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Pritzker Prize-winning architect Peter Zumthor has rejiggered his masterplan for the Los Angeles County Museum of Art‘s (LACMA) campus to avoid the neighboring La Brea Tar Pits. When the original designs for the massive, $650-million overhaul of LACMA’s disjointed group of buildings was announced last year, the administration of the Page Museum at the La Brea Tar Pits raised objections and claimed that the Zumthor plan would block rainfall and sunlight on the geological tourist destination and still-active paleontological research site rich with Ice Age fossils.

The new plan, as Jori Finkel writes for the New York Times, calls for a building that keeps its distance from the tar pits, instead stretching across Wilshire Boulevard to land on a lot currently used for parking.

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A major exhibition titled Ice Age Art: Arrival of the Modern Mind is now on view at the British Museum in London. With works dating as far back as 40,000 years, the show presents ice age objects from across Europe alongside works by modern masters including Henry Moore (1898-1986), Piet Mondrian (1872-1944), and Henri Matisse (1869-1954). The juxtaposition is meant to illustrate the fundamental human desire to explore life and oneself through art.

Many of the ice age-era works on view are made of mammoth ivory and reindeer antler and tend to be diminutive in stature. Highlights include a 40,000-year-old flute made from a vulture’s wing bone, a mammoth tusk carved to resemble a pair of reindeer, and a 23,000-year-old abstract ivory sculpture found in Lespugue, France that had a profound influence on Pablo Picasso’s (1881-1973) sculptural work of the 1930s.

The works, which range from 10,000 to 40,000 years old, will be on view through May 26, 2013.

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