Displaying items by tag: Willem De Kooning

The Metropolitan Museum of Art in New York has announced plans for a major renovation of its Lila Acheson Wallace Wing. Completed in 1987, the Wing houses the museum’s Modern and contemporary collection, which includes works by the circle of early American modernists around Alfred Stieglitz, including Arthur Dove, Marsden Hartley, Georgia O'Keeffe, and John Marin; large-scale paintings by Abstract Expressionists, such as Willem de Kooning, Jackson Pollock, and Mark Rothko; and modern design, from Josef Hoffmann and members of the Wiener Werkstätte to Art Nouveau jewelry by René Lalique.

The Met, which is the largest art museum in the United States, is in the midst of re-evaluating its layout, and addressing the Lila Acheson Wallace Wing’s shortcomings is a top priority. As it stands, the Wing does not allow for a chronological presentation of the museum’s collection, creating a disjointed visitor experience. To remedy the issue, The Met plans to rebuild the Wing, potentially from scratch. Enhanced exhibition space will also allow the museum to better display its Modern and contemporary art holdings, which got a considerable upgrade last spring when philanthropist and cosmetics mogul Leonard A. Lauder donated 79 Cubist paintings, drawings, and sculptures.

Plenty of collectors want to donate artworks to museums, but the museums don't always welcome them with open arms. "We say 'no thanks' 19 times out of 20," says Betsy Broun, director at the American Art Museum. Sometimes the works aren't museum-quality, other times they don't fit with the museums' philosophy.

But in 1986, representatives from the Sara Roby Foundation called the Smithsonian with an offer it couldn't refuse: paintings by Edward Hopper, Raphael Soyer, Reginald Marsh and many more. They were all collected by Roby, who, in the early 1950s, took on a mission: to save Realistic art from the maws of Abstract Expressionism. The at the Smithsonian's American Art Museum.

Three men were charged on Monday, April 21, in connection with a forgery scam led by the Long Island-based art dealer, Glafira Rosales. During the fifteen-year scheme, Rosales and her accomplices sold counterfeit works that mimicked the styles of modern masters, including Jackson Pollock, Willem de Kooning, and Mark Rothko, through well-known galleries such as the now-shuttered Knoedler & Company gallery in New York. Rosales and her camp swindled unsuspecting customers out of more than $33 million. 

Among the trio was the Queens-based painter Pei Shen Qian, who allegedly made the forgeries and is believed to have fled to China. Qian, who has been charged with wire fraud conspiracy, wire fraud, and making false statements, faces up to 45 years in prison if he is convicted. Brothers Jesus Angel Bergantinos Diaz and Jose Carlos Bergantinos Diaz were arrested last week in Spain. Jesus faces up to 80 years in jail and Jose faces a maximum sentence of 100 years behind bars. Rosales, who already pleaded guilty, is awaiting sentencing. She faces up to 99 years in prison.

Manhattan US Attorney, Preet Bharara, said, "Today's charges paint a picture of perpetual lies and greed...With today's Indictment, the defendants must now answer for their alleged roles as modern masters of forgery and deceit.”

Las Vegas billionaire Frank Fertitta III is suing a respected Swiss curator accused of standing behind the authenticity of a Mark Rothko painting that turned out to be a fake. Feritta acquired “Untitled (Orange, Red and Blue)” from New York’s disgraced Knoedler gallery in 2008. He paid $7.2 million for the canvas.

Oliver Wick, a Swiss Rotko expert and specialist in American paintings, received $300,000 for the sale. According to court documents, Wick “was aware of substantial evidence that the painting was a forgery” and “conducted no independent research into the authenticity of this fake Rotko.” The painting had been exhibited at the Fondation Beyeler museum in Basel, Switzerland, where Wick was a curator.

Knoedler, which closed in 2011, has been accused by multiple clients of selling forged paintings. The forgeries, which were presented as authentic works by Rothko, Jackson Pollock, Robert Motherwell, Franz Kline, and Willem de Kooning, had been painted by a Queens-based Chinese artist and sold to Knoedler by Glafira Rosales, a Long Island art dealer. Rosales pleaded guilty to nine charges, including wire fraud, tax fraud, and money laundering, last September. During her 15-year scheme, Rosales swindled unsuspecting customers out of over $80 million.

Between 2010 and 2013, 100 American masterworks from the Phillips Collection in Washington, D.C. traveled to museums in Italy, Spain, Japan, Tennessee, Texas, and Florida. The exhibition earned rave reviews and was seen by more than 30,000 people. The Phillips Collection is currently hosting an expanded version of this hit show, titled “Made in the USA: American Masters from the Phillips Collection, 1850-1970.”

The exhibition is the most comprehensive presentation of the museum’s American art collection undertaken in nearly 40 years. “Made in the USA” presents over 200 works from the museum’s holdings including seascapes, city scenes, abstract canvases, and portraits. The exhibition is organized chronologically, beginning with American art from the late 19th century and ending with works from the postwar years. “Made in the USA” includes paintings, drawings, and etchings by Thomas Eakins, Rockwell Kent, Edward Hopper, John Marin, Arthur Dove, and Willem de Kooning.

The Phillips Collection, which was founded in 1921 by Duncan Phillips, was the first museum in the United States dedicated to American art. Over the course of 50 years, Phillips built a collection of nearly 2,000 pieces of modern art of which 1,400 were American.

“Made in the USA” will be on view at the Phillips Collection through August 31.

According to a plan announced on Wednesday, February 19, Washington, D.C.’s Corcoran Gallery of Art could hand over its vast, 17,000-piece collection to the government-backed National Gallery of Art. Under the proposed plan, George Washington University would assume control of the Corcoran’s historic Beaux-Arts building as well as the Corcoran College of Art and Design.

The proposal aims to keep the Corcoran open to the public and its collection, which features works by Claude Monet, Pablo Picasso, Winslow Homer, John Singer Sargent, Edward Hopper and Willem de Kooning, would remain in public institutions. The National Gallery would present exhibitions of modern and contemporary art in the Corcoran under the name Corcoran Contemporary, National Gallery of Art. It would also oversee the Corcoran Legacy Gallery, which would present a selection of works from the Corcoran’s collection.

The Corcoran, the largest privately supported art museum in the country, opened to the public in 1897. The museum has been struggling financially for years and is in need of considerable renovations.

A decision regarding the proposal is expected to be made in April.

Disgraced gallery Knoedler & Co. is at the center of two new lawsuits. The first suit was filed by Los Angeles’ Manny Silverman Gallery and Richard Feigen’s gallery in New York. The two dealers are asking to be repaid $1,050,000 for a forged Clyfford Still painting that was sold in a three-way transaction with Knoedler in 2000. The second suit was filed by Los Angeles collectors Martin and Sharleen Cohen, who bought two works, one by Mark Rothko and another by Willem de Kooning, both of which turned out to be forgeries. The couple is demanding to be repaid $475,000 plus interest for the two paintings.

All of the works were part of a trove of fake paintings supplied to Knoedler & Co. by Long Island art dealer, Glafira Rosales. Knoedler & Co. has been involved in over a dozen lawsuits as a result of the forged artworks it received from Rosales.

On January 28, 2014, the Hill Collection of Renaissance and Baroque bronzes will go on view at the Frick Collection in New York. The Frick will be the only venue for the first public exhibition of the figurative statuettes, which span the 15th through the 18th century. The Hill Collection is exceptional in that it contains a number of rare, autograph masterpieces by Italian sculptors such as Andrea Riccio, Giambologna, and Giuseppe Piamontini.

In an unexpected twist, the show will juxtapose the bronzes alongside modern masterpieces from the Hill’s collection including works by contemporary artists such as Cy Twombly and Ed Ruscha. Collectors Janine and J. Tomilson Hill have spent around 20 years amassing their holdings -- a mix of Renaissance sculptures and works by postwar artists, specifically Andy Warhol, Roy Lichtenstein, Francis Bacon, Willem de Kooning, Lucio Fontana, Brice Marden, Ruscha, and Twombly.

The Hill Collection will be on view at the Frick through June 15, 2014.       

On November 13, Sotheby’s Contemporary Art Evening Sale in New York realized an impressive $380,642,000 – the highest price achieved for any sale session in the auction house’s history. The 61-lot auction carried an estimate of $280.7 million to $394.1 million and saw records set for seven artists including Andy Warhol.

Silver Car Crash (Double Disaster), the last of four in a series of the artist’s paintings depicting car crashes, sold for $105.4 million, shattering Warhol’s auction record of $71.7 million. The work, which is believed to have come from a private Swiss collection, has belonged to a number of important collectors including Bruno Bischofberger, Gian Enzo Sperone, the Saatchi Collection and Thomas Ammann.

Other highlights from the auction included Gerhard Richter’s large-scale A.B. Courbet, which sold to a telephone bidder for $26.5 million; Cy Twombly’s 24-piece Poems of the Sea, which garnered $21.7 million; Willem de Kooning’s Abstract Expressionist canvas Untitled V, which realized $24.8 million; and Barnett Newman’s abstract By Twos, which sold to dealer David Zwirner for $20.6 million.

On November 12, Christie’s Evening Sale of Post-War and Contemporary Art in New York achieved an unprecedented $691,583,000 – the highest total for any auction in art market history. The top lot was Francis Bacon’s triptych, Three Studies of Lucian Freud, which garnered $142,405,000, a world record for any artwork ever sold at auction.

The highly anticipated painting, which was was expected to sell for $85 million to $95 million, portrays Lucien Freud, Bacon’s friend and fellow artist. Executed in 1969, the work is one of Bacon’s most important paintings and unites two of the most significant figurative artists of the 20^th century.

The sale set ten new world auction record prices for Bacon, Jeff Koons, Christopher Wool, Lucio Fontana, Donald Judd, Wade Guyton, Vija Celmins, Ad Reinhardt, Willem de Kooning and Wayne Thiebaud. Three works sold for over $50 million, 16 went for above $10 million, and 56 works exceeded $1 million. In addition, Jeff Koons’ Balloon Dog (Orange) achieved $58,405,000, a new world auction record for a living artist and the most expensive contemporary sculpture ever sold.

Brett Gorvy, Chairman and International Head of Post-War and Contemporary Art at Christie’s, said, “We are thrilled to announce an historic total of $691.6 million for this evening’s sale of Post-War and Contemporary Art. It is the second time this year that Christie’s has broken the highest total in auction history. Collectors from 42 countries registered tonight with strong bidding from American, European and Asian collectors but also from institutions. The sale was heavily focused on icons and masterworks, achieving an astonishing 10 record prices and breaking the record for any work of art ever sold at auction. Beyond the records, 10,000 art lovers flocked to Christie’s galleries in the last week to engage with and enjoy the remarkable selection of artworks on display.”