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Three Texas museums -- the Amon Carter Museum of American Art in Fort Worth, the Dallas Museum of Art, and the Nasher Sculpture Center in Dallas -- are adding more than a combined 1,700 high-resolution works of art to the Google Art Project. The Art Project, which is part of the Google Cultural Institute, allows users to virtually explore works of art from international museums, institutions, and archives. Currently, there more than 57,000 high-resolution images of works ranging from oil on canvas paintings to sculpture and furniture.

The Amon Carter Museum has submitted 1,200 images to the Google Art Project, showcasing works by American artists such as Mary Cassatt, John Singer Sargent, and James McNeill Whistler. The museum also contributed 200 photographs from its collection. The Dallas Museum of Art submitted around 500 works from its collection including “Sheaves of Wheat” by Vincent van Gogh. The Nasher Sculpture Center, which houses a collection of modern and contemporary sculpture, submitted images of works by Auguste Rodin and Mark di Suvero.

The exceptional quality of the images coupled with the Google Art Project’s custom-built zoom view, allows users to explore the finest details of  each object. Visitors can browse works by artist, title, medium, museum, country, time period, or collection. Virtual guided tours by experts are available on the site so that users can learn more about a particular work or topic.

To view works from the Amon Carter Museum of American Art, the Dallas Museum of Art, and the Nasher Sculpture Center, visit the Google Art Project.

Tony Fusco and Robert Four, the arts promoters and producers behind Boston’s marketing and PR agency, Fusco & Four/Ventures, LLC, are adding Boston Design Week to their roster of annual art and design shows. They are also the producers of the Boston International Fine Art Show, the Ellis Boston Antiques Show, and AD20/21, which will anchor events in the new Boston Design Week. Fusco said, “The goal of Boston Design Week is to increase public awareness and appreciation of all aspects of design and foster recognition of the vital role design and creative industries play in our lives. We want to offer the public an opportunity to explore architecture, urban design, interior design, fashion, graphic design, product and industrial design, and studio design such as furniture, decorative arts, sculpture, textiles, jewelry and more.”

The 10-day citywide design festival, which is scheduled to take place March 20-30, 2014, will include over 60 design events, exhibitions, lectures, receptions, behind-the-scenes tours, and other activities throughout greater Boston. Highlights include the American Society of Interior Designers annual awards gala on March 20 at the Mandarin Hotel; the Boston Preservation Alliance’s 2014 forum, which will take place on March 20 at the Modern Theatre in Downtown Crossing; and ongoing open houses, lectures and special sales in Park Square and on Newbury and Boylston Streets.

AD20/21: Art & Design of the 20th and 21st Centuries will take place March 27 through March 30 at the Cyclorama, Boston Center for the Arts, during Boston Design Week’s final days. Now in its seventh year, the show and sale will present modern and contemporary fine art, jewelry, vintage and contemporary studio furniture, sculpture, photography, fine prints and more.

For more information visit www.bostondesignweek.com.

In the first exhibition of its kind in 50 years, the DeWitt Wallace Decorative Arts Museum, one of the Art Museums of Colonial Williamsburg in Virginia, is presenting the exhibition "A Rich and Varied Culture: The Material World of the Early South." The show, which features more than 400 objects drawn from the Colonial Williamsburg collections, will include a dozen categories of media and represent four geographic regions of the South -- the Chesapeake region, the Carolina Low Country, the Backcountry South, and the Gulf Coast. Works from 10 other institutions and 14 private collections will also be exhibited.

Together, furniture, paintings, prints, metals, ceramics, mechanical arts and arms, architectural elements, archaeological objects, rare books, maps, costumes, accessories and musical instruments will tell the story of the region’s population from the 17th century through 1840 as it expanded westward and southward toward the frontier. Each of the works on view has undergone exhaustive research, which has yielded some unexpected findings. For example, a painting of Frances Parke Custis, on loan from Washington and Lee University, was revealed to be the work of the Brodnax Limner, a little-known artist who worked in Virginia during the 1720s.  

Ronald L. Hurt, the Colonial Williamsburg Foundation’s vice president for collections, conservation, and museums and its Carlisle H. Humelsine Chief Curator, said, “The early American South has long been depicted as a society that produced almost none of the objects used by its substantial populace. However, the opposite is true. Southern artists and artisans generated a vast body of material in virtually every medium. The abundance and diverse cultural resonance of these goods will be powerfully conveyed by the objects assembled for this exhibition.”

"A Rich and Varied Culture: The Material World of the Early South" was entirely funded by Williamsburg residents, Carolyn and Michael McNamara. The exhibition will be on view at the DeWitt Wallace Decorative Arts Museum for five years, until 2019.

On March 29, 2014, the Peabody Essex Museum in Salem, MA will present the exhibition ‘California Design, 1930-1965: Living in a Modern Way.’ The show will include over 250 mid-century modern design objects by pioneering designers such as Charles and Ray Eames, Richard Neutra and Greta Magnusson Grossman. Organized by the Los Angeles County Museum of Art, this exhibition is the first major study of California mid-century modern design and the Peabody Essex Museum will be the show’s only east coast venue.

Works on view, which will include furniture, textiles, graphic design, ceramics, jewelry and architecture, will be contextualized within the creative climate of California and the social and cultural conditions that existed between 1930 and 1965. the exhibition will be divided into four thematic sections--Shaping, Making, Living and Selling--and will explore the origins of modern California design, the materials used, and how the movement proliferated worldwide.  

‘California Design, 1930-1965: Living in a Modern Way’ will be on view at the Peabody Essex Museum through July 6, 2014.

This spring, Christie’s will sell approximately 400 items from the collection of Huguette Clark, a reclusive copper heiress. The auction house has revealed that the trove includes Claude Monet’s ‘Water Lilies’, which has not been exhibited publicly since 1926 and is expected to fetch between $25 million and $35 million, and Pierre-Auguste Renoir’s ‘Young Women Playing Badminton,’ which is expected to bring between $10 million and $15 million.

Clark’s collection also includes musical instruments, Gilded Age furniture and rare books. The trove will be divided among two sales -- one on May 6 that will include the Monet and Renoir paintings, and another on June 18. The entire collection is expected to fetch more than $50 million. Before the sales, highlights from Clark’s holdings will go on view at Christie’s London and then at various locations throughout Asia.

Clark was the daughter of U.S. senator and copper tycoon, William A. Clark. Beginning in 1930, she led a largely reclusive life and when she passed away in 2011, she left behind an estate worth nearly $300 million. The proceeds from the upcoming sales will go to the estate, which will most likely be distributed between art institutions and distant relatives.

Christie’s Americana Week auctions, which included the sales of Important American Silver on January 23, Important American Furniture, Folk Art and Prints on January 24, and Chinese Export Art on January 27, fetched a total of $10,189,025.

The Chinese Export Art sale realized $3,034,750 and the top lot was a rare set of four large Chinese export porcelain nodding head figures from the Qianlong Period, which sold for $173,000. The Important American Silver sale netted $1,737,875 and the top lot, a silver Brandywine bowl by Cornelius Vander Burch from the late 17th century, brought $317,000. The Important American Furniture, Folk Art & Decorative Arts sale was the biggest hit of the week and realized $5,416,400. The top lot was an 18th century Chippendale carved Mahogany scallop-top tea table from Philadelphia, which garnered $905,000. Andrew Holter, head of American Furniture and Decorative Arts at Christie’s, said, “Today’s solid results underscore collectors’ continued appetite for works of exceptional provenance and quality.”

On January 25, Sotheby’s held the auction ‘Visual Grace: Important American Folk Art from the collection of Ralph O. Esmerian’ in New York. The sale, which included over 208 lots ranging from watercolors, portraits, pottery, furniture and weathervanes to carvings, needlework, sculpture and scrimshaw, fetched $12,955,943, significantly exceeding its pre-sale estimate of $9.5 million. The sale set a new record total for any auction of American folk art. 

The top lot of the auction was a carved figure of Santa Claus by wood carver Samuel Robb, which sold for $875,000, far surpassing its pre-sale estimate of $250,000. Other important sales included Ruth Whittier Shute and Samuel Addison Shute’s portrait of Jeremiah H. Emerson, which brought $665,000; a rare carved pine pheasant hen weathervane from the late 19th century, which sold for $449,000; and ‘The Carver Limner,’ a painting depicting three members of Freeport’s Carver family, which fetched $521,000.

Esmerian, the former chairman emeritus of New York’s American Folk Art Museum, is currently serving a six-year sentence for fraud. The sale at Sotheby’s was ordered by the U.S. Bankruptcy Court and generated $10.5 million for Esmerian’s creditors including Sotheby’s and Christie’s.

This spring, Huguette Clark’s collection of musical instruments, Gilded Age furniture and rare books will be sold at Christie’s. The trove of approximately 400 objects is expected to bring over $50 million and will be divided among two sales in May and June. Before the auction in New York, highlights from the collection will go on view at Christie’s London and then at various locations throughout Asia.

Huguette was the daughter of U.S. Senator and copper tycoon, William A. Clark. Beginning in 1930, Huguette led a largely reclusive life and when she passed away in 2011, she left behind an estate worth nearly $300 million. The proceeds from the upcoming auction will go to the estate, which will most likely be distributed between art institutions and distant relatives.

In 2012, 17 pieces of jewelry from Clark’s collection were sold at Christie’s including a rare pink 9-carat diamond that fetched approximately $21 million, nearly twice its pre-sale estimate.

On Sunday, December 1, Sotheby’s wrapped up Beijing Art Week, a series of sales that marked the company’s first commercial auction in mainland China. The auction house offered $212 million worth of western and Chinese art, jewelry and furniture in three private sales and an auction.

During the Modern and Contemporary Chinese Art auction on Sunday night, a record was set for Chinese-French artist Zao Wou-Ki. the artist’s 1958 oil-on-canvas abstract work, which was sold by the Art Institute of Chicago, brought $14.7 million. Wou-Ki’s previous record was set on October 5 during a sale at Sotheby’s Hong Kong when a work sold for $11 million.

China is home to the fastest growing art market and the success of the Beijing sales indicates that there are active buyers on the mainland.

Art, photography, and furniture dealer, Daniel Wolf, and Maya Lin, his award-winning architect wife, are planning to purchase the Yonkers City Jail for $1 million. The couple will turn the rundown, 10,000-square-foot structure into studio, gallery and loft space. The former jail closed in September and was put on the market by the city for $2.5 million.

The space, which will be designed by Lin, will house Wolf’s collection and serve as a base for dealing art as well as holding exhibitions and other public events. Yonkers’ Mayor, Mike Spano, said, “This prime waterfront real estate in the heart of our vibrant downtown area was no place for a jail, but it’s an ideal location for an international art collection like that of Daniel Wolf.”    

A closing is expected in December when the city approves the transaction.