Displaying items by tag: Decorative Arts

Whether a sacred sanctuary, a place for scientific study, a haven for the solitary thinker or a space for pure enjoyment and delight, gardens are where mankind and nature meet. A new exhibition at The Queen's Gallery, Buckingham Palace will explore the many ways in which the garden has been celebrated in art through over 150 paintings, drawings, books, manuscripts and decorative arts from the Royal Collection, including some of the earliest and rarest surviving records of gardens and plants.

From spectacular paintings of epic royal landscapes to jewel-like manuscripts and delicate botanical studies, "Painting Paradise: The Art of the Garden" reveals the changing character of the garden and its enduring appeal for artists from the 16th to the early 20th century, including Leonardo da Vinci, Rembrandt van Rijn and Carl Fabergé.

There was a time when glass was a craft. But in recent years it has become something more: an established art form, and an attractive—and affordable—investment.

"Art glass is a great way to begin collecting art because there is so much available at so many price points," says Carina Villinger, head of 20th century decorative art and design at Christie's.

Since the launch of the Studio Glass movement in the 1960s, glass has slowly crossed the species barrier from craft to fine art. Today, examples of glass art include bright colors and arresting shapes, works that resemble paintings in glass, and objects both strange and familiar encased in glass.

Committed to promoting European culture and history, whether it is horology or the decorative arts, Swiss watch manufacture Breguet has made it possible for the new display of 18^th-century French decorative arts in the Louvre Museum in Paris to see the light of day, with the reopening last June of 33 dedicated galleries, previously closed for almost a decade.

It was the golden age of the French decorative arts, a time when everybody who was anybody had one wish: to make their way to the City of Light to make their fortune. The French capital was the epicenter of creativity and savoir-faire in every sphere of art in the 18th century (what has been called “a moment of grace in French art”), when all of the best artists and designers from around France, Italy, Germany and the Netherlands flocked to Paris to work.

Following Sotheby’s two previous selling exhibitions of Western fine and decorative arts held in 2012 and 2013, the renowned international auction house will mount its third annual “Age of Elegance: European Paintings, Furniture and Sculpture” sale in Beijing on September 7 and 8.

Hosted in the Grand Ballroom of the Kerry Hotel, “Age of Elegance” contains an exquisitely curated selection of 65 items that embody the stellar craftsmanship and extravagantly ornamental tastes of European decorative arts from the rococo period up until the 20th century.

At the very highest end of the scale is Francois Linke’s extraordinary Grand Bureau (US$6 million), a gilt bronze writing desk and chair first shown at the Paris World Expo in 1900 that represents the summit of belle époque splendor.

Colonial Williamsburg got a big contribution toward an even bigger goal Thursday.

Susan and David Goode of Norfolk contributed $1 million for the Art Museums of Colonial Williamsburg to support efforts that include tours, teacher workshops and regular classes offered at the DeWitt Wallace Decorative Arts Museum's newly renamed Susan Goode Education Gallery.

According to Colonial Williamsburg spokesman Joe Straw, that's a contribution to the big plans the foundation has for the museums.

Christie's evening auction of classical decorative arts  has realised £31,048,500/ $53,186,081/€38,934,819, marking the highest total for any and breaking the previous record established by Christie’s Exceptional Sale in 2011 at £28.7million.

The top price was paid for a controversial Egyptian statue of Sekhemka, made of painted limestone. The statue dating to the Old Kingdom, Late Dynasty 5, circa 2400–2300 B.C. was probably from Saqqara in Lower Egypt. It realised a staggering £15,762,500/ $27,001,163/€19,766,175 (estimate: £4,000,000- £6,000,000). This has set a world record price at auction for an ancient Egyptian work of art. The piece was sold off from a regional English Museum and was “originally acquired by the 2nd Marquess of Northampton during his travels in Egypt in 1849-50. It was given to the Northampton Museum either by the 3rd or 4th Marquess of Northampton prior to 1880.

The 2014 New Orleans Antiques Forum, “Southern Expression,” will explore the many facets of regional style with acclaimed experts in the field of decorative arts. This year’s topics include furniture, pottery, mourning jewelry and art, southern landscape paintings, clocks, quilts, and more.

The Historic New Orleans Collection established the New Orleans Antiques Forum (NOAF) in 2008 in an effort to boost cultural tourism in New Orleans and south Louisiana following Hurricane Katrina. Centered on a series of educational and entertaining talks, the three-day forum encourages the appreciation of decorative arts created in and imported through the Gulf Coast. Sessions are accessible to experienced collectors as well as beginning antiques enthusiasts.

A $5.4 million donation from David M. Rubenstein, co-founder and co-chief executive of D.C.-based private-equity firm The Carlyle Group, and a philanthropist known for contributions to landmarks of American history, has completed fundraising for the renovation of the Smithsonian’s Renwick Gallery.

The building, the Smithsonian’s third oldest, houses craft objects and decorative arts from the 19th century to the present, and the donation is the final part of a two year, $30 million public/private campaign to overhaul infrastructure and renovate the Grand Salon, which will be named in honor of Rubenstein.

The Louvre has announced the June 6, 2014 reopening of its newly restored and reinstalled 18th-Century Decorative Arts Galleries. One of the most comprehensive collections of 18th-century French decorative arts in world, this is the first time since 2005 that the collection is on view to the public. The 35 galleries—which span 23,000 square feet—display over 2,000 pieces in object-focused galleries and period-room settings. The new installation traces the evolution of French taste and the decorative arts, emphasize the major artisans and artists of the period, and highlight the renowned collectors and patrons of the era.

The exhibition design was conceived collaboratively by interior designer and French decorative-arts connoisseur Jacques Garcia and the curators in the Department of Decorative Arts under the direction of Marc Bascou. The architectural project management for the new galleries was entrusted to Michel Goutal, the Louvre’s senior historical monument architect, with technical assistance provided by the Louvre’s Department of Project Planning and Management.

A Russian billionaire has accused his ex-wife of secretly selling off pieces of their massive $120 million collection of art, antiques and furniture.

Oil tycoon Shalva Chigirinsky, 62, says in a Manhattan lawsuit that Tatiana Panchenkova, who has accused him of physical abuse, had agreed to preserve the collection.