Displaying items by tag: folk art

On August 18, 2013 the Shelburne Museum in Shelburne, VT will open its new Center for Art and Education. Historically a seasonal museum, the Shelburne will stay open year-round after the Center’s inauguration for the first time in the institution’s 66-year history.

The Center for Art and Education, which was designed by the Boston-based architecture firm, Ann Beha Architects, boasts 18,000-square-feet and will allow the Shelburne Museum to expand their exhibition offerings as well as implement new programming. The Center is part of the $14 million capital campaign “The Campaign for Shelburne Museum.” The campaign includes an endowment to maintain the center as well as the installation of a fiber-optic communications network throughout the Shelburne’s site, which spans 45 acres.

Founded by pioneering American folk art collector Electra Havemeyer Webb (1888-1960) in 1947, the Shelburne Museum holds one of the most remarkable and diverse collections of art and Americana. The museum’s 150,000 holdings include Impressionist paintings, folk art, quilts, textiles, decorative arts, furniture, American paintings, and various artifacts dating from the 17^th to 20^th century, which are exhibited in 39 different buildings. Webb collected various 18^th and 19^th century structures including houses, barns, a lighthouse, a jail, and a steamboat to house her collection; 25 of the buildings are historic.

New York’s American Folk Art Museum has mounted an exhibition devoted to the notable Boston-based itinerant folk portraitist William Matthew Prior (1806-1873). Artist and Visionary: William Matthew Prior Revealed was organized by the Fenimore Art Museum in Cooperstown, New York and features over 40 oil paintings spanning Prior’s career from 1824 to 1856.

Prior, who moved from Maine to Boston in 1840, is best known for his paintings of working-class Americans, a demographic that had previously been overlooked by artists. Prior developed a simple, straightforward style to meet the tastes and means of his humble clientele, which often included families and children. However, Prior went on to depict a diverse range of sitters that included himself, a famous preacher, and a number of African Americans. Prior often shifted his style from modest to elaborate based on his subject.  

Artist and Visionary: William Matthew Prior Revealed, which is the first comprehensive museum retrospective to focus on Prior, will be on view through May 26, 2013.

The new installation of the Grainger Gallery of Folk Art at the Art Institute of Chicago opened in August 2009 in a renovated gallery space that wraps around the historic Ryerson and Burnham library in the original 1893 building of the museum. Endowed by David and Juli Grainger, the reinstallation of the collection prompted a re-assessment of the museum’s American folk art collection and provided the opportunity for new research and a publication, also funded by the Grainger Foundation. For Kith and Kin is the first publication to document the growth of folk art collecting in Chicago and at the Art Institute during the late-nineteenth and early-twentieth centuries. Over sixty objects are illustrated with short essays accompanying each entry. An essay on the collecting of folk art in Chicago describes the previously unpublished history of the collection’s origins and growth.

Kicking off New York City’s 2013 “Americana Week” show schedule is The New York Ceramics Fair (January 23–27), with an opening night preview party on January 22. At the Bohemian National Hall (321 East 73rd Street) for the third year in a row, the Ceramics Fair brings together forty galleries from England, Europe, and across the US. Offerings include porcelain, pottery, glass, cloisonné and enamels, as well as an educational lecture series. Visit www.caskeylees.com.

The Metro Show NYC opens its second year at the Metropolitan Pavilion (125 W. 18th Street) with a preview reception January 23 and extends through January 27. This year the show recasts the “A” word (antiques) into the now trendy Historical Design. New dealers include Bernard Goldberg Fine Arts and Fred Giampietro Gallery. The Metro Show welcomes Editions | Artists’ Book Fair to the adjoining building. Visit www.metroshownyc.com or call 800.563.7632.

Opening on January 25 and running through the 27, Antiques at the Armory, Lexington Avenue at 26th street, 69th Regiment Armory, features one-hundred select exhibitors of American & European antiques, period furniture, Americana, folk art, garden and architectural artifacts, fine art and prints, and much more. Shuttle service is available between the Armory show and the Winter
Antiques Show. Visit www.stellashows.com or call 973.808.5015.

Opening the evening of January 24 with a gala preview to benefit East Side House Settlement, the Winter Antiques Show, 67th and Park Avenue, marks its 59th year as the most prestigious antiques
show in the country. Through February 1, seventy-five exhibitors will offer works from antiquity through the 1960s with one-third of the show’s exhibitors specializing in Americana with the rest featuring English, European, and Asian fine and decorative arts. This year’s loan exhibit features “Newport: the Glamour of Ornament,” celebrating The Preservation Society of Newport County. Popular lectures relating to the exhibition and the Expert Eye series are held through the duration of the show. Among the new exhibitors is Allan Katz Americana. Visit www.winterantiquesshow.com or call 718.292.7392.

Though after Americana Week, be sure to visit Outsider Art Fair at Center 548, 548 West 22nd Street in Chelsea, from February 1–3 with a preview party January 31. Under new ownership (Wide Open Arts), the fair celebrates its twenty-first year. Visit www.outsiderartfair.com or call 212.337.3338.

Renowned art collector, Daphne Farago, announced that she will donate 161 works from her stunning collection to the Museum of Fine Arts, Boston. A longtime supporter of the MFA, Farago’s contribution is the largest gift of contemporary craft the museum has ever received and will greatly improve a once-lacking part of the collection.

Farago’s gift features works from the 20^th and 21^st centuries by artists such as Dale Chihuly (b. 1941), Sam Maloof (1916-2009), and John Cederquist (b. 1946). The pieces range from works of fiber, ceramics, glass, woodcarvings, and metal to furniture, jewelry, basketry, and folk art. The newly acquired works, man of which have remained out of public view until now, will be exhibited in the museum’s Farago Gallery beginning in August 2013.

This is the third major donation from Farago and her late husband, Peter to the MFA; their contributions total $2.5 million to $5 million in art and money, which prompted the museum to open the Farago Gallery in September 2011 as part of the Linde Family Wing for Contemporary Art. Edward Saywell, Chair of the Linde Family Wing, said, “Although the MFA has a distinguished history of collecting and exhibiting contemporary craft, this gift broadens and deepens our holdings in truly significant ways. The gift will be a touchstone for the collection and will be a remarkable legacy.”  

The Metro Show, The New Face of Art & Design, kicks off on January 24, 2013 at the Metropolitan Pavilion in Chelsea and runs through January 27. Produced by the Art Fair Company, which organizes the Sculpture Objects & Functional Art Fairs as well as the Antique Dealers League Spring Show NYC, the Metro Show brings together a striking mix of historic and contemporary art and design.

The second edition of the Metro Show boasts an impressive roster of exhibitors that includes Bernard Goldberg Fine Arts, Carl Hammer Gallery, Gary Sullivan Antiques, Just Folk, Ricco/Maresca Gallery, M. Finkel & Daughter, Hill Gallery, Samuel Herrup Antiques, Stephen Score, and many more. A broad range of objects will be on view including paintings, furniture, drawings, prints, photographs, sculpture, folk art, textiles, and decorative arts.

Caroline Kerrigan Lerch, Director of the Metro Show said, “Our vision is to illustrate the intellect, beauty, and vision in American arts and design, while placing it in a more modern and international context. We want to broaden its appeal and reach out to a new and younger audience while renewing the interest of the loyal attendees who flock each January to the Metropolitan Pavilion.”

The Metro Show will hold an invitation-only preview on January 23 from 6-7PM and a public preview from 7-9PM.

Christie’s announced that Americana Week 2013 will be held from January 24-25 and on the 28^th in New York. The week will include a series of public viewings and auctions focusing on American craftsmanship and artistry. An Important American Silver sale will be held on the 24^th, an Important American Furniture, Folk Art, and Prints auction will take place on January 25^th, and on the 28^th, Christie’s will hold English Pottery and Chinese Export Art sales. The Americana Week auctions will present over 400 lots, many of which are from the 18^th and 19^th centuries and have never been offered at auction until now.

Highlights from the American Silver auction include a drum-form teapot by Paul Revere (1734-1818), a Japanesesque mixed-metal and hardstone style tea service by Tiffany & Co., and a set of silver casters by Simeon Soumaine (circa 1685-circa 1750) from 1740.

Leading the American Furniture, Folk Art, and Prints sale is a Chippendale carved mahogany block-and-shell bureau table signed by John Townsend (1733-1809). The bureau table will be offered alongside a Queen Anne carved maple armchair attributed to John Gaines III (1704-1743), an Edward Hicks (1780-1849) painting depicting William Penn’s treaty with Delaware tribal chiefs, a number of early needlework samplers from The Stonington Collection, and much more.

The English Pottery auction presents over 50 lots including early salt glazed stoneware, redware and creamware formed by William Burton Goodwin, and a London delft polychrome dish, which is painted with the biblical story of Abraham and Isaac.

Highlighting the Chinese Export Art sale are a Chinese export ‘orange Fitzhugh’ armorial dinner service from the early 19^th century, a pair of Chinese export famille rose fishbowls, and a Chinese export ‘Lady Washington States China’ dish, which was presented to Martha Washington by Andreas van Braam (1739-1801), the director of the Dutch East India Company, in 1796. Van Braam designed the dish as an introductory gift for the First Lady.

The Art Fair Company, owners of SOFA Chicago, SOFA New York, SOFA Santa Fe, The Metro Show, and the Spring Show NYC, announced that the Metro Show has formed an alliance with Editions/Artists’ Book Fair. Editions/Artists‘ Book Fair was slated to take place November 1-4 of this year, but was cancelled due to Hurricane Sandy. The show will now run alongside the Metro Show, which is held in New York City’s Metropolitan Pavilion from January 23-27, 2013. Susan Inglett, the founder of Editions/Artists’ Book Fair said, “We are grateful to our colleagues at The Art Fair Company who have provided us this incredible opportunity.”

Now in its fifteenth year, Editions/Artists’ Book Fair showcases contemporary publishers and dealers and presents an array of prints, multiples, and artists’ books from over 60 international exhibitors. The show also includes site-specific installations, lectures, and screenings.

Next door at the Metro Show, which is helmed by Caroline Kerrigan Lerch, historic art will be presented alongside contemporary design. Works include paintings, furniture, drawings, prints, photographs, sculpture, folk art, textiles, and decorative arts.

When the Crystal Bridges Museum of American Art opened its doors for the first time in Bentonville, Arkansas on November 11, 2011, the institution presented about 450 works of art, nearly half of its entire holdings. A little over a year later, the Crystal Bridges’ collection has ballooned and now includes over 2,000 artworks thanks to an active acquisition program led by Executive Director Don Bacigalupi, museum curators, and a solid leadership board. Within the past year, the Crystal Bridges Museum has acquired five sculptures, eight paintings, one mixed media work, 468 prints, and 504 works on paper, including photographs, drawings, and watercolors.

Museum officials were particularly excited to acquire a large painting by Abstract Expressionist artist, Mark Rothko, titled No. 210/No.2011 (Orange) (1960) and held an official unveiling back in October. The piece, which has only been exhibited twice in public, is currently part of the museum’s temporary exhibition, See the Light: The Luminist Tradition in American Art. After the show closes in late January, the Rothko work will be moved to the museum’s Twentieth-Century Art Gallery.

Other major acquisition include a portrait by American folk artist Ammi Phillips (1788-1865), titled Woman in Black Ruffled Dress (circa 1835); a neoclassical white marble sculpture completed in 1867 by William Wetmore Story (1819-1895); a contemporary mixed-media work from the early 1980s by Californian artist Miriam Schapiro (b. 1923); and a large painting titled Tobacco Sorters (1942-44) by the twentieth-century American artist, Thomas Hart Benton (1889-1975), which was commissioned by the American Tobacco Company.

A private collector who specialized in early twentieth-century works facilitated the major growth in the museum’s print department. The recent acquisitions vary in style from Benton’s Regionalism to Charles Sheeler’s (1883-1965) Precisionism and include drypoints, etchings, engravings, lithographs, screenprints, woodcuts, and wood engravings. A selection of recently acquired prints will be part of the temporary exhibition Art Under Pressure: Early Twentieth Century American Prints, which will be on view from December 21 through April 22, 2013.

The Museum of Craft and Folk Art (MOCFA) will be closing its doors on December 1, 2012, the date marking the institution’s thirtieth anniversary. Founded in 1982 by craft artist and well-known sculptor, Gertrud Parker, MOCFA is the only folk art museum in Northern California.

After three decades, the Museum’s overseers felt that their mission, to bring recognition and legitimacy to craft and folk art in the contemporary art arena, had been achieved. The poor climate for smaller art institutions was undoubtedly a contributing factor.

Although the art market and leading museums now embraces contemporary artists who borrow from craft traditions, the innovative and daring venues that helped these artists get there are suffering. For instance, this past summer amid financial troubles, the American Folk Art Museum in New York was forced to sell its building on 53^rd Street to the Museum of Modern Art and move to a smaller venue.

The MOCFA has exhibited hundreds of artists and significant local and national craft and folk art collections over the years. The Museum is devoted to collaborating with artists on commissions of new work as well as promoting artist-led projects and public programs. MOCFA has worked ardently to provide a place for makers and artists to come together and create, discuss, and learn. The Museum’s final exhibition, Fiber Futures: Japan’s Textile Pioneers, will be on view from now until December 1.