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The splendidly sturdy "Miss Bentham," a painting by the American George Bellows which was once owned by Andy Warhol, has become the first nude acquired by the renowned collection of the Barber Institute in Birmingham, where she joins works by Botticelli, Rubens, Van Dyck, Van Gogh, and Picasso.

It is only the second work by the painter, regarded as one of the greatest of early 20th-century American artists and much better known for his gritty urban and brutally realistic boxing scenes than for naked ladies, to enter a British collection.

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“Picturing Mary” is the most ambitious exhibition mounted by the National Museum of Women in the Arts in years, and given its subject — images of the Virgin Mary — it is likely to be one of its most popular as well. It opens in the middle of the Christmas season, when the subject of Mary is particularly resonant, and it includes more than 60 works, some of them by the most celebrated artists of the Renaissance and baroque eras, including Michelangelo, Botticelli, Caravaggio and Dürer. If this show, which opens Friday, doesn’t fill the museum’s galleries with throngs of visitors, nothing will.

The subject is vast, and doing it justice in one exhibition is impossible. One might organize such a show based on the archetypal narrative moments in Mary’s life — the Annunciation, the Pieta, the Assumption — that have inspired artists for centuries.

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Thursday, 02 October 2014 12:26

Italian Masterpieces Go on View in Milwaukee

Bellini. Botticelli. Titian. "Of Heaven and Earth: 500 Years of Italian Painting from Glasgow Museums" celebrates the richness of Italy’s artistic legacy. It features religious paintings of the late Middle Ages and Renaissance, along with secular Neoclassical and genre paintings of the nineteenth century—with the principal artistic centers, such as Bologna, Florence, Milan, Naples, Rome, and Venice, represented. Milwaukee is the only Midwest stop on the tour of this rare exhibition.

Opening with some of the earliest and most refined examples of Italian painting, including Sandro Botticelli’s stunning "Annunciation," the exhibition unfolds chronologically.

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The Domaine de Chantilly in France is honoring the prized collections of the Condé Museum with a special exhibition of 14th and 15th century Italian paintings. The exhibit, “Fra Angelico, Botticelli…Rediscovered Masterpieces” is on view through January 4, 2015. One of the highlights of the exhibition is the reunion of five of the six paintings that comprise the Fra Angelico Thebaïde. But, one is still missing…

Twenty miles north of Paris, the Domaine de Chantilly houses the Condé Museum with a painting collection that makes it second only to the world famous Louvre Museum for ancient paintings (prior to 1850) . Along with a significant art collection, the chateau features magnificent gardens, grand stables and a world-class hippodrome (horse race course).

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After a triumphant tour of Japan, then the United States and ending in Italy, the "Girl with a Pearl Earring" has returned home to the Mauritshuis royal picture gallery in The Hague. For ever. The museum, which reopened last month after two years' renovation work, will no longer allow Vermeer's masterpiece out. Officially the Mona Lisa of the North has been gated in order to please visitors to the Mauritshuis who only want to see that painting. Its fame has steadily increased since Tracy Chevalier published her novel in 1999 followed in 2004 by the film by Peter Webber starring Scarlett Johansson. Anyone wanting to see the portrait will have make the trip to the Dutch city.

"Girl with a Pearl Earring" thus joins the select band of art treasures that never see the outside world. Botticelli's "Birth of Venus" never leaves the Uffizi in Florence; "Las Meninas" by Velázquez stays put at the Prado in Madrid; Picasso's "Guernica" remains just down the road at the Reina Sofia museum; and his "Demoiselles d'Avignon" can only be seen at MoMA in New York.

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Over the course of 30 years, Barbara Piasecka Johnson (1937-2013) – art connoisseur, philanthropist and wife of the late John Seward Johnson, co-founder of the Johnson and Johnson medical and pharmaceutical firm - assembled one of the most remarkable collections of Old Master paintings, drawings and works of art in recent times. On 9 July 2014, Sotheby’s London Evening sale of Old Master and British Paintings will present a group of nine Renaissance and Baroque masterworks from her Estate, led by three remarkably rare Florentine drawings, including the only Botticelli drawing to appear on the market in a century (est. £1-1.5 million).

The proceeds of the sale, expected to fetch over £8.6 million, are to benefit the Barbara Piasecka Johnson Foundation, the primary focus of which is helping children with autism.

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Salvatore Ferragamo said Monday it has pledged to donate 600,000 euros, or $826,140 at current exchange, to renovate eight rooms at the Uffizi Gallery in the Florence. The works should allow the museum to reopen the rooms within a year and display about 50 works dating back to the 15th century.

The Uffizi is home to many famous works such as Botticelli’s “The Birth of Venus” and “La Primavera”; Filippo Lippi’s “Madonna with Child and Two Angels”; Caravaggio’s “Bacchus”; and the recently restored “Madonna of the Goldfinch” by Raphael.

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In an effort to expand its art collection’s global audience, Scotland will send a number of works on a tour of the United States. Pieces from the Scottish National Portrait Gallery and the Scottish National Gallery of Modern Art will travel to New York, San Francisco, and Fort Worth. The selected works will differ from city to city to best complement each museum’s permanent collection.

The tour will begin at the Frick Collection in New York on November 5, where 10 paintings will be exhibited, including Botticelli’s “The Virgin Adoring the Sleeping Christ Child,” John Singer Sargent’s “Portrait of Lady Agnew of Lochnaw,” and Diego Velázquez’s “An Old Woman Cooking Eggs.” Following its time at the Frick, an expanded version of the show, which will feature 55 paintings, will head to the De Young Museum in San Francisco. The exhibition will make its final appearance at the Kimbell Art Museum in Fort Worth.

The National Galleries of Scotland made a similar effort to expand their collection’s reach four years ago when they sent a prized Titian painting and other works to the High Museum of Art in Atlanta.

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