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Rutgers University’s Mason Gross School of the Arts announced today that Kara Walker has been appointed as the school’s Tepper Chair. Under her new title, Walker will create a positive research environment for the school’s students. She will start this fall and remain the school’s Tepper Chair for the next five years.

Rutgers’s Tepper Chair position (which, confusingly, is different from its regular Chair) was founded in 2011 after Marlene A. Tepper pledged $3 million to the school.

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On Saturday, January 31, 2015, the Wadsworth Atheneum in Hartford, Connecticut, will unveil its reinstalled collections of post-war and contemporary art. Featuring work from 1945 to the present, the collections will be housed in three dedicated galleries that have been newly renovated and refurbished over the past year.

The Wadsworth’s illustrious post-war and contemporary holdings will be divided between the Huntington Gallery, where mid-century abstract painting and sculpture by artists such as Ellsworth Kelly, Willem de Kooning, Alexander Calder, Helen Frankenthaler, Jackson Pollock, Mark Rothko, and Tony Smith will be displayed; the Hilles Gallery, which will feature works by Robert Rauschenberg, Kara Walker, Cindy Sherman, Andy Warhol, Chuck Close, and Richard Tuttle; and the Colt building’s mezzanine gallery, where one of Sol LeWitt’s famed wall drawings will be on view as well as works by other minimalists and conceptualists.

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Kara Walker’s sugar-covered sphinx drew more than 130,000 viewers during its two-month run at the Domino sugar factory, with an average attendance of 5,000 a day on the weekends it was open, according to Creative Time, the public-art organization that commissioned the work.

Attendance surged to 10,000 a day on Saturday and Sunday, the last two days that the artwork, titled “A Subtlety,” was on display.

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