Displaying items by tag: Stolen

A division of the Italian police department that specializes in art thefts has located a 400-year-old copy of a lost Leonardo da Vinci fresco. Depicting the Battle of Anghiari, the masterpiece was never finished.

The copy, widely known as the Tavola Doria, once adorned a wall of Florence’s city hall, the Palazzo Vecchio, and illustrates a historic battle between Florence and Milan that took place in 1440. It is believed that da Vinci experimented with various fresco-painting techniques before he started work on the battle scene in 1503. Despite his efforts, the paints began to drip and da Vinci was never able to finish the fresco. Over the next few years, the piece deteriorated and the Italian painter, Giorgio Vasari, was commissioned to paint over what was left of the incomplete fresco.

Since the unfinished da Vinci painting no longer exists, copies of the lost artwork are extremely important to art historians and scholars. This particular copy, painted on a small wooden panel, was last seen in public 73 years ago at a Leonardo da Vinci exhibition held in Milan on the eve of World War II. After the exhibition, the work disappeared.

Experts have since determined that the panel was stolen from its owners in Naples and ended up in the hands of a Swiss art dealer. The work was sent to Germany for restoration in the 1960s, made a brief appearance in the 1970s at an art gallery in New York, and by the 1990s was the property of a wealthy Japanese art collector.

Finally back in Italy, the Tavola Doria will be on view at Florence’s Uffizi Gallery during 2013. The work will then spend four years in Japan as part of a loan agreement worked out with the Fuji Art Museum in Tokyo, where it was last exhibited.

Scottish artist, Douglas Gordon, who won a Turner Prize in 1996 and represented Britain at the 1997 Venice Biennale, was told Wednesday, November 28, that his solid gold sculpture, The Left Hand and the Right Hand Have Abandoned One Another (2007), had gone missing from Christie’s London. Worth approximately $800,000, Christie’s was unable to tell Gordon when the piece had disappeared from their warehouse or where it had gone.

The piece had been part of an exhibition curated by Michael Hue Williams and organized in part by Christie’s. Though Gordon owns the work, it was out on consignment when it disappeared and Williams is being held responsible for any information surrounding its disappearance.

Disconcertingly, Christie’s failed to notify Gordon of the work’s disappearance until two weeks after they realized it had gone missing. Christie’s confirmed that the sculpture was returned to its vault on May 24. On August 14 the work was transferred to a small box from its vault and sometime after that, an art handler or technician noticed that the box had no weight. Christie’s reported the work missing to officials on November 8, but a proper investigation did not begin until November 12.

Composed of nearly 9 pounds of gold, Gordon believes that his work was melted down, as it would be easier to sell that way, although the value would decrease. The Left Hand and the Right Hand Have Abandoned One Another was supposed to be prominently featured at an upcoming exhibition of Gordon’s work at the Tel Aviv Museum of Art.

A member of the canine unit recovered four paintings stolen from South Africa’s Pretoria Art Museum in a private cemetery on Tuesday, November 13. While the paintings still need to be verified, police officials are almost certain they are Maggie Laubser’s Cat and Petunias (1936), JH Pierneef’s Eland and Bird (1961), Irma Stern’s Fishing Boats (1931), and Hugo Naude’s Hottentot Chief, all of which disappeared after an armed robbery took place at the museum on November 11. Gerard Sekoto’s Street Scene (1939) is still missing.

The Pretoria Museum closed after the heist and will re-open on November 20 after officials finish a number of updates to the institution’s security system. The robbers entered the museum as paying visitors on Sunday but there is no surveillance footage as the museum’s security cameras had stopped working earlier in the week.

Juan Carlos Emden, the grandson of a wealthy Jewish businessman, is demanding that the Swiss Buehrle collection return a Claude Monet painting that the family was forced to sell as they fled Europe during World War II. The masterpiece was sold in haste for a little less than $32,000. The painting today is valued at around $27 million.

Emden is the Chilean grandson of Max Emden who bought Monet’s Poppy Field Near Vetheuil in the 1920s. Max was forced to flee Nazi Germany in 1933 for Ticino, Switzerland, where he built the Villa Emden to house his art collection, including Poppy Field Near Vetheuil, one of Monet’s most famous paintings. After his death in 1940, Emden’s son, Hans Eric Emden, was forced to sell his father’s art collection to finance his fleeing to South America from Europe.

Juan Carlos Emden is rumored to have been fighting for years to regain ownership of his grandfather’s painting and is planning to travel to Zurich to discuss how to recover the work with his lawyers. Poppy Field Near Vetheuil was stolen during a heist at the Buehrle museum in 2008, but it was found several days later.

Pedro Antonio Marcuello Guzman of Miami and Maria Martha Elisa Ornelas Lazo of Mexico City have pled guilty to selling a stolen Henri Matisse painting on Miami’s black market. The duo admitted to FBI agents that they knew the $3 million painting, Odalisque in Red Pants (1925), had been stolen before making a deal to sell it to an undercover officer who was part of a sting operation. The pair was arrested after the sale was made.

The painting has been missing from Venezuela’s Sofia Imber Contemporary Art Museum since approximately 2002 when it was swapped for a fake. Some speculate the switch went unnoticed for years. Even though Interpol, the FBI, and police in France and Spain have investigated the case, the details of the theft remain a mystery. However, Guzman and Lazo said in court that they were told museum employees hung the forgery in place of the original.

Although the painting has been recovered, it has not been returned to Venezuela. Guzman faces 10 years in prison for conspiracy to transport and sell stolen property, while Lazo faces five years. The pair is scheduled to be sentenced in January.

Major paintings by such artists as Pablo Picasso, Claude Monet, and Henri Matisse were stolen from Rotterdam’s Kunsthal Museum on Tuesday. The thieves, who ransacked the museum in the early hours of the morning made off with seven works that may total hundreds of millions of dollars.

The heist is the largest in years for the Netherlands and includes Picasso’s Tete d’Arlequin, Matisse’s La Liseuse en Blanc et Jaune, Monet’s Waterloo Bridge, London and Charing Cross Bridge, London, Gauguin’s Femme devant une fenetre ouverte, dite la Fiancee, Meyer de Haan’s Autoportrait, and Lucian Freud’s Woman with Eyes Closed.

The works belong to The Triton Collection, a private collection that is being shown to the public for the first time ever as part of the Museum’s 20^th anniversary celebration. The Triton Collection was assembled over a twenty-year period and includes 150 works of modern art spanning from the 19^th century to the present day.

The Kunsthal’s alarm went off at 3AM and Rotterdam police have secured evidence from the scene. The police are speaking with potential witnesses and investigators are looking into the security camera footage.

On October 11, the Second Circuit Court of Appeals decided that the current owner of Egon Schiele’s Seated Woman with Bent Left Leg (Torso) could keep the drawing he purchased in the early 1960s from a gallery in Manhattan. Featuring the artist’s signature muted color palette, the work has been at the center of a seven-year-long legal battle.

The dispute arose when heirs to Fritz Grunbaum, a Viennese cabaret singer who was murdered by Nazis in 1941, claimed that the work had been unlawfully confiscated from Grunbaum’s estate in 1938. Although David Bakalar currently owns the drawing, Grunbaum’s heirs, Milos Vavra and Leon Fischer, considered themselves to be the rightful proprietors. When Bakalar attempted to sell Seated Woman at Sotheby’s London in 2004, Vavra and Fischer stopped the sale. Bakalar, who had bought the Schiele drawing from Galerie St. Etienne for about $3,300, was attempting to sell the work for about $675,000.

Although Grunbaum was a noted collector of Schiele’s work, there was no direct evidence that he had owned Seated Woman or that Nazis had confiscated the drawing. However, evidence emerged that Grunbaum’s sister-in-law, Mathilde Lukacs, sold the drawing in Switzerland in 1956. The Swiss dealers who had purchased the drawing from Lukacs testified in the case and provided records of the sale. Based on this evidence, the U.S. District Court ruled that Grunbaum was most likely not the drawing’s owner and that Nazis had not stolen the piece, rather, it had stayed with the family until the sale in 1956.

The Court’s ruling was particularly significant because Bakalar had employed New York’s “laches defense,” a defense that is used by good-faith buyers to protect themselves against frivolous claims. While Schiele’s heirs claimed that if Lukacs had owned the drawing it was because she had stolen it from Grunbaum, Bakalar argued that the fact was irrelevant because no claims had been filed and that crucial evidence had disappeared over the decades.

When notable street artist, Jean-Michel Basquiat, passed a spiral notebook back and forth with his high school classmates, he surely didn’t anticipate the collaboration being at the center of a heated lawsuit. Al Diaz and Shannon Dawson, Basquiat’s adolescent cohorts, are suing Yale University’s Beinecke Library to have their contributions to the “SAMO© high-school notebook” recognized.

 Diaz and Dawson claim that Yale has glossed over their roles in creating the notebook that is bursting with puns, notes, doodles, and scribblings, and are passing it off as a priceless piece of Basquiat’s oeuvre. The duo also claimed that the book was stolen from Dawson and somehow ended up in Yale’s library. The respected institution reportedly paid as much as $40,000 for the notebook.

The lawsuit raises a number of questions concerning artist ephemera, a notoriously difficult thing to trace. The fact that Diaz and Dawson had a falling out with Basquiat after the artist rose to fame also makes navigating the case difficult.

On September 14^th, star bond trader, Jeffrey Gundlach, returned to his Santa Monica home to find his art collection, 2010 Porsche Carrera, watches, and rare bottles of wine missing. Two weeks later, police recovered the contemporary art trove. Including works by Piet Mondrian, Jasper Johns, and Richard Diebenkorn, the collection totaled nearly $10 million. Gundlach had offered a $1.7 million reward for the collection’s safe return.

Santa Monica police arrested two suspects after officers received a tip that the stolen art was being held at an automobile stereo shop in Pasadena. After raiding Al & Ed’s Autosound, police recovered all but one of Gundlach’s paintings. The store’s manager, Jay Jeffrey Nieto, 45, was arrested on suspicion of possessing stolen property. A second suspect, Wilmer Cadiz, 40, was arrested on the same charges at his home. The final painting was recovered at a residence in Glendale.

The near-record reward is believed to have played a key role in the collections’ recovery. However, it is not clear whether the reward money will be paid to the person who provided the tip that led to the arrest of Nieto and Cadiz. Gundlach had offered $1 million for the return of the Mondrian painting, Composition (A) En Rouge Et Blanc. The offer is said to be the highest ever reward for a single painting.

As of yesterday, a Pierre-Auguste Renoir (1841–1919) painting that was stolen during an armed robbery at a Houston home last September has been named one of the FBI’s top ten unsolved art crimes. A private insurance company has offered a $50,000 reward for any helpful information leading to the work’s recovery.

The painting, Madeleine Leaning on Her Hair, was completed by the pioneering Impressionist in 1918 and has an estimated value of $1 million. The painting has also been added to the Art Loss Registry, the National Stolen Art File, and Interpol’s Works of Art System. Interpol, an international police organization, encourages cooperation between law enforcement agencies in different countries. By taking these measures, the thief will most likely be unsuccessful if he/she attempts to take the painting to a knowledgeable dealer or gallery or tries to sell it at auction as most members of the art world regularly check these databases.

The other top unsolved art crimes on the FBI’s list include the notorious Isabella Stewart Gardner Museum heist in which four Rembrandts, five Degas drawings, and one Vermeer (among other works) were stolen. Also on the list is the theft of two Gloria Vanderbilt Whitney commissioned Maxfield Parrish paintings from a Hollywood gallery, the 2002 van Gogh Museum robbery in which two paintings valued at $3 million, and the 1969 theft of a $20 million Caravaggio from Italy’s Oratory of San Lorenzo.