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Wednesday, 22 January 2014 13:50

Ashmolean Acquires Rarely Seen Old Master Painting

Francesco Guardi's 'Venice: the Fondamenta Nuove with the Lagoon and the Island of San Michele,' circa 1758. Francesco Guardi's 'Venice: the Fondamenta Nuove with the Lagoon and the Island of San Michele,' circa 1758. Ashmolean Museum, University of Oxford

The Ashmolean Museum in Oxford, England has acquired ‘Venice: The Fondamenta Nuove with the Lagoon and the Island of San Michele’ by Venetian painter Francesco Guardi. The museum acquired the rarely seen work under the Acceptance in Lieu of Inheritance scheme, which allows inheritance tax debts to be written off in exchange for the acquisition of objects of national importance. The Guardi painting cleared a bill of nearly £2 million. A grant from the Art Fund and contributions in memory of Jo Wilson and the Sir Denis Mahon Charitable Trust helped make up the difference in value, allowing the Ashmolean to acquire the work.

Guardi, who was born into a family of Venetian painters, is best known for his views of the city, which were especially popular with British tourists visiting Italy. Created for a British Grand Tourist, ‘Venice: The Fondamenta Nuove with the Lagoon and the Island of San Michele’ is one of Guardi’s early lagoon views illustrating the northern shore of Venice, the island of San Michele, and distant snow-capped mountains, which are rarely visible from the mainland.

Professor Christopher Brown CBE, Director of the Ashmolean, said, “This painting brings to the Ashmolean a poetic masterpiece in which Francesco Guardi reveals his full artistic potential. As the first major Venetian view-painting to enter the Museum’s collection it makes an inspirational addition to the Britain and Italy Gallery. We are profoundly grateful to the Arts Council, the Art Fund, and other supporters for making this acquisition possible.”

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