Displaying items by tag: owner

The former owner of a disputed Caravaggio has lost his battle for compensation from an auction house. Lancelot William Thwaytes sold "The Cardsharps" at Sotheby's in 2006 for £46,000 after being told it was by a follower of the Old Master.

The new owner subsequently insured the painting for millions - after a close friend, an art expert, claimed it was in fact an original Caravaggio. Sotheby's maintains the painting is not by the artist.

Mr. Thwaytes attempted to sue Sotheby's of London, for giving him negligent advice after the new owner had the artwork valued at £10m. Lawyers for Mr. Thwaytes accused Sotheby's of not consulting enough top experts or sufficiently testing the painting before the 2006 sale.

The descendants of a Parisian art dealer are demanding that the Henie Onstad Art Center near Oslo, Norway return Henri Matisse’s (1869-1954) Blue Dress in a Yellow Armchair (1937) to them. Nazis seized the painting from its owner, Paul Rosenberg, prior to the outbreak of World War II. Ultimately, Rosenberg, one of the most prominent French art dealers and a personal friend of Pablo Picasso and Matisse, fled to New York and survived the war.

The painting in dispute has been a celebrated part of the Onstad’s collection since the museum was established in 1968. The work was donated to the fledgling institution by art collector Niels Onstad and his wife Sonjia Henie, an Olympic figure skater. Museum Director Tone Hansen attests that Onstad and Henie bought the painting from the Parisian Galerie Henri Benezit in 1950, unaware of its troublesome provenance. Hansen was unaware that Nazis had stolen the painting until the Art Loss Register, an organization that tracks lost and stolen paintings, notified him in 2012.

Art Registry documents show that Rosenberg purchased Blue Dress in a Yellow Armchair directly from Matisse in 1937. Following World War II, Rosenberg attempted to re-establish his business and tried to recover the 400+ works that had been taken from him by the Nazis. The painting was marked on Rosenberg’s personal documents as missing after the war. He also reported the painting missing to French authorities in 1946.

While Rosenberg’s heirs hope that the painting will be returned to their family, Norwegian law states that if a person has had an item in good faith for over 10 years, they are deemed the rightful owner. However, the argument is in contrast to the Washington Conference Principles on Nazi-Confiscated Art, which Norway is a part of.

For a limited time, the Currier Museum in Manchester, NH is exhibiting an early painting by Claude Monet (1840-1926) in their European Gallery. The painting, Adolphe Monet in the Garden of Le Coteau at Sainte-Adresse (1867), remained in Monet’s family until 2004 and will be returned to its owner in early July. No future public showings have been scheduled.

Adolphe Monet in the Garden of Le Coteau at Sainte-Adresse is an early painting by Monet and features the artist’s father reading a newspaper under an awning of trees. The painting will be shown alongside the Currier’s own early Monet masterpiece, The Seine at Bougival (1869). Adolphe Monet in the Garden of Le Coteau at Sainte-Adresse has only been on public view in a museum once before when it was exhibited in 2011 at Paris’ Galeries nationales du Grand Palais as part of a major retrospective of Monet’s work.

Adolphe Monet in the Garden of Le Coteau at Sainte-Adresse will be on view at the Currier Museum through early July 2013.

Henry Moore’s (1898-1986) severely damaged sculpture Knife Edge Two Piece (1965) will finally be restored according to the Parliamentary Art Collection. The sculpture, which is prominently displays outside of the Houses of Parliament in London, is England’s most revered work by the British sculptor.

Moore and the Contemporary Art Society donated Knife Edge Two Piece to England in 1967 but the work fell into disrepair after administrative changes left it with no legal owner. Eventually, the British government suggested that the House of Commons take ownership for the sculpture and that the Parliamentary Art Collection take responsibility for the its care.

The bronze sculpture, which is marred by discoloration, deterioration, and incised graffiti, will undergo conservation beginning February 16, 2013. Conservator Rupert Harris will lead the effort, which involves removing the sculpture’s protective lacquer and abrading its surface to eliminate the damage. The work will then be repatinated and treated with wax in order to protect it from future environmental damage.

The conservation project is expected to cost a little over $50,000 with most of the funding coming from the Parliamentary Art Collection. The Henry Moore Foundation will contribute about $17,000 to the effort. The Knife Edge Two Piece restoration project is expected to reach completion at the end of March 2013.