Displaying items by tag: ceremony

The late pop art master Roy Lichtenstein's sculpture "Five Brushstrokes" has been in place in front of The New Orleans Museum of Art for exactly a year. But at 6 p.m. Wednesday (Dec. 10), NOMA officially welcomed the 20-foot-tall painted aluminum landmark with a ceremony in front of the museum at 1 Collins Diboll Circle.

Art benefactors Sydney and Walda Besthoff, who bought the sculpture for the museum, spoke, as did NOMA Director Susan Taylor and Jack Cowart, executive director of the Roy Lichtenstein Foundation.

Madrid innaugurates a new museum dedicated to Dutch and Flemish Old Masters this week, the Museo Carlos de Amberes.

The new museum, located in a former church in the well-heeled area of Barrio de Salamanca, will open its doors tomorrow with an inaugural ceremony attended by the King Felipe VI of Spain.

The museum heralds a new era for the Fundación Carlos de Amberes, which started as a charity back in 1594, when Philip II of Spain was also Lord of the Seventeen Provinces of the Netherlands.

In a formal ceremony that witnessed the performance of a creation of a unique work by artist Qin Feng, Christie’s officially opened their new exhibition space and office in Shanghai at the historic Ampire Building, near the Bund.

“When James Christie first opened the doors in London in 1766, nearly 250 years ago, his intention was to bring people art lovers together with the art they loved. Today in Shanghai we open this wonderful building that speaks of the history of the city, the tradition of Christie’s and yet also feels very contemporary and looks to the future.”

An 18^th century portrait of the German Duchess Anna Amalia of Saxe-Weimar-Eisenach commissioned by the German writer Johann Wolfgang von Goethe has been returned to its rightful heirs after 70 years. The oil painting by Angelika Kauffmann went missing from the duchess’ descendants’ palace in Poland during World War II. The work did not resurface until 2011 when a Polish consignor brought the work to Sotheby’s.

The painting was returned to the city of Weimar during a ceremony at the Weimar palace. Michael Saxe-Weimar-Eisenach, the heir of the painting, has decided to loan the work to the city permanently. Upon its completion, the work, which is said to be worth hundred of thousands of euros, hung in the Roman House in Weimar, which was also commissioned by Goethe. The painting was later moved to the palace in Weimar and then to a family residence in Silesia, which is now part of Poland.

A Sotheby’s employee in London was the first to spot the painting on a German database for lost art. After reporting its reappearance to Weimar city officials, Sotheby’s held on to the painting until an agreement was reached. An exhibition of the work at the Roman House is being planned for next year.

Two 10^th century statues that were looted from jungle temples have been returned to Cambodia by the Metropolitan Museum of Art. The Met announced in May 2013 that they would send the Khmer sculptures known as Kneeling Attendants back to Cambodia after being displayed in the museum’s Asian Wing for 10 years.

Hab Touch, director general at the Ministry of Culture, said, “The return of the statues is a historic event for us.” Seven Buddhist monks blessed the life-size statues during a religious ceremony attended by officials from the government and the Met at the airport. Upon their return to Cambodia, the sculptures will be put on display at the Peace Palace in Phnom Penh and later kept at either the National Museum in the capital or at a museum in the northwestern city of Siem Reap.

The two statues were looted from the Koh Ker temple site in the early 1970s. At the time, Cambodia was being ravaged by a brutal civil war and looting was rampant. The works were donated piece by piece to the Met in the late 1980s and 1990s. Recent documentary research revealed that the statues were in fact looted from Cambodia.

A 16^th century religious tapestry that was stolen from a Spanish cathedral in 1979 and sold at auction three years ago was returned to Spain on Wednesday, April 17, 2013 by the United States customs service. Special agents from the Homeland Security Investigations division of the U.S. Immigrations and Customs Enforcement seized the tapestry from the undisclosed Texas business that had purchased it for $369,000 in 2010.

The wool and silk tapestry, which depicts the Virgin Mary and baby Jesus, was stolen from the Cathedral of Saint Vincent, Martyr of Roda de Isabena in northeastern Spain. After the work appeared in a Brussels art fair catalogue in 2010, Belgian, Spanish, and U.S. investigators pieced together that a Belgian gallery owner along with two partners from Milan and Paris had acquired the tapestry in 2008.

The tapestry was given to Madrid’s ambassador to Washington, Ramon Gil-Casares, on behalf of his nation at a ceremony at his residence.

Germany’s Staatsgalerie Stuttgart museum returned a 15^th century Renaissance painting stolen by Nazis during World War II to the estate of a Jewish art dealer. The museum acquired Virgin and Child, which is attributed to the Master of Flémalle (1375-1444) who is identified by historians as Robert Campin, in 1948.

The painting once belonged to Max Stern (1904-1987) who lost over 400 paintings to the Nazi regime during a forced sale in 1937. After Jews were banned from selling art in Nazi-occupied Europe, Stern shuttered his Dusseldorf gallery and escaped to London in December of the same year. Before settling in Montreal, Stern sold even more paintings, including Virgin and Child, in order to buy a German exit visa for his mother. Stern went on to purchase the Dominion Gallery of Fine Arts and established himself as one of Canada’s most important art dealers and collectors.

Upon his death in 1987, Stern donated a portion of his estate to Concordia and McGill Universities in Montreal as well as the Hebrew University in Jerusalem. For the past ten years Concordia has been working to recover the hundreds of paintings Stern lost at the hands of the Nazis. The initiative, known as the Max Stern Art Restitution Project, has facilitated the return of 9 works originally belonging to Stern; Virgin and Child is the 10^th and the only work to be returned from a German museum thus far.

A ceremony was held on Tuesday, March 5, 2013 at the Canadian Embassy in Berlin to celebrate the painting’s return.  

A formal ground-breaking ceremony for the Metropolitan Museum of Art’s new David H. Koch Plaza was held on January 14, 2013 in New York. The $65 million project, which was announced in February 2012, has been underway since October but was postponed due to complications associated with Hurricane Sandy. The plaza is expected to reach completion in the fall of 2014.

Funded by Met trustee and philanthropist, David H. Koch, the project includes the installation of new fountains and the redesign of a four-block-long outdoor plaza that runs in front of the Met’s Fifth Avenue façade from 80^th to 84^th Streets. The sidewalks alongside the museum’s entrance, which see six million pedestrians a year, will also be repaired.

While the Met has made a number of indoor improvements over the years, the outdoor overhaul is much needed. Built in the 1970s along with the existing plaza, the museum’s original fountains, which are now deteriorated, will be replaced by contemporary granite fountains. The new structures will be positioned closer to the museum’s front steps, improving access to the street-level entrances. The redesign also includes tree-shaded allées, improved seating areas, and energy-efficient lighting. The Met’s iconic front steps will be left untouched.

Philadelphia-based landscape architecture and urban design firm, Olin, will be the lead design consultants for the project.

The Toledo Museum of Art in Ohio returned a ceramic water vase, which depicts the Greek god, Dionysus turning pirates into dolphins, to the Italian government on Tuesday, January 9, 2013. The jug, which dates back to the sixth century BC, was likely looted from Italian soil years ago.

The Toledo Museum of Art purchased the jug in 1982 from art dealers who used falsified documents to hide the object’s dishonest past. Investigators revealed that the jug was smuggled out of Italy after it was illegally excavate sometime before 1981.

The United States Immigration and Customs Enforcement Agency announced that the Estruscan black-figure kalpis, which is valued at $665,000, was handed back to Italian officials following a ceremony held at the museum. While Italy currently holds reign over the work, the jug will remain on view in the museum’s Libbey Court until it leaves for Rome in late summer of this year.