Degas, Matisse, Picasso, and Cezanne. The exhibition is on view through Sunday, Feb. 15, 2015, and is accompanied by a video demonstrating printmaking processes, and texts describing the role prints held in society before the advent of photography.

“Each and every work in this exhibition is rare, and of a breathtaking quality that is no longer available on the market,” says Jerry Dobrick, the Norton’s Curatorial Associate for European Art.

During the late 15th and early 16th centuries, Augsburg, Germany enjoyed a cultural golden age. Situated at the confluence of two large rivers and near important Alpine passes, Augsburg had thrived on trade with Italy and enjoyed the influence of the Italian Renaissance. It was the home of two leading banking families, the Fuggers and Welsers, both of whom repeatedly made crucial loans to the often cash-strapped Habsburg emperors. Indeed, the Houses of Fugger and Welser were to the Emperors Maximilian I and Charles V what the House of Rothschild would be to the 19th-century governments of Europe. Consequently the grateful imperial favor bestowed upon Augsburg nurtured the city’s fine arts.

The Reina Sofía will assume the technical direction, research management, preservation and dissemination of the archive for a period of ten years, with the option to fully acquire the collection down the road.

The tenth edition of Master Drawings in New York January 24 – February 1, 2015 promises to be the best ever. More than thirty of the world’s leading dealers are coming to New York City to offer for sale master art works in pencil, pen and ink, chalk and charcoal, as well as oil on paper sketches and watercolors, created by iconic artists working in the 16th to 21st centuries. Each exhibition is hosted by an expert specialist and many works on offer are newly discovered or have not been seen on the market in decades, if at all.

In addition, Margot Gordon and Crispian Riley-Smith, co-founders of Master Drawings in New York, announced that John Marciari, the new head of the Department of Drawings and Prints at the Morgan Library & Museum in New York, will provide the introduction for the 2015 Master Drawings in New York brochure.