Displaying items by tag: art criticism

Stéphane Aquin holds a distinguished profile in the Canadian art world and abroad, in part because he arrived to the role of curator from art criticism, but also because, in an era of revolving doors and fast-tracked career-making, Aquin has stayed with one institution—the Montreal Museum of Fine Arts (MMFA)—for a long stretch of time, putting his head down and achieving increasingly strong exhibitions. Over the course of 16 years, he has accomplished major solo exhibitions with the likes of Pipilotti Rist, Tom Wesselman, and, most recently, Peter Doig, what many consider (including Aquin) his crowning achievement at the MMFA. In addition, he has curated interpretations of the Chapman brothers, Andy Warhol, and Alfred Hitchcock, and expanded the museum's collection by more than a thousand artworks, including works by David Altmejd, Kiki Smith, Antony Gormley, Dorion FitzGerald, and Michael Snow.

After bursting on the art scene in the late 1940s, Abstract Expressionism dominated American art, criticism, and commentary throughout the 1950s. Artists of the revolutionary Abstract Expressionist School rejected the widely accepted values that ruled post-war America and looked to emotion, rebellion, spontaneity, and movement for inspiration.

AB-EX / RE-CON: Abstract Expressionism Reconsidered, which is now on view at the Nassau County Museum of Art in Roslyn, New York on Long Island, explores both the best-known and less familiar artists of the Abstract Expressionist movement. Organized by the museum’s director, Karl Emil Willers, AB-EX features over 80 works by 50 artists including those readily associated with Abstract Expressionism such as Richard Diebenkorn (1922-1933), Hans Hofmann (1880-1966), Helen Frankenthaler (1928-2011), Franz Kline (1910-1962), Robert Motherwell (1915-1991), Willem de Kooning (1904-1997), and Mark Rothko (1903-1970).

However, it is the inclusion of the lesser-known Abstract Expressionists that sets AB-EX apart. The exhibition features the works of Jon Schueler (1916-1992), a student of Diebenkorn who explored landscapes through the lens of abstraction; Fritz Bultman (1919-1985), who studied under Hofmann and favored bold, gestural forms; and often overlooked female Abstract Expressionists such a Grace Hartigan (1922-2008), Perle Fine (1908-1988), and Judith Godwin (b. 1930). The comprehensive exhibition illustrates the breadth and diversity of a single movement that is often reduced to a handful of artists and stylistic approaches.

AB-EX / RE-CON: Abstract Expressionism Reconsidered is on view through June 16, 2013.

Robert Hughes, who brought a muscular, confrontational writing style to the genteel world of art criticism, and whose books and television programs on art and the history of his native Australia brought him a worldwide following, died Aug. 6 at a hospital in the Bronx. He was 74.

His wife, Doris Downes, released a statement saying her husband “had been very ill for some time.” His health had been somewhat precarious since a near-fatal car accident in 1999.

Mr. Hughes had wide-ranging interests and published a memoir, a book about fishing and biographies of artists, in addition to two monumental surveys of art history. His 1987 book about the settlement of Australia, “The Fatal Shore,” was considered a masterpiece and became an international bestseller.