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 Financier, philanthropist, and art collector Eli Broad is suing a German sub-contractor that was hired to create a unique, latticed facade for his forthcoming flagship museum. The Broad Collection, or The Broad for short, was slated to open in downtown Los Angeles by the end of 2014, but officials announced in February that the date had been pushed to 2015 due to construction delays. The $140-million institution will house approximately 2,000 contemporary artworks, including pieces by Jeff Koons, Takashi Murakami, Cindy Sherman, Andreas Gursky, and Mark Grotjahn, from the collection of Broad and his wife, Edythe.

The lawsuit, filed on Friday, May 30 in Los Angeles Superior Court, accuses Seele Inc., an architectural engineering and fabrication firm based near Munich, of numerous infractions, including breach of contract, fraud, deceit, and unfair competition. Seele was brought on by Broad and the museum’s general contractor Matt Construction in late 2011 to create the institution’s “veil” -- a honeycomb-esque facade that wraps around the building’s exterior and is expected to be one of The Broad’s most distinctive features. Seele has helmed numerous projects in the U.S., including creating striking exteriors for the Seattle Central Library and the New York Times’s Manhattan headquarters.

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The National Gallery of Art in Washington, D.C. will receive 30 photographs from Robert E. Meyerhoff, a longtime supporter of the museum, and his partner, Rheda Becker. The gift includes photographs by a number of German artists including Andreas Gursky and Bernd and Hilla Becker as well as works by Jeff Wall, Cindy Sherman, and Hiroshi Sugimoto.

The gift will substantially improve the National Gallery of Art’s photography collection, which contains few works by prominent living artists. The museum began assembling its photography collection in 1949 when Georgia O’Keeffe donated 1,720 photographs made by her husband, Alfred Stieglitz, to the institution. The National Gallery of Art did not establish a separate photography department until 1990.

In 1987, Meyerhoff and his late wife, Jane, agreed to donate their entire art collection to the National Gallery of Art. The gift included works by Jasper Johns, Robert Rauschenberg, Roy Lichtenstein, Ellsworth Kelly, and Brice Marden and was displayed at the museum in 1996 and again in 2010. This recent gift will go on view when the museum’s East Building reopens in the fall of 2016 after a renovation and expansion.    

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The Centre Pompidou in Paris sent a number of French masterpieces to Shanghai’s Power Station of Art for the exhibition Electric Fields: Surrealism and Beyond – La Collection du Centre Pompidou, which opened on December 16. The show marks the first collaboration between the Pompidou, a leading museum of modern and contemporary art, and a Chinese institution.

The exhibition, which is part of the Shanghai Biennale, features approximately 100 works from the Pompidou’s collection including works by Rene Magritte (1898-1967), Andreas Gursky (b. 1955), Marcel Duchamp (1887-1968), and Ed Ruscha (b. 1937). The show is divided into six categories that explore various Surrealist themes and includes paintings, sculpture, video and manuscripts.

The show’s title is a combination of two influences – the name of the venue, a former electric power station, and Andre Breton (1896-1966) and Philippe Soupault’s (1897-1990) seminal piece of Surrealist literature, The Magnetic Fields (1919). The exhibition runs through March 15, 2013 in Shanghai.

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