Displaying items by tag: Portrait

In 17th-century France, Charles Le Brun was as hot as any artist could be. He created work for the Cathedral of Notre-Dame in Paris, for the Galerie d’Apollon in the Louvre, for Hôtel Lambert on Île St. Louis, for the Château de Vaux-le-Vicomte and for much of Versailles. Louis XIV declared him “the greatest French artist of all time.” Whatever he produced made an impact.

Now, after a nail-biting three months for officials at the Metropolitan Museum of Art, Le Brun’s presence will make a difference there, too.

The family of Msgr. Patrick J. Garvey, a Catholic priest who was once friendly with the realist painter Thomas Eakins, is trying to block the Archdiocese of Philadelphia from selling a valuable Eakins portrait of the monsignor through the auction house Christie’s.

The archdiocese said that the painting was given to the church decades ago, and that the sale of it, and several other paintings, is essential to boost the finances of St. Charles Borromeo Seminary, where Monsignor Garvey had been rector and where the portrait hung for many years.

An unsigned doodle of a craggy, mustachioed face that turned up at auction a few weeks ago has been identified as the product of a famous circle of friends.

The Calder Foundation in Manhattan paid about $4,800 for the drawing at Thomaston Place Auction Galleries in Thomaston, Me.; the catalog had described it as a portrait of the French artist Fernand Léger by his friend Alexander Calder. But the foundation was wary at first, since the market has become treacherous.

Christie’s Evening Sale of Impressionist and Modern Art on Tuesday, May 6, realized $285,879,000 (£168,668,610/€205,832,880), selling 89% by lot and 96% by value. This marks the highest total for Christie’s New York in this category since May 2010. Of the 53 works offered, 9 lots sold for over $10 million, 18 for over $5 million, and 43 for over $1 million. The sale was led by works from distinguished private collections, including Monet’s Nymphéas from The Clark Family Treasures and Picasso’s Portrait de femme (Dora Maar) from the Viktor and Marianne Langen Collection. Two additional sales, Works on Paper and the Day sale, will complete the series on Wednesday, May 7.

Brooke Lampley, Head of Department, Impressionist & Modern Art, Christie’s New York, commented, “Our strong performance tonight, the highest since May of 2010, is a testament to the continued strength of the global market for Impressionist and Modern works of art. Bidders from 36 countries competed in our sale tonight for a wide variety of works, from Monet’s classic Nymphéas and Modigliani’s engaging portrait of a red-haired man, to bold, modern works by Picasso and Kandinsky. Our global team has worked tirelessly to source the best works available this season, many of which had never been offered at auction, including star lots from the leading collections of the season: the Clark Family Treasures, the Estate of Edgar M. Bronfman and the Viktor and Marianne Langen Collection.”

Acquavella Galleries in New York is currently hosting the exhibition “Jean-Michel Basquiat Drawing: Works from the Schorr Family Collection.” The show was curated by Fred Hoffman, who was introduced to Basquiat by fellow art dealer Larry Gagosian in 1982. Hoffman helped Basquiat produce five editions of prints, which were published in 1983 by New City Editions in Venice, California. Hoffman also assisted in the production of the artist’s 1984 silkscreen paintings and co-curated Basquiat’s retrospective at the Brooklyn Museum in 2005. He is the Ahmanson Curatorial Fellow at the Museum of Contemporary Art in Los Angeles.

“Jean-Michel Basquiat Drawing” features 22 works on paper and two paintings from the collection of Herbert and Lenore Schorr, Los Angeles-based collectors who met the artist in 1981, before his first exhibition in New York. The Schorrs quickly became Basquiat’s devoted collectors, supporters, and friends. While the couple owns several seminal Basquiat paintings, what makes their holdings so unique is their vast collection of works on paper. Hoffman said, “The Schorrs astutely understood that working on paper was equally central to his practice as painting on canvas. The collection demonstrates both the focus and ambition that the artist invested in the medium of drawing.” Drawing is an essential component of Basquiat’s graffiti-inspired Neo-expressionist and Primitivist works. Between 1980-1988, the artist produced approximately 1,000 works on paper that exemplify his frenetic, bold, and gestural style.

The two paintings on view at Acquavella Galleries include a portrait that Basquiat painted of the Schorrs and “Leonardo da Vinci’s Greatest Hits,” which was part of an exhibition at Fun Gallery in New York in 1983. The show didn’t receive any critical attention and the Schorrs were the only people to buy a painting. “Leonardo da Vinci’s Greatest Hits” is now considered a foremost example of Basquiat’s work. Lenore Schorr said, “We had so much confidence in him from the beginning and couldn’t understand why other people couldn’t see it.”

Today, Basquiat, who died in 1988 at the age of 27, commands extremely high prices at auction. In May 2013, “Dustheads” sold for $48.8 million at Christie’s, setting the record for Basquiat at auction. His work is included in private and public collections throughout the world, including the Broad Art Foundation in California, Centre Georges Pompidou in Paris, Museu d’art Contemporani de Barcelona in Spain, and the Museum of Modern Art in New York.

Acquavella Galleries was founded by Nicholas Acquavella in 1921. The gallery initially specialized in works of the Italian Renaissance, but in 1960, when Acquavella’s son William joined the business, the gallery expanded to major works of the 19th and 20th centuries, including masters of Impressionism, Post-Impressionism, Cubism, and Surrealism. The gallery has since expanded and the entire scope of the 20th century is now represented.

“Jean-Michel Basquiat Drawing: Works from the Schorr Family Collection” will remain on view at Acquavella Galleries through June 13.

The smartly dressed man with frown lines and a bristling moustache is as much a mystery as the rollicking scene in Vulcan's forge, where a cherub is in imminent danger of being clouted by the blacksmith's hammer. They are among thousands of enigmatic paintings, hanging in galleries, council chambers, boardrooms and fire stations, about which almost nothing is known.

The public, however, is being invited to turn art detective, and help trace artists, dates, subjects and other helpful information about the paintings.

Scholars have discovered a previously unknown portrait by James McNeill Whistler hidden beneath a painting of a bridge over the River Thames from 1862. The subject is thought to be Whistler’s young mistress and model Jo Hiffernan, who lived with the artist in London for five years. Prior to the discovery, experts believed Whistler created only around six portraits of Hiffernan, including the well-known Symphony in White, No. 1: the White Girl, 1862, at the National Gallery of Art, Washington, DC.

The Henie Onstad Art Center in Norway has agreed to return a portrait by Henri Matisse to the family of Paul Rosenberg, a Jewish art dealer who had his collection confiscated by Nazis during World War II. The museum was founded in 1968 by the Olympic figure skating champion, Sonja Henie, and her husband, Niels Onstad, a shipping magnate and art collector.

The Matisse painting was among the 162 works seized from Rosenberg by Nazis in 1941. The canvas was briefly in the possession of Hermann Goering, a leading member of the Nazi party. Onstad acquired the Matisse painting, “Woman in Blue in Front of a Fireplace,” in 1950, unaware of its troubled provenance. In 2012, the Rosenberg family’s lawyer contacted the Henie Onstad Art Center and demanded the restitution of the painting. After an extensive investigation, the museum decided to return the work to Rosenberg’s heirs. The painting, which had been one of the museum’s most popular works, is estimated to be worth around $20 million.

Norway is a signatory of the 1998 Washington Conference Principles on Nazi-Confiscated Art, which requires museums to examine their collections for potentially looted works. If stolen works are found, the museums are required to try to locate the rightful owners. The Henie Onstad Art Center investigated the Matisse painting’s past only after being contacted by the Rosenbergs’ lawyer. 

The 27th edition of The European Fine Art Fair (TEFAF) opened to the public on March 14 in Maastricht, the Netherlands. The show, which is widely regarded as the world’s leading art fair, brings together 275 of the finest art and antiques dealers from around the globe. Offerings include everything from Old Master paintings and antiquities to 20th century design and contemporary art.

This year’s show began with a V.I.P preview on Thursday, March 13, which saw a number of big-ticket sales. Galerie Odermatt-Vedovi (Paris) sold a mobile by Alexander Calder to a European collector for around $2.6 million and Van de Weghe Fine Art (New York) sold Pablo Picasso’s “Tete couronnee” in black crayon on paper to a Belgian collector for $485,000.

A number of important works are being offered at this year’s fair including Vincent van Gogh’s “Moulin de la Galette,” which will be exhibited by Dickinson (New York/London); a double portrait of Sir George Villiers and Lady Catherine Manners as Adonis and Venus by Sir Anthony van Dyck, which is being shown by David Koetser Gallery (Zurich); and three works by Damien Hirst, which are being offered by Tomasso Brothers Fine Art (London/Leeds).

TEFAF runs through March 23. 

The Metropolitan Museum of Art in New York has launched MetCollects, a new web series that grants visitors first glimpses of the Met’s recent acquisitions. MetCollects will highlight one work each month, selected from the hundreds of pieces that the museum acquires through gifts and purchases each year. Each MetCollects feature will include photography, curatorial commentary, and occasionally, informative videos.

Three MetCollects features are currently available on the museum’s website. The features explore the following recent acquisitions: a multimedia meditation on time and space by the modern artist William Kentridge, an early 19th century portrait by the French painter François Gérard, and the Mishneh Torah by the Master of the Barbo Missal. The Italian manuscript from around 1457 is jointly owned by the Israel Museum in Jerusalem and the Met.

Since 2000, the Met has launched a number of web-based initiatives including its Connections series, which offers personal perspectives on works of art in the museum’s collection by 100 members of the museum’s staff, and 82nd and Fifth, which features 100 curators from across the Met who talk about the one work of art from the collection that changed the way they see the world.

To view the MetCollects series click here.