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Displaying items by tag: outdoor installation

Most of us think of the High Line as something of a weird, wonderful urban park. But Cecilia Alemani, the curator and director of High Line Art, hastens to correct us, because it is so much more: “The High Line is both a promenade and an observatory: a place removed only 30 feet from the hustle of Manhattan streets, yet with this small distance the park allows its visitors space for respite and reflection,” she said. On Friday morning, High Line Art announced its newest open-air exhibition "Panorama," an art installation meant to bring together “humankind and nature” and entice viewers to reflect on their relationship to the outdoors.

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The Denver Botanic Gardens has been on a roll in recent years, and its latest exhibit, which officially opens this weekend, is no exception.

Ensconced throughout the Botanic Gardens until the end of November will be sculptures by Dale Chihuly, the renowned artist from Washington state who works in blown glass and whose outdoor installations have long been a pleasure.

 

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The Hall Art Foundation announces an exhibition by Danish-Icelandic artist Olafur Eliasson being held in its galleries in Reading, Vermont from 3 May – 30 November 2014. This survey brings a focused selection of Eliasson’s sculptures, photo series, optical devices, and works on paper together with his major outdoor installation, Waterfall (2004), unveiled at the Hall Art Foundation last year.

Throughout the past two decades, Eliasson’s installations, paintings, photography, films, and public projects have served as tools for exploring the cognitive and cultural conditions that inform our perception. Ranging from immersive environments of color, light, and movement to installations that recontextualize natural phenomena, his work defies the notion of art as an autonomous object and instead positions itself as part of an active exchange with the visitor and his or her individualized experience. Described by the artist as “devices for the experience of reality,” his individual works and projects prompt a greater sense of awareness about the ways we both interpret and co-produce the world. By recreating the natural through artificial means and capturing it in both time and space, Eliasson's work encourages the renegotiation of linear perceptions of space as well as the line between reality and representation.

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