Displaying items by tag: circus

During a career that spanned much of the 20^th century, Russian artist Marc Chagall (1887-1985) was associated with a number of artistic movements, making a name for himself as a pioneer of modernism. Considered one of the most successful artists of his time, Chagall drew inspiration from his Orthodox Jewish upbringing, a theme that prevailed through the many mediums and styles he explored.  

The Musee de Luxembourg in Paris has organized an exhibition devoted to the artist titled Chagall: Between War and Peace. The show, which focuses on Chagall’s work between 1914, when he developed his own style, and the mid-1950s, when many critics deemed his work repetitive, includes approximately 100 oil paintings, watercolors, drawings and etchings in relatively chronological order.

Between War and Peace is broken into four pivotal periods in Chagall’s life and work. After living in Paris from 1910 to 1914 and associating with many prominent figures of the avant-garde, Chagall returned to his native Russia to be with his future wife, Bella. “Russia in Wartime” explores Chagall’s work from this period, which was haunted by the brutality and horrors that World War I brought to his homeland.

In 1922, Chagall left Russia for Berlin. He soon returned to Paris where he re-established himself as a painter. “Between the Wars” focuses on this period, which includes Chagall’s work as an illustrator. Many of the pieces from this time feature landscapes, portraits of the artist with his wife, circus scenes, and hybrid creatures, which are prime examples of Chagallian bestiary.

In 1937, Nazis seized any works by Chagall that resided in public collections in Germany. As World War II unfolded, Chagall left France for New York, which is the subject of “Exile in the United States.” His work took a somber turn as his native land was ravaged by the war. A particularly productive time for Chagall, he also created a number of works devoted to Bella, who died in 1944.

The exhibition’s final portion, “The Post-War Years and the Return to France,” explores Chagall’s move back to Europe in 1949. During this time Chagall experimented with stained glass, sculpture, ceramics, mosaic, and various engraving techniques. His works from this period radiates with light and emotional tonalities.

Chagall: Between War and Peace is on view through July 21, 2013.

This past Sunday, Montreal's Place des Arts and the stage troupe Finzi Pasca unveiled a mural by Salvador Dali that has remained out of public view for sixty years. Measuring 29 ½ feet by 40 feet, the backdrop was painted for the 1944 ballet production “Le Tristan Fou (Mad Tristan),” a take on “Tristan und Isolde,” while the Surrealist artist was in exile in New York. The backdrop made an appearance in London in 1949 and then fell out of sight until an anonymous European foundation re-discovered it three years ago.

The rare piece was restored but rather than exhibit it in a museum of gallery, the foundation offered it to theater creator and circus master Daniele Finzi Pasca for use in an upcoming acrobatic stage production. Pasca decided to incorporate the painting into “La Vérità,” a story inspired by “Tristan und Isolde” as well as Dali’s exile, the 1940s cabaret scene, and the Dali’s wife and muse, Gala.

Members of the public can take a closer look at the Dali backdrop at Théâtre Maisonneuve in Place des Arts on Wednesday, November 7. La Vérità, featuring the Dali backdrop will premiere at the theater on January 17, 2013.