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Tuesday, 27 May 2014 10:43

Reconsidering Rockwell

“Rockwell’s greatest sin as an artist is simple: His is an art of unending cliché.”

In that Washington Post criticism of a 2010 exhibition of Norman Rockwell paintings at the Smithsonian, Blake Gopnik joined a long line of prominent critics attacking Rockwell, the American artist and illustrator who depicted life in mid-20th-century America and died in 1978.

“Norman Rockwell was demonized by a generation of critics who not only saw him as an enemy of modern art, but of all art,” said Deborah Solomon, whose biography of Rockwell, “American Mirror,” was published last year. “He was seen as a lowly calendar artist whose work was unrelated to the lofty ambitions of art,” she said, or, as she put it in her book, “a cornball and a square.” The critical dismissal “was obviously a source of great pain throughout his life,” Ms. Solomon, a frequent contributor to The New York Times, added.

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Today’s auction of American Art at Sotheby’s New York achieved $45,869,625 (est. $33.2/49.7 million)* – among the highest totals for an American Art sale in the last five years.

- Today’s sell-through rate of 80.7% by lot marks the 5th consecutive American Art auction at Sotheby’s with a strong sell-through rate over 80%.

- Ten lots brought prices over $1 million, with more than half of all sold lots achieving prices above their high estimates – including eight of the auction’s top ten works.

- Ten works by Norman Rockwell totaled $20 million, meeting their combined pre-sale high estimate.

- Led by After the Prom, which sold for $9,1,250,000 – the 4th highest price at auction for the artist (est. $8/12 million). The work was last acquired at Sotheby’s New York in 1995 for $880,000.

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