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The Metropolitan Museum of Art in New York is planning a Lucio Fontana show in 2017—and The Art Newspaper understands that it could take place in the Breuer Building, formerly the home of the Whitney Museum of American Art.

Published in News
Friday, 29 November 2013 10:11

Bronze Masterpieces to go on View at the Frick

On January 28, 2014, the Hill Collection of Renaissance and Baroque bronzes will go on view at the Frick Collection in New York. The Frick will be the only venue for the first public exhibition of the figurative statuettes, which span the 15th through the 18th century. The Hill Collection is exceptional in that it contains a number of rare, autograph masterpieces by Italian sculptors such as Andrea Riccio, Giambologna, and Giuseppe Piamontini.

In an unexpected twist, the show will juxtapose the bronzes alongside modern masterpieces from the Hill’s collection including works by contemporary artists such as Cy Twombly and Ed Ruscha. Collectors Janine and J. Tomilson Hill have spent around 20 years amassing their holdings -- a mix of Renaissance sculptures and works by postwar artists, specifically Andy Warhol, Roy Lichtenstein, Francis Bacon, Willem de Kooning, Lucio Fontana, Brice Marden, Ruscha, and Twombly.

The Hill Collection will be on view at the Frick through June 15, 2014.       

Published in News
Thursday, 18 October 2012 13:16

$8 Million Miro Sells at FIAC

The International Contemporary Art Fair (FIAC) starts today in Paris and runs through Sunday, October 21. One of the largest forums for contemporary artists, galleries, and dealers, the FIAC encompasses a number of events across the city at the Grand Palais, the Louvre Museum, the Tuileries Gardens, and various other locations.

The Grand Palais portion of the FIAC is held on two floors and features 182 dealers of modern and contemporary art from around the world. Last night’s preview, which is considered a litmus test of the art market’s strength, hosted a number of notable sales. Joan Miro’s Surrealist abstract Peinture (Le Cheval de Cirque) (1927) was sold by Helly Nahmad Gallery (New York) for $8 million and Lucio Fontana’s Concetto Spaziale, Attese (1967–68) was sold by Paris’ Tornabuoni Arte for $2.36 million.

A number of high-profile collectors were in attendance including French billionaires Francois Pinault and Bernard Arnault, U.S. collector Alberto Mugrabi, and Turkish collector, Omer Koc. If the preview is any indication of the how the fair will proceed, it should be any exciting next few days in Paris.

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