Displaying items by tag: loan

Mexican painter Diego Rivera may be known to many for his stunning murals, but an exhibition opening Dec. 12 at the Bowers Museum in Santa Ana looks at his skill working with watercolors.

"Popol Vuh: Watercolors of Diego Rivera" features 17 works on loan from the Museo Casa Diego Rivera in the artist's hometown of Guanajuato.

he acquisitions policy employed by the Rubens House continues to turn up surprises, and after the announcement of the Clara Serena portrait, the museum has now brought a newly discovered Van Dyck to Antwerp. The work is a study for a portrait that was revealed to be an original Van Dyck during a 2013 episode of the BBC’s Antiques Roadshow. That way the Rubens House has brought the most valuable discovery of this television show to Antwerp on permanent loan. Visitors can see the painting as of today.

In 2013 nothing less than a miracle happened to Jamie MacLeod, a priest from Derbyshire, UK. A painting that he had bought for 500 euros was unveiled as a ‘genuine’ Anthony Van Dyck on the popular TV program Antiques Roadshow.

Not many works merit an entire gallery to themselves.

That’s an honor the Norton Museum of Art has bestowed on Vincent van Gogh’s The Poplars at Saint-Remy, the only occupant of a gallery on the third floor of the Nessel Wing.

The work, property of The Cleveland Museum of Art, is one of two major paintings on loan from other institutions in exchange for loans of important paintings from the Norton’s collection. The other is Edgar Degas’ Portrait of Mlle. Hortense Valpincon, which belongs to the Minneapolis Institute of Art.

The Rijksmuseum in Amsterdam has lent one of its great treasures—Johannes Vermeer's Woman in Blue Reading a Letter (c. 1663)—to the National Gallery of Art in celebration of the 20th anniversary of the landmark Johannes Vermeer exhibition, which opened here in November 1995 before traveling to the Royal Cabinet of Paintings Mauritshuis, The Hague, in March 1996.

This luminous masterpiece, recently restored at the Rijksmuseum, will be displayed through December 1, 2016, in the Dutch and Flemish Cabinet Galleries. It will hang with Vermeer paintings from the Gallery's own collection, including Woman Holding a Balance (c. 1664) and Girl with a Red Hat (c. 1665/1666)—the latter newly returned after being featured in Small Treasures, an exhibition shown in Raleigh, North Carolina, and Birmingham, Alabama—as well as Girl with a Flute (1665–1675), attributed to Vermeer.

The National Gallery announced that a pair of rarely lent royal portraits will be coming to London as a late addition to the landmark exhibition Goya: The Portraits, sponsored by Credit Suisse, which opens on October 7. Charles IV in Hunting Dress and María Luisa wearing a Mantilla, both painted in 1799, are last minute loans from the Patrimonio Nacional in Spain.

This is only the second time the paintings have ever been lent as a pair and only the second time they have ever left Spain. The royal portraits, which are of major importance to the artistic heritage of Spain, are in excellent, original condition and still in their original gilt wood frames having hung in the Palacio Real, Madrid ever since they were created by the iconic Spanish painter.

Two famous works of art by Andy Warhol have vanished while on loan from a modern art museum in Eastern Europe.

And the artworks, lost since March this year, have been called "irreplaceable" by the museum which loaned them out in the first place.

One of the artworks is the famed Campbell’s Soup Can and the other is one of his well-regarded Marilyn Monroe images.

New York should be grateful that the Yale Center for British Art in New Haven is closed for renovations. As a result, eight canvases by the inimitable English painter George Stubbs, one of the great artists of the 18th century, have been lent to the Metropolitan Museum of Art. Works by Stubbs are scarce in this town: The Met has one painting, and there’s a drawing at the Frick Collection. This makes “Paintings by George Stubbs From the Yale Center for British Art” a rare and thrilling treat.

Opening this summer at the New Orleans Museum of Art, A Louisiana Parlor: Antebellum Taste & Context is an exhibition featuring the Butler-Greenwood Plantation parlor furnishings acquired by the museum from descendants of the family in St. Francisville, Louisiana. The 1850s/60s parlor suite has survived with original textiles and rich documentation, making it one of the South’s best preserved examples of a pre-Civil War Louisiana interior.

The exhibition explores the relationship between this refined interior and its layered historical context through family portraits on loan from The Historic New Orleans Collection and through documents housed in the Mathews family archives of letters, receipts, and bills of sale held at LSU Library Special Collections.

The Cincinnati Art Museum and the Fine Arts Museums of San Francisco announced Sublime Beauty: Raphael’s “Portrait of a Lady with a Unicorn.” This focused exhibition features one of Raphael’s most beguiling and enigmatic paintings. The masterpiece, presented in the United States for the first time, will come on loan from the Galleria Borghese in Rome, where it was first recorded in the collection in 1682.

It will be on view in Cincinnati from Oct. 3, 2015 – Jan. 3, 2016 and in San Francisco, Jan. 19 – April 10, 2016.

From now on, when Congressman Seth Moulton of Salem goes to work, he might be forgiven for imagining he can smell the salt sea air of home.

Four paintings and one sculpture, all on loan courtesy of the Peabody Essex Museum, now reside in Moulton's Washington, D.C.,   office. Each reflects either the 6th District's links to the sea or the bloodlines of Marblehead, where Moulton grew up.