Displaying items by tag: nassau county museum of art

“The Moderns: Chagall, Degas, Léger, Miró, Picasso and More...,” an exhibition that fills nearly all of the sprawling galleries at the Nassau County Museum of Art, in Roslyn Harbor, is really two shows in one. The first, subtitled “Selections From the Saltzman Family Collection,” displays 35 works owned by Arnold A. Saltzman, the museum’s founding president and a major benefactor, who died last year at age 97.

Representatives for Manhattan real estate mogul Aby Rosen testified last night before the Old Westbury Village planning board in an effort to gain approval for the display of a 33-foot-tall graphic statue and two other large sculptures on his historic Old Westbury estate.

Experts brought by Rosen were on hand to link the plan with the "avant-garde" history of the estate. They also promised to screen much of it from the view of neighbors.

Neighbors had complained to village officials last month after artist Damien Hirst's "The Virgin Mother" was installed on a conservation easement at the A. Conger Goodyear House, a 5.5-acre estate built in 1938 and listed in 2003 on the National Register of Historic Places.

After bursting on the art scene in the late 1940s, Abstract Expressionism dominated American art, criticism, and commentary throughout the 1950s. Artists of the revolutionary Abstract Expressionist School rejected the widely accepted values that ruled post-war America and looked to emotion, rebellion, spontaneity, and movement for inspiration.

AB-EX / RE-CON: Abstract Expressionism Reconsidered, which is now on view at the Nassau County Museum of Art in Roslyn, New York on Long Island, explores both the best-known and less familiar artists of the Abstract Expressionist movement. Organized by the museum’s director, Karl Emil Willers, AB-EX features over 80 works by 50 artists including those readily associated with Abstract Expressionism such as Richard Diebenkorn (1922-1933), Hans Hofmann (1880-1966), Helen Frankenthaler (1928-2011), Franz Kline (1910-1962), Robert Motherwell (1915-1991), Willem de Kooning (1904-1997), and Mark Rothko (1903-1970).

However, it is the inclusion of the lesser-known Abstract Expressionists that sets AB-EX apart. The exhibition features the works of Jon Schueler (1916-1992), a student of Diebenkorn who explored landscapes through the lens of abstraction; Fritz Bultman (1919-1985), who studied under Hofmann and favored bold, gestural forms; and often overlooked female Abstract Expressionists such a Grace Hartigan (1922-2008), Perle Fine (1908-1988), and Judith Godwin (b. 1930). The comprehensive exhibition illustrates the breadth and diversity of a single movement that is often reduced to a handful of artists and stylistic approaches.

AB-EX / RE-CON: Abstract Expressionism Reconsidered is on view through June 16, 2013.