Displaying items by tag: Thieves

Thieves have made off with valuables including priceless 18^th century oil paintings from a colonial-era Roman Catholic church in Bolivia. Located in the small town of San Miguel de Tomave, the church has been looted three times in the last five years.

Churches in remote areas of Bolivia and Peru have recently fallen victim to repeated robberies. Thieves have gone so far as to create tunnels under church walls to make their way inside the structure undetected. Since 2009, Bolivian churches have allegedly been robbed 38 times of 447 objects including jewelry and silver.

Authorities claim that the thieves are stealing from the churches for collectors in Europe and the United States, where there’s a considerable market for Latin American art. Modest churches in sparsely populated areas are easy targets for the looters.

On Tuesday, August 13, 2013 a Bucharest court adjourned the trial of six Romanians charged with stealing seven paintings from the Kunsthal Museum in Rotterdam. Immediately following opening proceedings, the court president postponed the trial to September 10^th, allowing more time for legal issues, such as bail requests, to be examined. Although short, the suspects’ court appearance was not uneventful.

Shortly before the hearing opened, Ragu Dogaru’s lawyer offered on behalf of his client to return five of the stolen works in return for being tried in the Netherlands rather than Romania where punishments for robbery are more severe. Earlier this year rumors began to circulate that Dogaru’s mother, Olga, had incinerated the stolen paintings in her stove in an attempt to protect her son. While it has not been confirmed that Dogaru is actually in possession of any of the masterpieces, his offer could suggest that five of the works are still intact.

Last October, the thieves made off with Pablo Picasso’s Tete d’Arlequin, Claude Monet’s Waterloo Bridge, London and Charing Cross Bridge, London, Henri Matisse’s La Liseuse en Blanc et Jaune, Paul Gauguin’s Femme devant une fenetre ouverte, dite la Fiancee, Meyer de Haan’s Autoportrait, and Lucian Freud’s Woman with Eyes Closed. The works were on loan from the Triton Foundation to celebrate the Kunsthal Museum’s 20^th anniversary.

The total value of the haul, which is being called the “theft of the century” in the Netherlands, is $24 million according to prosecutors. Despite their high value and incredible importance, none of the paintings were equipped with alarms.

Marc Chagall’s (1887-1985) Le Nu au Bouquet, which was stolen in 2002 from a yacht moored in Italy, has been recovered in a private collector’s home. The robbery occurred while the boat, which came from the United States, was being repaired in northern Italy’s port of Savona. The thieves replaced the painting with a forgery.

Following the death of the yacht owner, his heir traveled to Italy to recover the boat and its contents, ultimately discovering that the Chagall painting had been replaced by a fake. The heir alerted the Italian police, but news about the painting didn’t surface until 2012 during an investigation into Bologna’s stolen art trade. Investigators were able to trace Le Nu au Bouquet to an art collector from Turin who had purchased the work, which came with an official authentication, in 2003.

Italy’s art theft division is currently investigating three suspects – two Romanians who were working on the yacht at the time of the theft and a gallery owner from Bologna. The Chagall painting is believed to be worth in excess of $1.3 million.

23 years after the notorious Isabella Stewart Gardner Museum heist took place in Boston, the FBI announced that they have identified the thieves responsible for the crime. Officials stated in a press release that the unnamed suspects are from a “criminal organization” based in the Mid-Atlantic States and New England. It is believed that some of the stolen artworks were transported to the Connecticut and Philadelphia regions, where they were offered for sale.

While the works have yet to be recovered, the FBI is reaching out to the public for helpful information and a $5 million reward is being offered for the paintings’ safe return. Today at a news conference, federal law enforcement officials announced that they will launch a comprehensive public awareness campaign that will include a dedicated FBI website, video postings on FBI social media sites, digital billboards, and a podcast.

On March 18, 1990 two thieves posing as Boston police officers entered the Isabella Stewart Gardner Museum and made off with thirteen works of art valued at $500 million. The stolen masterpieces include Johannes Vermeer’s (1632-1675) The Concert, one of only 34 known works by the artist in the world; three works by Rembrandt (1606-1669) including his only known seascape; five drawings by Edgar Degas (1834-1917); and an ancient Chinese vessel from the Shang Dynasty. The Gardner heist remains the largest private property theft ever.

A 46-year-old German man was arrested by authorities in connection to the devastating art heist that took place in the Netherlands on October 16, 2012. The man was arrested in southwestern Germany for allegedly trying to sell the seven stolen paintings back to the Triton Foundation, the owner of the artworks.

The paintings, which include masterpieces by Pablo Picasso (1881-1973), Claude Monet (1840-1926), Henri Matisse (1869-1954), and Paul Gauguin (1848-1903), were on view at the Kunsthal Museum in the Netherlands and have yet to be recovered. The bounty, which includes Picasso’s Harlequin Head (1971), Monet’s Waterloo Bridge, London and Charing Cross Bridge, London (1901), and Matisse’s Reading Girl in White and Yellow (1919), is believed to be worth between $66 million and $266 million.  

This is the fifth arrest made in connection to the heist; three Romanian men accused of carrying out the heist were arrested on January 22, 2013 and a Romanian woman was arrested on March 4, 2013 on suspicion of assisting the robbers. Officials are working to determine whether the German suspect had ties to the stolen paintings or was simply trying to scam the Triton Foundation. He was arrested on the grounds of suspected blackmail and is currently under investigation.

A Romanian woman has been arrested in Rotterdam in connection to an art heist that rocked the Netherlands in October 2012. The 19-year-old woman, who is the girlfriend of one of the three suspects currently being held in Romania for alleged involvement in the heist, is thought to have helped the thieves haul the seven stolen masterpieces out of the country.

Police claim that after the robbery, the paintings were taken to a home in Rotterdam where the frames were removed. The paintings were later taken to Romania where prosecutors are investigating the mother of one of the suspects who claims that she burned two of the stolen works.

The robbery, which took place at the Kunsthal museum, was the biggest art theft in two decades in the Netherlands. The stolen works, which are part of the private Triton Foundation collection, include masterpieces by Pablo Picasso (1881-1973), Claude Monet (1840-1926), Henri Matisse (1869-1954), and Paul Gauguin (1848-1903) and are believed to be worth between $66 million and $266 million. Among the masterpieces lifted by the thieves were Picasso’s Harlequin Head (1971), Monet’s Waterloo Bridge, London and Charing Cross Bridge, London (1901), and Matisse’s Reading Girl in White and Yellow (1919).  

A painting worth $1 million by the French artist Henri Matisse (1869-1954) was recovered in Essex, England. Stolen from the Museum of Modern Art in Stockholm in 1987, the location of Le Jardin (1920) has remained a mystery for more than twenty years.

The discovery occurred when British art dealer Charles Roberts of Charles Fine Art was offered the Matisse painting by a Polish collector. Roberts ran a search on the Art Loss Register (ALR) database, a hub for information regarding stolen artworks, and found Le Jardin listed. Christopher A. Marinello, executive director and general counsel of the ALR, facilitated the painting’s recovery and it is currently being held in the organization’s office before being returned to Sweden in the coming weeks.

Le Jardin was the only artwork stolen during the 1987 burglary when thieves broke through the museum’s front entrance with a sledgehammer and unscrewed it from the wall. The burglars escaped just minutes before private guards arrived to investigate the scene. Following the robbery, the thieves made several attempts to sell the painting back to the museum for an exorbitant sum. Museum officials resisted, knowing that the Matisse painting was too well known to sell on the open market and that it would resurface eventually.

In March of 1990, two thieves posing as Boston police officers entered the Isabella Stewart Gardner Museum and stole thirteen works of art including masterpieces by Vermeer, Rembrandt, Edgar Degas, and Edouard Manet. Now known as the greatest art heist in history, the case has remained unresolved despite the countless hours of investigating the FBI has conducted. While the Bureau has offered immunity to anyone who assisted in the recovery of the artworks, they have never received a concrete lead.

While it would appear that the reputed organized crime figure, Robert V. Gentile, who found himself in federal court this Wednesday on drug trafficking and gun possession was irrelevant to the Gardner case, the FBI believed Gentile had vital information to share. Gentile, 76, of Manchester, Connecticut, helped federal authorities for 10 months prior to his arrest but none of the information was useful in tracking down the thieves. Gentile’s lawyer claims that his client did know some of the individuals the government believed were involved in the heist, but that most of them were dead by now. Gentile now faces a maximum of 150 years in prison if he is convicted. The government is willing to negotiate his sentence so that his prison term will be reduced to 46-57 months.

Gentile became involved in the Gardner case when Elene Guarente, the widow of Robert Guarente, a mob associated who died in 2005, told investigators that her husband gave Gentile a painting that he had kept in a tube since the 1990s.

The victim of a devastating art heist that took place last Friday, the Kunsthal Museum in Rotterdam claims their security system is not to blame. The Museum’s director Emily Ansenk shot down allegations that a rear emergency door had been left open. However, police are investigating whether or not there was someone in the museum after hours that could have opened the door for the thieves, as there were no signs of forced entry.

After robbers swiped seven artworks including paintings by Picasso, Matisse, and Monet, the Kunsthal became the subject of intense scrutiny. The Museum admitted to Dutch police that there were no security guards on duty when the robbery occurred. An external security firm was the first to respond when the Museum’s alarm went off. Museum officials claim that their security system, which relies solely on alarms and security cameras, is state-of-the-art.

Late on Friday, police released three grainy surveillance photos of the burglars exiting the Museum out of a back door. While their faces were not visible, police hope that the bags the thieves were carrying are recognizable. Police proceeded to post leaflets around the neighborhood, asking potential witnesses to step forward.

Major paintings by such artists as Pablo Picasso, Claude Monet, and Henri Matisse were stolen from Rotterdam’s Kunsthal Museum on Tuesday. The thieves, who ransacked the museum in the early hours of the morning made off with seven works that may total hundreds of millions of dollars.

The heist is the largest in years for the Netherlands and includes Picasso’s Tete d’Arlequin, Matisse’s La Liseuse en Blanc et Jaune, Monet’s Waterloo Bridge, London and Charing Cross Bridge, London, Gauguin’s Femme devant une fenetre ouverte, dite la Fiancee, Meyer de Haan’s Autoportrait, and Lucian Freud’s Woman with Eyes Closed.

The works belong to The Triton Collection, a private collection that is being shown to the public for the first time ever as part of the Museum’s 20^th anniversary celebration. The Triton Collection was assembled over a twenty-year period and includes 150 works of modern art spanning from the 19^th century to the present day.

The Kunsthal’s alarm went off at 3AM and Rotterdam police have secured evidence from the scene. The police are speaking with potential witnesses and investigators are looking into the security camera footage.