News Articles Library Event Photos Contact Search


Friday, 08 August 2014 10:16

A Conversation with Clare Vincent, the Curator Behind the Met’s Collection of European Timepieces

Mantel clock, circa 1757-60. Movement by the workshop of Julien Le Roy; case by Joseph Baumhauer. Mantel clock, circa 1757-60. Movement by the workshop of Julien Le Roy; case by Joseph Baumhauer. The Metropolitan Museum of Art, New York

It's 11:59 A.M. on a recent Wednesday and Clare Vincent, a 78-year-old associate curator at New York's Metropolitan Museum of Art, is perched before an ornate 17th-century clock on the Met's first floor, keeping a close watch on a technician winding the timekeeper.

Visitors wandering among the Met's paintings, mummies and other treasures probably don't notice that every European clock on exhibit not only still ticks but also tells the right time.

That's because for 40 years, Ms. Vincent, who oversees the museum's European timepieces, has been making sure they are wound like clockwork. Until recently, she wound up to 15 clocks a week on her own, climbing stepladders to reach into the tallest ones. 

Additional Info

Events