Displaying items by tag: leah dickerman

The Museum of Modern Art (MoMA) in New York has appointed Leah Dickerman as the first Marlene Hess Curator of Painting and Sculpture. The position was recently established by Marlene Hess, a philanthropic consultant and a Museum Trustee since 2002. Hess’ endowment will provide essential funding to support MoMA’s current and future curatorial goals.

According to a press release from the museum, MoMA’s Director, Glen D. Lowry, said, “The Museum of Modern Art is grateful for this important endowment from our generous and longtime trustee Marlene Hess. Marlene's commitment to the Museum's curatorial and intellectual development is exemplary and her support helps us realize our goals for the future."

Inventing Abstraction, 1910-1925 opened on December 23 at the Museum of Modern Art in New York and celebrates the bold art movement that swept across mediums and continents during the first half of the twentieth century. Severing ties with the realistic, practical images that dominated western art, abstraction infiltrated everything from sculpture and painting to poetry, music, and film.

Inventing Abstraction brings together over 350 works including paintings, stained glass, needlepoint, film, sculpture, and illustrated books. Organized by Leah Dickerman, a curator in MoMA’s painting and sculpture department, and Masha Chlenova, a curatorial assistant, the show includes many pieces that are on loan from outside museums.

Inventing Abstraction features works by Marsden Hartley (1877-1943), Marcel Duchamp (1887-1968), Piet Mondrian (1872-1944), Wassily Kandinsky (1866-1944), and many others. While extremely comprehensive, the exhibition draws connections between artists and illustrates the development of abstraction over time.