Displaying items by tag: Modern Art

The French multinational luxury goods conglomerate, LVMH Group, announced that the long-awaited Fondation Louis Vuitton Pour la Création (or the Louis Vuitton Foundation for Creation) will open on October 27 in Paris. The Foundation will be housed in a building commissioned by LVMH’s chairman and Chief Executive Officer, Bernard Arnault, and designed by the Canadian-American architect, Frank Gehry. The €100 million building, which resembles a cloud of glass, is located in Paris’ Bois de Boulogne district.

The 126,000-square-foot structure features 11 exhibition galleries that will house the modern and contemporary art collection of the LVMH Group, which includes works by Jean-Michel Basquiat, Takashi Murakami, and Jeff Koons, as well as masterpieces from Arnault’s personal holdings. The Foundation, which promotes contemporary artistic creation both in France and internationally, will also host temporary exhibitions, artist commissions, multi-disciplinary performances, and events.

An iconic painting of water lilies by Claude Monet helped Sotheby’s (BID) sell 122 million pounds ($208 million) of Impressionist and modern art in London.

Yesterday evening’s tally represented a 15 percent increase from a year ago and was Sotheby’s third highest result for the category in London. Of the 46 lots offered only four failed to find buyers as Russian, Asian and American collectors competed for works by Pablo Picasso and Wassily Kandinsky. The sale also benefited from the presence of several estates, including that of Jan Krugier, a prominent art dealer who died in 2008.

Madrid's top art museum the Prado unveiled a major show Monday about the master painter El Greco, exploring his influence on modern greats such as Francis Bacon and Jackson Pollock.

"El Greco and Modern Painting" is part of a year-long series of big exhibitions to mark the 400th anniversary of the Greek-born master's death.

El Greco's works languished in obscurity until the late 19th century, but once collectors noticed them he became one of the most important figures in the history of art, influencing Picasso at the start of the Cubist movement.

This summer, fourteen monumental sculptures by Alexander Calder (1898-1976) are taking over the Rijksmuseum’s 'outdoor gallery' for the largest freely accessible outdoor exhibition of his work to date.

Calder (1898-1976) is undoubtedly one of the most celebrated inventors of modern sculpture. His cut-out and colorful abstract objects that move in the air or rest firmly on the ground can be found throughout the world, whether in museums or in gardens and public plazas, ranking him among the first and most prolific sculptors of large-scale outdoor works. This show of his monumental sculptures in the gardens of the Rijksmuseum creates a fascinating landscape of stately abstract forms.

Guest curator Alfred Pacquement, former director of Musée National d’Art Moderne Centre Pompidou in Paris, has selected mobiles, stabiles, and standing mobiles by Calder from major museums and private collections.

This exhibition is the second in a series of annual international sculpture displays, which will be presented in the Rijksmuseum’s gardens over the next four years, made possible with funding from the BankGiro Loterij and the Terra Foundation for American Art.

The biggest museum fundraising campaign in San Francisco history is nearing its $610 million goal two years before the opening of a new wing that will more than double the space for artworks by Andy Warhol, Mark Rothko and David Hockney.

About $570 million, or 94 percent, has been raised by the San Francisco Museum of Modern Art for its 235,000-square-foot (21,800-square-meter) expansion and to add $245 million to the museum’s endowment. The $305 million wing designed by the Snohetta architecture firm is rising behind SFMOMA’s current home, opened two decades ago in the technology-heavy South of Market area, or SOMA.

Modern Dialect: American Paintings from the John and Susan Horseman Collection, a striking new exhibition, opened at the Columbus Museum of Art June 6. The exhibition, on view through August 31, showcases American Modernist paintings from the 1920s to the beginning of World War II, a period marked by significant change and compounded by the onset of the Great Depression in the 1930s.

The more than sixty artists featured in Modern Dialect hail from all parts of the United States, and painted wherever they found inspiration. These artists adhere to a common interest, more than to a single style, in portraying their realities in a decidedly modern fashion. The exhibition reveals the scope of the American modernist aesthetic in the early 20th century, and the vision and integrity each artist brought to the representation of the American experience – from rural landscapes to modern industrial cities (and the people who inhabit them) to purely abstracted compositions.

Alexander Calder's abstract works revolutionized modern sculpture and made him one of the most celebrated artists of the 20^th century. In collaboration with the Calder Foundation, this exhibition brings together 40 of the artist's mobiles (kinetic metal works) and stabiles (dynamic monumental sculptures) to explore how Alexander Calder introduced the visual vocabulary of the French Surrealists into the American vernacular.

While there’s an ongoing mini-exodus of smaller galleries from Chelsea due to rocketing rents, not everyone is leaving the neighborhood. In early 2015, Lisson Gallery — which currently has two locations in London, one in Milan, and a private showroom on the Lower East Side of Manhattan — will open an 8,500-square-foot space at 504 West 24th Street. That address situates them on a block with peers like Gagosian, Luhring Augustine, Andrea Rosen, and Gladstone Gallery.

“Designed by Markus Dochantschi of Studio MDA in collaboration with Studio Christian Wassmann, the gallery will be constructed around the foundational elements of the High Line,” according to press materials

The Los Angeles County Museum of Art (LACMA) presents Marsden Hartley: The German Paintings 1913–1915 (August 3–November 30, 2014), the first focused look and the first solo exhibition on the West Coast in almost ten years of the American-born artist’s German paintings in the United States. From 1912 to 1915, Hartley lived in Europe—first in Paris and then in Berlin. There he developed a singular style that reflected his modern surroundings and the tumultuous time before and during World War I. Berlin’s exciting urban environment, prominent gay community, and military spectacle had a profound impact upon him. Marsden Hartley features approximately 25 paintings from this critical moment in Hartley’s career that reveal dynamic shifts in style and subject matter comprised of musical and spiritual abstractions, city portraits, and military symbols to Native American motifs.

The Currier Museum of Art announced the acquisition of an important late oil painting by American John Marin (1870-1953). Movement in Red (1946) reveals Marin’s bold technique, which conveys a dynamic vision of boats sailing off the coast of Cape Split, Maine. It is on view in the Currier’s Modern Gallery.

“The Currier has a long tradition of thoughtfully acquiring important works of art that support our collection,” said Susan Strickler, Currier CEO and director. “Marin’s stunning painting joins major paintings in the Museum’s collection by his contemporaries Georgia O’Keeffe, Arthur Dove, Marsden Hartley and Charles Sheeler. They offer our community an exceptional view of one of America’s most important and innovative artists of the first half of the 20th century.”