Displaying items by tag: advertising

“Popular, mass produced, expendable, cheap, witty, sexy, playful, conspicuous, seductive”- according to Richard Hamilton these are the characteristics that make something interesting and that he also demanded of his own artistic work. What the British artist formulated in 1957 as a new standard was considered scandalous at the time. A rejection of the prevailing art and its sublime values originality, authenticity, and “depth.” Pop Art was a liberation for some-and a trivial affront for others.

The exhibition "Ludwig Goes Pop" offers an opportunity to explore this phenomenon and to comprehend Pop Art as an expression of a modern attitude toward life. In the 1960s the “everyday” had arrived—it had made its way into art: in all manner of play, from humorously ironic to biting and critical, artists explored the Zeitgeist in their art, integrated fragments and quotes from the world of consumerism and advertising, comics, science, technology, erotic, and mass media.

Los Angeles’ Museum of Contemporary Art moved into the digital realm on Monday with MOCAtv, the Museum’s YouTube channel devoted solely to contemporary art. In order to up the number of subscribers, MoCA will throw in a free three-month membership to the physical institution for anyone who subscribes to the channel between now and October 21^st.

MOCAtv offers viewers a glimpse into the artistic process via six mini-channels including Artist Video Projects, The Artist’s Studio, Art in the Streets, Art + Music, MOCA U, and YouTube Curated by. MOCAtv debuted with 10 short videos from artists such as Alexis Smith, Mark Bradford, and Robbie Conal that explore the artists’ relationships to their work as well as footage of them in the midst of creating. The Museum also plans to air interviews connected to upcoming exhibitions.

Peppered with advertising content from YouTube’s parent company, Google, MoCA will receive a chunk of the channel’s advertising revenue after Google takes back what the Museum owes them for the development, programming, and operation of MoCAtv.

MoCA and its director, Jeffrey Deitch, have suffered many woes lately. Critics claim Deitch has destroyed the Museum’s integrity during his two-year reign, focusing more on glitz and celebrity than the art itself. This past June curator Paul Schimmel left the museum after 22 years and took all of the artists on MoCA’s board with him including Ed Ruscha, John Baldessari, and Barbara Kruger. While many suspected MoCA’s end was near, it doesn’t appear that Deitch or the Museum have given up just yet.

There's a fine line between great advertising and arts patronage. When a brand wants to remain in customers' minds, one of the most effective ways to do so can be to give artists a platform to create memorable images. As Absolut Vodka's new initiative, Absolut Blank, seems to show, the results of such corporate commissions can be far from sterile.