Displaying items by tag: musee national d'art moderne

Pablo Picasso’s 1911 painting "La Coiffeuse" (The Hairdresser) which has been missing for over a decade, has surfaced in the United States. The Cubist canvas was discovered by federal Customs and Border Protection officials in a FedEx shipment heading from Belgium to a climate-controlled warehouse in Long Island City, New York, in December 2014. The package’s shipping label described the contents as an “art craft” holiday present worth $37.

The painting, which is owned by the French government, is part of the Musee National d’Art Moderne’s collection. It was last exhibited in Munich in 1998, and returned to Paris, where it was placed in storage at the Centre Georges Pompidou.

This summer, fourteen monumental sculptures by Alexander Calder (1898-1976) are taking over the Rijksmuseum’s 'outdoor gallery' for the largest freely accessible outdoor exhibition of his work to date.

Calder (1898-1976) is undoubtedly one of the most celebrated inventors of modern sculpture. His cut-out and colorful abstract objects that move in the air or rest firmly on the ground can be found throughout the world, whether in museums or in gardens and public plazas, ranking him among the first and most prolific sculptors of large-scale outdoor works. This show of his monumental sculptures in the gardens of the Rijksmuseum creates a fascinating landscape of stately abstract forms.

Guest curator Alfred Pacquement, former director of Musée National d’Art Moderne Centre Pompidou in Paris, has selected mobiles, stabiles, and standing mobiles by Calder from major museums and private collections.

This exhibition is the second in a series of annual international sculpture displays, which will be presented in the Rijksmuseum’s gardens over the next four years, made possible with funding from the BankGiro Loterij and the Terra Foundation for American Art.

Sotheby’s London is offering as a highlight of the Impressionist & Modern Art Evening Sale on Monday 23rd June 2014 Claude Monet’s Nymphéas (Water Lilies) of 1906, estimated at £20-30 million/ $33-50 million. Instantly recognisable and revered the world over, Claude Monet’s Nymphéas are among the most iconic and celebrated paintings of turn of the century. The profound impact the series has made on the evolution of modern art marks them out as Monet’s greatest achievement.

This painting was selected by the artist to be exhibited at his seminal exhibition held at the Galerie Durand- Ruel, Paris, in 1909 to unveil his Water Lily paintings in a show dedicated purely to this subject. It had also been singled out and acquired by Paul Durand-Ruel - the legendary art dealer who championed the Impressionists and represented Monet, among many other of the greatest artists of his time – and it remained in his personal collection throughout his lifetime. The painting has since been widely exhibited at some of the world’s most prestigious international museums, including the Museum of Modern Art, New York, the Musée National d'Art Moderne, Paris, and since 2011 has been on loan to the Museum of Fine Arts, Houston. It is this painting, together with the others in this series, that eventually led to Monet’s Les Grandes décorations which were painted between 1914-26, now in the Musée de l’Orangerie in Paris.

Ten masterpieces of French painting are currently on view at China’s National Museum in Beijing. The exhibition, which was organized by the National Museum and the Réunion des musées nationaux - Grand Palais in Paris, is part of an ongoing series of events commemorating the 50th anniversary of diplomatic ties between France and China.

The paintings are on loan from France’s most celebrated institutions -- the Musée du Louvre, the Château de Versailles, the Musée d’Orsay, the Musée Picasso, and the Centre Pompidou, musée national d’Art moderne. The show marks the first time that these renowned institutions have collaborated on an exhibition. Works on view include Jean-Honore Fragonard’s “The Bolt;” Georges de La Tour’s “Saint Joseph Carpenter;” Pablo Picasso’s “Reading the Letter” and “The Matador;” Pierre-Auguste Renoir’s “Dance at Le moulin de la Galette” and “The Swing;” Jean Clouet’s “Francois I of France;” Hyacinthe Rigaud’s “King Louis XIV of France at age of 63;” and Fernand Leger’s “Three Figures.”    

“Ten Masterpieces of French Painting” will remain on view at the National Museum through June 16.