Displaying items by tag: wood

On Friday, February 6, 2015, the Blanton Museum of Art announced that it will acquire and construct Ellsworth Kelly’s only building. Kelly, an American painter, sculptor, and printmaker associated with Color Field painting, hard-edge painting, and Minimalism, conceived the stand-alone structure in 1986 for a private collector. At the age of 91, he is finally seeing the project come to fruition.

Austin, a 73-by-60-foot stone building, will be constructed on the museum’s grounds at the University of Texas at Austin. The structure will feature luminous colored glass windows, a totemic wood sculpture, and fourteen black-and-white stone panels in marble -- all designed by the artist.  Kelly has gifted the Blanton the design concept for the work, including the building, the totem sculpture, the interior panels, and the glass windows. Once it is complete, Austin will become part of the museum’s permanent collection. The Blanton has launched a campaign to raise $15 million to realize the project and has received commitments totaling $7 million.

In 2008, the Cooper Hewitt, Smithsonian Design Museum (formerly the Cooper Hewitt, National Design Museum) embarked on a sweeping renovation of its home -- New York City’s landmark Andrew Carnegie Mansion. Founded in 1896, the museum has been housed in the massive Georgian structure, brimming with wood-paneled walls, stained glass, and carved ceilings, since 1976. Dedicated to historic and contemporary design, the institution hoped to create a space that better communicated its devotion to design evolution.

On December 12, following a three-year closure, the Cooper Hewitt will unveil its renovated and redesigned home to the public. The project, which cost approximately $91 million to complete, added sixty-percent more exhibition space, allowing the institution to present more of its monumental collection and temporary exhibitions. The revamped space also includes a new shop, casework, and movable displays designed by Diller Scofidio + Renfro, a new public staircase, a new freight elevator, and a redesigned outdoor garden by Hood Design.

Cardi Gallery, the Milan-based modern and contemporary art gallery, presents "Louise Nevelson: 55-70," an exhibition of over thirty important collages and sculptures created between 1955 and 1970 that reveal the formalist achievements of Louise Nevelson (1899-1988), an icon of the Feminist art movement and one of the most significant American sculptors of the 20th century. "Louise Nevelson: 55-70," is on view through December 20, 2014.

"Louise Nevelson: 55-70" features works created between 1955 and 1970, a period when the artist’s signature modernist style emerged, with labyrinthine wooden assemblages and monochrome surfaces, and evolved, as Nevelson incorporated industrial materials such as Plexiglas, aluminum and steel in the 1960s and 1970s.

First, there was light. Then, a night sky filled with stars and a luminescent moon. Soon after? Art.

Since ancient times, communities have used art to relay stories and make sense of the world around them — particularly when interpreting the heavens and giving form to perceived deities ruling the forces of nature.

A new exhibition at the Los Angeles County Museum of Art, "African Cosmos: Stellar Arts," showcases 40 rare objects in gold, silver, bronze, stone, beads and wood that collectively illustrate the history of African cultural astronomy, from ancient Egypt to the present day.

The Getty Conservation Institute in Los Angeles and the Salk Institute for Biological Studies in La Jolla are teaming up to develop careful approaches to help conserve one of Louis Kahn’s most iconic buildings -- the Salk Biological Institute campus plaza. Commissioned by Dr. Jonas Salk, inventor of the Polio vaccine, in 1959, the Salk Institute was completed in 1965 and remains one of the most celebrated pieces of modern architecture.

Constructed mainly of concrete and wood, the structure’s close proximity to the Pacific Ocean poses unique conservation challenges -- particularly for its unique teak “window walls,” one of the building’s defining architectural elements.

The Cleveland Museum of Art acquired a rare enamel-on-copper copy of Titian’s (1485-1576) iconic 16^th century masterpiece Bacchus and Ariadne by the English enamel painter Henry Bone (1755-1834). The museum purchased the 19^th century work at Christie’s London on July 4, 2013 for $478,346. Curator John Seydl made the winning bid over the telephone from a London hotel in an effort to disguise the museum’s interest from other bidders.

The enamel measures 16 inches by 18 inches, which is exceptionally large for the medium typically used to execute portrait miniatures. The work includes an ornate gilt-wood and gesso frame and serves as a prime example of Bone’s innovative and widely admired enamel technique.

After being shipping to Cleveland, the Titian copy is expected to hang in the museum’s early 19^th century gallery, which features French and English art.  

Beyond the Bed: The American Quilt Evolution, which is on view at the Katonah Museum of Art in Katonah, New York, traces the evolution of the North American quilt from the early 19^th century to the present day. The exhibition is guest curated by Jean M. Burke of Vermont’s Shelburne Museum and explores how the form, fashion and, function of quilts have changed over the centuries.

Beyond the Bed presents a wide variety of objects from bed coverings, wall decorations, and clothing to three-dimensional sculptures and furniture accessories. While, some of the quilts on view are traditional in pattern and construction, others are more progressive.

Highlights include a rare pincushion quilt attributed to a member of the Vanderbilt family; Ella B. Chase’s (unknown-1919) Pickwick Papers Crazy Quilt depicting characters from Charles Dickens’ Posthumous Papers of the Pickwick Club; a tromp l’oeil quilt carved by Fraser Smith (b. 1971) from a 200-pound block of wood; and a free-standing quilted sculpture by Dominique Ehrmann.

Beyond the Bed: The American Quilt Evolution will be on view through June 16, 2013.

The remarkable Barbier-Mueller Collection of Pre-Columbian Art will be up for sale at Sotheby’s Paris on March 22 and 23, 2013. Comprised of approximately 300 works from Mexico, Central America, and South America and worth around $26 million, the Barbier-Mueller collection is the most important grouping of its kind ever offered at auction.

Swiss collector Josef Mueller (1887-1977) started building his collection after acquiring major works by Ferdinand Hodler (1853-1918) and Paul Cézanne (1839-1906) in Paris during the early 20^th century. Mueller went on to develop an affinity for important works of Pre-Columbian art. The collection was later honed and expanded to include African art, Oceanic art, and Cycladic art by Mueller’s daughter, Monique, and her husband, Jean Paul Barbier-Mueller.

The works offered at Sotheby’s span the historical cultures that dominated the period from 1200BC to 1500AC and include objects in wood and stone, ceramics, textiles, and ritual items. Highlights from the collection include a Chupicuaro ceramic statue from 500-100BC that is expected to sell for approximately $2.6 million; a Maya ceramic head that Mueller purchased from the film director John Huston estimated to bring $200,000-$325,000; and an Aztec stone figure of a water goddess from 1300-1500 expected to garner over $650,000.  

The Barbier-Mueller Collection of Pre-Columbian Art is on view at Sotheby’s until March 21, 2013.