Displaying items by tag: projects

The Louvre kicked off its latest crowd-funding campaign on Tuesday with an appeal for a million euros to help fund the €12.5 million purchase of a jeweled piece of 18th-century furniture, known as the “Table of Peace,” which belonged to a French diplomat who negotiated the end of a Bavarian war.

After two years of budget cuts in state aid for cultural institutions, the Louvre is the second major French museum to turn to Internet fund-raising this month to pay for projects and acquisitions. For the first time, the Musée d’Orsay last week called for €30,000, or about $37,600, in contributions to help finance the €600,000 restoration of Gustave Courbet’s enormous painting of his studio, “L’Atelier du peintre.” By Tuesday, it had collected more than €20,000.

Art Basel in Miami Beach has just released details about Survey, its brand new section devoted to “art-historical projects” (read: art that was made a few decades ago). The thirteen projects cover quite a bit of ground, ranging from a group show of female geometric abstractionists to a solo presentation of Chilean political artist Lotty Rosenfeld.

In an effort to connect more directly with the global museum community, the Metropolitan Museum of Art will host the inaugural “Global Museum Leaders Colloquium.” The two-week program is slated to take place in April 2014 and will bring together over a dozen directors from Asia, Africa and Latin America. The colloquium will explore the major challenges that museum directors face including conservation issues and the well-being of the global economy.

The Met has been an international institution since its founding in 1870 and has continued to collaborate with museums across the globe through exhibitions, excavations, training and research projects. In addition, the museum runs a number of programs that bring international curators, conservators and scholars to New York.

Thomas P. Campbell, Director and CEO of the Met, said, “I wanted to establish a program that would strengthen our existing ties with our overseas peers and encourage a more focused dialogue between museum leaders.”

Over the years Rockefeller Center has hosted a number of important art installations including Jeff Koons’ (b. 1955) hulking terrier puppy made out of 43 feet worth of flowering plants (2000); Louise Bourgeois’ (1911-2010) Maman and Spiders (2001), which featured the French artist’s famous arachnid creatures; and Takashi Murakami’s (b. 1963) Reversed Double Helix (2003, which included a 30-foot-tall Buddha-like figure, two giant floating balloons, and a forest of mushroom seating.

The impressive public art displays were an integral part of Rockefeller Center until the project was put on hold in 2008 due to the American economy’s dismal state. At the time, the owners of Rockefeller Center were working on a number of major interior restoration projects and felt that spending money on public art during such a stringent time was unwise.

As the economy and public morale slowly regain their footing, Rockefeller Center has decided to re-launch its public art project. With assistance from the Public Art Fund, the first installation will feature nine human-shaped sculptures by the Swiss-born, New York-based artist Ugo Rondinone (b. 1964). The sculptures stand between 16 and 20 feet tall and are made from bluestone that was excavated from a quarry in Pennsylvania. Much of the stone that makes up Rockefeller Center’s sidewalks came from the same region.

Rondinone’s Human Nature will be on view April 23 through June 7, 2013.

The Museum of Craft and Folk Art (MOCFA) will be closing its doors on December 1, 2012, the date marking the institution’s thirtieth anniversary. Founded in 1982 by craft artist and well-known sculptor, Gertrud Parker, MOCFA is the only folk art museum in Northern California.

After three decades, the Museum’s overseers felt that their mission, to bring recognition and legitimacy to craft and folk art in the contemporary art arena, had been achieved. The poor climate for smaller art institutions was undoubtedly a contributing factor.

Although the art market and leading museums now embraces contemporary artists who borrow from craft traditions, the innovative and daring venues that helped these artists get there are suffering. For instance, this past summer amid financial troubles, the American Folk Art Museum in New York was forced to sell its building on 53^rd Street to the Museum of Modern Art and move to a smaller venue.

The MOCFA has exhibited hundreds of artists and significant local and national craft and folk art collections over the years. The Museum is devoted to collaborating with artists on commissions of new work as well as promoting artist-led projects and public programs. MOCFA has worked ardently to provide a place for makers and artists to come together and create, discuss, and learn. The Museum’s final exhibition, Fiber Futures: Japan’s Textile Pioneers, will be on view from now until December 1.