Displaying items by tag: pastel

As a technique for creating art, frottage is so closely identified with Surrealism, in general, and Max Ernst, in particular, that the link itself might be an example of the technique.

"Frottage" is French for "rubbing," and it rubbed off on the boisterous Surrealist movement that in the troubled decades between the two World Wars was dedicated to unleashing the creative potential of the unconscious mind. When a sheet of paper is laid over a textured surface and rubbed with pencil or pastel, unexpected and evocative shapes, forms and tonalities can be produced.

The Cincinnati Art Museum presents Degas, Renoir, and Poetic Pastels, an exhibition featuring a selection of the most famous pastel drawings in the world. The works are drawn from the museum’s permanent collection and include landscapes by Alfred Sisley, Edgar Degas’ ballet dancers, and portraits by Pierre-Auguste Renoir.

Pastel, which is derived from the Latin word pasta, or “paste,” has been a popular medium for artists since the 15^th century. Degas, Renoir, and their contemporaries enjoyed the medium because it didn’t need time to dry and boasted rich, saturated hues. The works on view at the Cincinnati Art Museum, which are from the second half of the 19^th century, are rarely on view due to their sensitivity to light.

Degas, Renoir, and Poetic Pastels will be on view through January 19, 2014.

Experts investigating the catastrophic art heist that rattled the Netherlands in October 2013 have found the burned remains of at least three oil paintings in a home belonging to the mother of one of the chief suspects. Olga Dogaru, who had previously admitted to burning the works and then withdrew her claim, originally said that she incinerated the canvases – two Monets and one Picasso – in an attempt to protect her son.

Investigators found traces of three or four paintings in ashes taken from a wood-burning stove along with nails and tacks. Ernest Oberlaender-Tarnoveanu, head of Romania’s National History Museum, which analyzed the contents of the stove, said, “The number and the type of nails we found (in the ashes) indicate that we have at least three paintings there. There are also tacks that could belong to a fourth one.” While investigators did find the remains of burned oil paintings, it is yet to be determined whether or not they are the same works that were stolen from the Kunsthal Museum.

Dogaru, her son, Radu, and four other Romanians will go on trial on Tuesday, August 13, 2013 in Bucharest. The thieves made off with Pablo Picasso’s Tete d’Arlequin, Claude Monet’s Waterloo Bridge, London and Charing Cross Bridge, London, Henri Matisse’s La Liseuse en Blanc et Jaune, Paul Gauguin’s Femme devant une fenetre ouverte, dite la Fiancee, Meyer de Haan’s Autoportrait, and Lucian Freud’s Woman with Eyes Closed. The works were on loan from the Triton Foundation to celebrate the Kunsthal Museum’s 20^th anniversary.

Four of the stolen works were oil paintings and three – including Pablo Picasso’s Tete d’Arlequin and Claude Monet’s Waterloo Bridge – were either pastel or colored ink on paper and would be impossible to identify if burned.