Displaying items by tag: frank gehry

The J. Paul Getty Trust awarded the Third Annual J. Paul Getty Medal to Pritzker Prize-winning architect Frank Gehry at a gathering of arts and community leaders at the Getty Center in Brentwood on Monday evening, September 28. Los Angeles Philharmonic conductor Gustavo Dudamel introduced Gehry, who was honored for transforming the built landscape with buildings such as Los Angeles’ Walt Disney Concert Hall and the Fondation Louis Vuitton in Paris.

“There have been very few individuals who have changed the course of architecture, and Frank Gehry is one of them."

The National Academy Museum & School has added 150 high-resolution artworks to the Google Art Project, enabling individuals across America to access and explore a sample of its rich collection of paintings, sculptures, new media and architectural drawings and models. The works available through the Google Art Project are representative of the wide-ranging collection of the National Academy. Among the works included are paintings by Samuel F. B. Morse and Asher B. Durand - the artists who founded the Academy in 1825 - as well as works by many of the iconic names in American art and architecture, all of whom have been members of the Academy and who contributed to its legacy: Cecelia Beaux, Thomas Eakins, Frank Gehry, Winslow Homer, Jacob Lawrence, Robert Rauschenberg, Cindy Sherman, Wayne Thiebaud and Frank Lloyd Wright, among many others.

Frank Gehry is this year’s recipient of the J. Paul Getty Medal, the Getty Trust’s annual award for leadership in visual art.

Gehry becomes the first designer or artist to win the award that the Getty launched in 2013. The prize – a bronze medal with a profile portrait of J. Paul Getty – recognizes lifetime contributions in various art-related fields that are part of the Getty’s mission, including philanthropy, art-history research, archeology and conservation of art and architecture, as well as art-making.

Iruña to the Basques—the historical capital of the old Kingdom of Navarre in northern Spain, has hitherto been known mainly for its annual Festival of San Fermín, with its running-of-the-bulls immortalised by Ernest Hemingway in “The Sun Also Rises”, and as a stop on the Camino de Santiago pilgrimage route. Now the small city is seeking a different form of cultural validation, by taking a path well-trodden in Spain: the opening of a snazzy new museum.

The Museo Universidad de Navarra, tucked into a hillside outside the city center, is most obviously inspired by nearby Bilbao, where the Frank Gehry-designed Guggenheim has been breathing life into post-industrial torpor since 1997.

For the third phase of its inaugural program, Paris’ Louis Vuitton Foundation is mounting an exhibition of major works that have been “key to the development of modernity, and have changed the course of art history in the twentieth century.” Keys to a Passion will be held from April 1 to July 6, 2015.

The Louis Vuitton Foundation, which opened in October 2014, was established by the French multinational luxury goods conglomerate, LVMH Group. It is housed in a building commissioned by LVMH’s chairman and Chief Executive Officer, Bernard Arnault, and designed by the Pritzker Prize-winning architect, Frank Gehry. Located in the Bois de Boulogne district, the diaphanous glass building spans 126,000 square feet and features eleven exhibition galleries presenting modern and contemporary works from the LVMH Group’s collection as well as masterpieces from Arnault’s personal holdings. The Foundation also hosts temporary exhibitions, artist commissions, multi-disciplinary performances, and events.

The Danish-Icelandic artist Olafur Eliasson has created a series of immersive light installations for Paris’ Fondation Louis Vuitton. Eliasson, who is widely considered one of the most influential and pioneering artists of his generation, is best known for his sculptures and large-scale installations that employ natural materials. “Olafur Eliasson: Contact” marks the launch of the second phase of the Fondation Louis Vuitton’s inaugural program. 

The Fondation, which opened in October, was established by the French multinational luxury goods conglomerate, LVMH Group. It is housed in a building commissioned by LVMH’s chairman and Chief Executive Officer, Bernard Arnault, and designed by the Pritzker Prize-winning architect, Frank Gehry.

The Guggenheim has named architect and scholar Troy Conrad Therrien as Curator, Architecture and Digital Initiatives. As the first person to hold this position, Therrien will contribute to the development of the museum’s engagement with architecture, design, technology, and urban studies, in addition to providing leadership on select new projects under the direction of the Chief Curator and the Director’s Office.

The Guggenheim's role in architecture has always been one of patronage, commissioning Frank Lloyd Wright to design its landmark building in New York City and Frank Gehry to design the celebrated Guggenheim Museum Bilbao, which extended the institution's global constellation of museums.

With the smell of sawdust still hanging in the air and most of the building under wraps until 2015, Guardian Australia was invited to get beneath the skin of Sydney’s new Dr. Chau Chak Wing Building, designed by the American architect Frank Gehry.

The city’s first building by the controversial architect is part of a larger $1.1bn masterplan for the University of Technology Sydney (UTS), but is already attracting a lot of attention.

The much-anticipated Louis Vuitton Foundation (Fondation Louis-Vuitton), in Paris, is now open to the public. The massive museum for contemporary art, designed by Frank Gehry, is a spectacle: The gallery spaces are contained in cement blocks covered by massive, curved pieces of glass. Set in a public park in the Bois de Boulogne in the western part of the city, the structure seems to alight on the earth like a spaceship from the future.

Bernard Arnault, the 65-year-old chairman and chief executive of LVMH Moët Hennessy Louis Vuitton (MC:FP), commissioned the museum, and both he and the 85-year-old Gehry hope this building will be an indisputably positive contribution to a complicated legacy.

Philippe Vergne, the director of the Museum of Contemporary Art, Los Angeles, has started talking to Frank Gehry about the possibility of renovating the museum’s Geffen Contemporary branch downtown. The US architect oversaw the initial conversion of warehouses in the early 1980s. The space, which measures 55,000 sq. ft, has proved popular with artists but does not have adequate climate controls for many art loans.

Gehry told "The Art Newspaper" during a fuller interview about a range of museum projects: “Philippe asked me to help him. I don’t think they have a lot of money at this point. He asked about an upgrade of the entrance and some work on the inside. I guess they’re going to try to [install] mechanical systems.”