Displaying items by tag: furniture

 The Cranbrook Art Museum in Bloomfield Hills, Michigan, is currently hosting “Paul Evans: Crossing Boundaries and Crafting Modernism,” the first comprehensive survey of the designer’s work. Paul Evans (1931-1987), a leading figure in the midcentury American studio furniture movement, used metal to create stunning sculptural pieces that defied what everyday objects looked like and how they were made.

“Crossing Boundaries and Crafting Modernism” features 68 works spanning Evans’ varied career. Evans, who studied at the Cranbrook Academy of Art, a leading institution of American contemporary design, began working with metal in the 1950s. During this time, Evans shared a studio with fellow furniture designer Phillip Lloyd Powell in New Hope, Pennsylvania. The pair often collaborated on pieces that melded Powell’s wood prowess and Evans’ metalworking skills. A number of objects from this period are included in the exhibition.

The 2014 New Orleans Antiques Forum, “Southern Expression,” will explore the many facets of regional style with acclaimed experts in the field of decorative arts. This year’s topics include furniture, pottery, mourning jewelry and art, southern landscape paintings, clocks, quilts, and more.

The Historic New Orleans Collection established the New Orleans Antiques Forum (NOAF) in 2008 in an effort to boost cultural tourism in New Orleans and south Louisiana following Hurricane Katrina. Centered on a series of educational and entertaining talks, the three-day forum encourages the appreciation of decorative arts created in and imported through the Gulf Coast. Sessions are accessible to experienced collectors as well as beginning antiques enthusiasts.

Ever since Rachel Lambert Mellon died in March at the age of 103, the art world has been wondering what would become of the vast treasures of art and objects that she and her husband, Paul Mellon, had collected and lived with.

On Tuesday, Sotheby’s announced that it had landed the sale of the estate of Mrs. Mellon, winning it over its rival Christie’s. The auctions, starting in November, will be among the most highly anticipated sales from a fabled family collection, with more than $100 million of art, jewelry, furniture and decorative objects. Proceeds will benefit the Gerald B. Lambert Foundation, a charitable entity established by Mrs. Mellon, known as Bunny, in memory of her father. The foundation supports the Oak Spring Garden Library, Mrs. Mellon’s celebrated collection of rare books, manuscripts, works of art and artifacts relating to horticulture, landscape design and natural history.

New York’s Museum of Arts and Design (formerly the American Craft Museum) is currently hosting its inaugural “NYC Makers: The MAD Biennial,” an exhibition that highlights the city’s vast and varied creative communities. The first show to be organized under the leadership of the museum’s new Director Glenn Adamson, “NYC Makers” spotlights the work of 100 artisans, artists, and designers, living and working in New York City. The roster runs the gamut from famous creative figures such as performance artist Laurie Anderson and multimedia artist/singer-songwriter Yoko Ono to furniture designers, fashion designers, and architects.

The goal of the exhibition is to further the museum’s ongoing commitment to craftsmanship across all creative fields, promoting not only makers who exhibit their work in a museum setting, but also those who operate behind the scenes or on a more practical level. Makers featured in the exhibition were nominated by a pool of over 300 New York City-based cultural leaders, including curators, choreographers, academics, and journalists. Finalists were hand-picked by a jury led by Adamson and exhibition curator Jake Yuzna, the museum’s Director of Public Programs, based on their mastery of their respective craft.

The American metal sculptor Albert Paley is the subject of a major exhibition currently on view at the Corcoran Gallery of Art in Washington, D.C. “American Metal: The Art of Albert Paley” presents a retrospective of Paley’s varied career. The exhibition begins with his work as a jeweler and forger of metal, and progresses through Paley’s recent large-scale sculptural projects. The show was curated by Eric Turner, Curator of Metalwork, Silver, and Jewelry at the Victoria and Albert Museum in London.

Paley began his nearly 50-year career as a goldsmith before shifting his focus to blacksmithing in the early 1970s. Spanning six galleries, the exhibition at the Corcoran presents everything from jewelry, furniture, and small-scale domestic metalwork to gates and doors. The exhibition’s centerpiece is “Portal Gates,” a 1974 commission for the Smithsonian’s Renwick Gallery. One of Paley’s most significant projects, “Portal Gates” exemplifies the artist’s innovative style as well as his mastery of the metalworking craft. The Renwick Gallery, which was the Corcoran’s original home, is currently closed for renovations.  

Masterpiece London, a high-end art and antiques fair offering an eclectic mix of paintings, design, furniture, and jewelry, kicked off its fifth edition with an exclusive preview on Wednesday, June 25 at the Royal Hospital Chelsea. The fair, which is located near London’s posh Chelsea neighborhood, got off to a strong start thanks to impressive sales and record attendance. Noteworthy visitors included collector Charles Saatchi, interior designers Ellie Cullman and Scott Snyder, fashion designers Zandra Rhodes and Tom Ford, and a number of museum leaders such as Jeffrey Munger, The Metropolitan Museum of Art’s Curator of European Porcelain, and Stephen Harrison, the Cleveland Museum of Art’s Curator of Decorative Art and Design.

A positive tone was set early on when Symbolic and Chase (London) sold a 1912 Cartier Corsage for more than $20 million. Other sales highlights during the preview included a pair of chinoiserie cabinets by Vile and Cobb sold by Apter Fredericks (London) to an American collector for a seven figure sum; a portrait of the Countess of Craven sold by Elle Shushan (Philadelphia) to English actress Diana Rigg; and Lynn Chadwick’s “Back to Venice” sculpture that was sold by Osborne Samuel (London) for £250,000. Strong sales are expected to continue through the weekend.

Museums and jewelry enthusiasts are no strangers to Cartier’s greatest bijoux creations, but now, a different sort of show lends insight into one of the house’s greatest American clients and collectors, Marjorie Merriweather Post, once the wealthiest woman in the United States.

Founder of General Foods Inc., Post was a socialite and art collector who in 1973 left her estate with a sizable and exquisite French and Russian art collection featuring the work of Fabergé, Sèvres porcelain, French furniture, tapestries, and numerous paintings. But it is her collection of precious jewels, frames and objets d’art that she amassed from the Parisian jeweler that is on exhibition in “Cartier: Marjorie Merriweather Post’s Dazzling Gems” at her former home, the Hillwood Estate, Museum and Gardens in Washington D.C., until December 31.

Design Miami/Basel, a global forum focused on collectible design, offered select guests a sneak peek of its offerings during a VIP preview on Monday, June 16. The event, which takes place alongside Art Basel in Switzerland, is open to the public from Tuesday, June 17 through Sunday, June 22.

Bringing together collectors, gallerists, designers, and curators, Design Miami/Basel celebrates design culture and commerce through museum-quality exhibitions, educational lectures, and commissions from the world’s top emerging and established designers and architects. The marketplace portion of the fair features celebrated design galleries from around the world exhibiting furniture, lighting, and objets d’art. Offerings range from 18th- and 19th-century antiques to early Modernist objects and contemporary design.

A Russian billionaire has accused his ex-wife of secretly selling off pieces of their massive $120 million collection of art, antiques and furniture.

Oil tycoon Shalva Chigirinsky, 62, says in a Manhattan lawsuit that Tatiana Panchenkova, who has accused him of physical abuse, had agreed to preserve the collection.

The Crocker Museum served as a storage space for precious pieces of artwork for Japanese families during WWII.

The museum says it recently discovered the it kept precious items for several families sent away to relocation camps, and is now trying to track down those families.

Registrar John Caswell says he recently discovered in old archived documents that the Crocker Museum once served as storage space for Japanese-American families forced into war relocation camps back in 1942.