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Monday, 07 July 2014 16:13

Exhibition at the Cranbrook Art Museum Highlights Paul Evans’ Incomparable Furniture

Paul Evans and Phillip Lloyd Powell, Cabinet, circa 1962. Collection of Merrill Wright. Paul Evans and Phillip Lloyd Powell, Cabinet, circa 1962. Collection of Merrill Wright. Image courtesy of Sotheby’s.

 The Cranbrook Art Museum in Bloomfield Hills, Michigan, is currently hosting “Paul Evans: Crossing Boundaries and Crafting Modernism,” the first comprehensive survey of the designer’s work. Paul Evans (1931-1987), a leading figure in the midcentury American studio furniture movement, used metal to create stunning sculptural pieces that defied what everyday objects looked like and how they were made.

“Crossing Boundaries and Crafting Modernism” features 68 works spanning Evans’ varied career. Evans, who studied at the Cranbrook Academy of Art, a leading institution of American contemporary design, began working with metal in the 1950s. During this time, Evans shared a studio with fellow furniture designer Phillip Lloyd Powell in New Hope, Pennsylvania. The pair often collaborated on pieces that melded Powell’s wood prowess and Evans’ metalworking skills. A number of objects from this period are included in the exhibition.

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