Displaying items by tag: Stolen

The Swiss government has launched a website that will help claimants, museums, and researchers track Nazi-looted artworks that have made their way to Switzerland. Switzerland became a hub for Nazi plundered artworks following World War II. The country was a popular place for Jewish art dealers who were fleeing the Nazis and many Swiss museums, collectors and dealers acquired works stolen from the Jews by the Nazis.

The new site will provide visitors with guidance on provenance research, links to relevant databases and archives, and details on Swiss museums’ own analyses of their collections. Switzerland is one of 44 countries that sanctioned the Washington Principles on returning Nazi-looted art in public collections in 1998. Under the policy, governments agreed to find “just and fair” solutions for the victims of Nazi plundering and their heirs as well as to allocate resources to identifying looted art. In spite of Switzerland’s cooperation, it is still believed that there is a fair amount of Nazi-looted artworks in Swiss collections. Provenance research has only been conducted among a select few of the government museums, private collections, and foundations that have artworks from this tragic period.

Switzerland’s newly launched website for tracking Nazi-looted artworks is www.bak.admin.ch/rk.

The Baltimore Museum of Art (BMA) filed papers in federal court this week arguing that a painting by Pierre-Auguste Renoir (1841-1919), which was found in a Virginia flea market in 2012, legally belonged to the institution. On the Shore of the Seine (1879) a small landscape painting, had been stolen while it was on view as part of an exhibit at the museum in 1951. A Virginia woman later purchased the work from the flea market for $7, allegedly unaware of the work’s distinguished provenance.

The documents filed on Tuesday, June 4, 2013 in U.S. District Court in Alexandria, VA, claim that no one except the BMA can legally own the Renoir because it belonged to the institution before it was stolen. The buyer of On the Shore of the Seine, Martha Fuqua, has filed her own court papers stating that she deserves to hold on to the painting because she was unaware that the Renoir had been stolen and was subject to FBI forfeiture when she acquired it. Suspicions have surrounded Fuqua’s claim, as her mother is a painter who specializes in reproducing artworks and three friends of Fuqua have come forward saying that they remembered seeing the painting in her home and studio.

After the museum reported On the Shore of the Seine stolen, Fireman’s Fund Insurance Co. paid the institution a $2,500 claim. The company has assured the BMA that it will return the painting to the museum if a judge determines that they are the rightful owners.

French traffic police found a stolen Faberge egg worth $1.3 million while conducting a routine car search near the Swiss border. The egg, which is made of more than two pounds of pure gold, is covered in diamonds, sapphires, and emeralds. The work of art has been missing for four years.

The Faberge egg was stolen in 2009 from a Kuwaiti import-export firm based in Geneva but the work’s whereabouts were never determined. The officers, who recovered the egg from a suspicious looking BMW, immediately placed the two Belarusian men in the car under arrest. Another man who was driving behind the suspects was also arrested. When questioned by the police, the suspects claimed conflicting stories; one alleged that they had found the Faberge egg on the ground and another maintained that they had bought it for a low price at a flea market.

Officials believe that the three suspects were given the task of transporting and negotiating the sale of the artwork. They are currently in police custody and have been charged with handling stolen goods and possessing a weapon.

The descendants of a Parisian art dealer are demanding that the Henie Onstad Art Center near Oslo, Norway return Henri Matisse’s (1869-1954) Blue Dress in a Yellow Armchair (1937) to them. Nazis seized the painting from its owner, Paul Rosenberg, prior to the outbreak of World War II. Ultimately, Rosenberg, one of the most prominent French art dealers and a personal friend of Pablo Picasso and Matisse, fled to New York and survived the war.

The painting in dispute has been a celebrated part of the Onstad’s collection since the museum was established in 1968. The work was donated to the fledgling institution by art collector Niels Onstad and his wife Sonjia Henie, an Olympic figure skater. Museum Director Tone Hansen attests that Onstad and Henie bought the painting from the Parisian Galerie Henri Benezit in 1950, unaware of its troublesome provenance. Hansen was unaware that Nazis had stolen the painting until the Art Loss Register, an organization that tracks lost and stolen paintings, notified him in 2012.

Art Registry documents show that Rosenberg purchased Blue Dress in a Yellow Armchair directly from Matisse in 1937. Following World War II, Rosenberg attempted to re-establish his business and tried to recover the 400+ works that had been taken from him by the Nazis. The painting was marked on Rosenberg’s personal documents as missing after the war. He also reported the painting missing to French authorities in 1946.

While Rosenberg’s heirs hope that the painting will be returned to their family, Norwegian law states that if a person has had an item in good faith for over 10 years, they are deemed the rightful owner. However, the argument is in contrast to the Washington Conference Principles on Nazi-Confiscated Art, which Norway is a part of.

Marc Chagall’s (1887-1985) Le Nu au Bouquet, which was stolen in 2002 from a yacht moored in Italy, has been recovered in a private collector’s home. The robbery occurred while the boat, which came from the United States, was being repaired in northern Italy’s port of Savona. The thieves replaced the painting with a forgery.

Following the death of the yacht owner, his heir traveled to Italy to recover the boat and its contents, ultimately discovering that the Chagall painting had been replaced by a fake. The heir alerted the Italian police, but news about the painting didn’t surface until 2012 during an investigation into Bologna’s stolen art trade. Investigators were able to trace Le Nu au Bouquet to an art collector from Turin who had purchased the work, which came with an official authentication, in 2003.

Italy’s art theft division is currently investigating three suspects – two Romanians who were working on the yacht at the time of the theft and a gallery owner from Bologna. The Chagall painting is believed to be worth in excess of $1.3 million.

A federal judge will settle an ownership dispute over a Pierre-Auguste Renoir (1841-1919) painting that was purchased at a flea market in West Virginia for $7. The FBI is currently holding the painting until the argument is settled.

Marcia “Martha” Fuqua claims to have purchased the painting in 2009 and subsequently stored it in a trash bag until she had the work authenticated two years later. After learning that the painting was an authentic Renoir, Fuqua planned to sell the work at auction; it was expected to garner around $75,000. However, Fuqua’s plan was foiled when documents from the Baltimore Museum of Art surfaced, revealing that the painting had been stolen in 1951. It was later determined that an insurer, the Fireman’s Fund, paid a $2,500 claim on the theft; the insurer is now battling Fuqua for ownership of the painting.

Paysage bords de Seine (1879) is believed to have been painted by Renoir on the spot for his mistress. An appraiser hired by the FBI estimated the painting’s worth at approximately $22,000, considerably less than Fuqua’s appraisal as concerns regarding the painting’s ownership and possible theft have lowered its value.

U.S. District Judge Leonie Brinkema ordered Fuqua and the Fireman’s Fund to make their cases in written pleas later this month. The FBI is still investigating the case.

23 years after the notorious Isabella Stewart Gardner Museum heist took place in Boston, the FBI announced that they have identified the thieves responsible for the crime. Officials stated in a press release that the unnamed suspects are from a “criminal organization” based in the Mid-Atlantic States and New England. It is believed that some of the stolen artworks were transported to the Connecticut and Philadelphia regions, where they were offered for sale.

While the works have yet to be recovered, the FBI is reaching out to the public for helpful information and a $5 million reward is being offered for the paintings’ safe return. Today at a news conference, federal law enforcement officials announced that they will launch a comprehensive public awareness campaign that will include a dedicated FBI website, video postings on FBI social media sites, digital billboards, and a podcast.

On March 18, 1990 two thieves posing as Boston police officers entered the Isabella Stewart Gardner Museum and made off with thirteen works of art valued at $500 million. The stolen masterpieces include Johannes Vermeer’s (1632-1675) The Concert, one of only 34 known works by the artist in the world; three works by Rembrandt (1606-1669) including his only known seascape; five drawings by Edgar Degas (1834-1917); and an ancient Chinese vessel from the Shang Dynasty. The Gardner heist remains the largest private property theft ever.

A 46-year-old German man was arrested by authorities in connection to the devastating art heist that took place in the Netherlands on October 16, 2012. The man was arrested in southwestern Germany for allegedly trying to sell the seven stolen paintings back to the Triton Foundation, the owner of the artworks.

The paintings, which include masterpieces by Pablo Picasso (1881-1973), Claude Monet (1840-1926), Henri Matisse (1869-1954), and Paul Gauguin (1848-1903), were on view at the Kunsthal Museum in the Netherlands and have yet to be recovered. The bounty, which includes Picasso’s Harlequin Head (1971), Monet’s Waterloo Bridge, London and Charing Cross Bridge, London (1901), and Matisse’s Reading Girl in White and Yellow (1919), is believed to be worth between $66 million and $266 million.  

This is the fifth arrest made in connection to the heist; three Romanian men accused of carrying out the heist were arrested on January 22, 2013 and a Romanian woman was arrested on March 4, 2013 on suspicion of assisting the robbers. Officials are working to determine whether the German suspect had ties to the stolen paintings or was simply trying to scam the Triton Foundation. He was arrested on the grounds of suspected blackmail and is currently under investigation.

Serbian police recovered Rembrandt’s (1606-1669) Portrait of a Father on Tuesday, March 12, 2013, seven years a after it was stolen from the Novi Sad City Museum located in the northern city of Novi Sad. Police arrested four people in connection to the 2006 heist that involved three other paintings including a work by the Flemish Baroque painter Peter Paul Rubens (1577-1640), a 17^th century piece by the Italian Baroque painter Francesco Mola (1612-1666), and another painting from the 16^th century by an unknown German-Dutch artist.

Rembrandt, one of the greatest painters and printmakers in European art history, painted Portrait of Father in 1630 and it is estimated to be worth around $3.7 million. The painting was stolen 10 years prior to the 2006 robbery, but it was eventually recovered in Spain.

None of the other works involved in the Serbian heist have been found.

Germany’s Staatsgalerie Stuttgart museum returned a 15^th century Renaissance painting stolen by Nazis during World War II to the estate of a Jewish art dealer. The museum acquired Virgin and Child, which is attributed to the Master of Flémalle (1375-1444) who is identified by historians as Robert Campin, in 1948.

The painting once belonged to Max Stern (1904-1987) who lost over 400 paintings to the Nazi regime during a forced sale in 1937. After Jews were banned from selling art in Nazi-occupied Europe, Stern shuttered his Dusseldorf gallery and escaped to London in December of the same year. Before settling in Montreal, Stern sold even more paintings, including Virgin and Child, in order to buy a German exit visa for his mother. Stern went on to purchase the Dominion Gallery of Fine Arts and established himself as one of Canada’s most important art dealers and collectors.

Upon his death in 1987, Stern donated a portion of his estate to Concordia and McGill Universities in Montreal as well as the Hebrew University in Jerusalem. For the past ten years Concordia has been working to recover the hundreds of paintings Stern lost at the hands of the Nazis. The initiative, known as the Max Stern Art Restitution Project, has facilitated the return of 9 works originally belonging to Stern; Virgin and Child is the 10^th and the only work to be returned from a German museum thus far.

A ceremony was held on Tuesday, March 5, 2013 at the Canadian Embassy in Berlin to celebrate the painting’s return.