Displaying items by tag: jury

The first edition of the biennial Edvard Munch Art Award, which comes with a NOK 500,000 ($66,000) prize and an exhibition at Oslo’s prestigious Munch Museum, will take place on the artist’s birthday, on 12 December.

Stein Olav Henrichsen, the director of the Munch Museum, has said he wants a jury composed of international experts “with knowledge on the art scene in China, India and other Eastern countries. It is very important not to focus too much on Europe and the US when looking for candidates.”

The Guggenheim has announced the finalists in the competition to design Guggenheim Helsinki, whittling down the entrants from a record-breaking 1,715 submissions to just six. Representing both emerging and established practices with offices in seven countries, the shortlisted entries show a variety of responses to the challenge of creating a world-class museum.

“The final shortlist encompasses a number of different scenarios: from schemes which are more experimental in engaging with the program and whose outward form will only emerge in the second phase, to ones that might seem more resolved from the outside but whose programmatic concept will only evolve fully in the second phase,” notes the jury’s official statement.

The international jury choosing an architect to design a new National Gallery, which will also provide a new home for the Ludwig Museum in the Hungarian capital, has invited seven leading practices to take part in a new competition after a first competition did not produce a winning design. The seven architects invited to compete for the high-profile commission are: Jean Nouvel, David Chipperfield, Mecanoo, Nieto Sobejano, Renzo Piano, Sanaa and Snøhetta. Launched last week, the competition’s winner is due to be announced next April.

The New York Public Library is currently hosting the free exhibition Daring Methods: The Prints of Mary Cassatt, which spans Mary Cassatt’s (1844-1926) printmaking career from 1878 to 1898. In 1875, after having two works refused by the illustrious Paris Salon’s jury, Cassatt joined the Impressionist group at Edgar Degas’ (1834-1917) request. Cassatt created her earliest surviving prints a few years later in 1878, a year before she first exhibited with the Impressionists.

Cassatt, a legendary American artist who is well known for her tender paintings of women and children, had a bold approach to printmaking. She experimented with an array of print media, often repeating compositions and fervently reworking her copper printing plates in an effort to achieve the effects she desired.

Daring Methods tracks Cassatt’s evolution as a printmaker from her exploratory black-and-white beginnings to her mastery of the medium and her creation of technically striking color prints. The exhibition is organized chronologically to emphasize Cassatt’s development as a printmaker, illustrating the evolution of her subjects, compositions, and printing methods.

The show features 88 prints from the library’s archive, many of which have never been seen except on request. The works were donated to the New York Public Library in 1900 by Samuel Putnam Avery, a New York-based art dealer who worked closely with Cassatt.

Daring Methods: The Prints of Mary Cassatt will be on view in the New York Public Library’s Print and Stokes Gallery through June 22, 2013.