Displaying items by tag: conserved

After being closed for over 30 years, the Baltimore Museum of Art will reopen its historic Merrick Entrance beginning on November 23, 2014, in honor of the institution’s 100th anniversary. The event also marks the reopening of the renovated Dorothy McIlvain Scott American Wing and a new presentation of the Baltimore Museum’s collection of American fine and decorative arts. A redesigned East Wing Lobby and Zamoiski Entrance will reopen in fall 2014.

The upcoming openings are part of the Baltimore Museum’s multi-year, $28 million renovation. The final phase of the project is expected to reach completion with the reinstallation of the African and Asian art collections and the opening of a new center for learning and creativity in 2015.

Doreen Bolger, the museum’s Director, said, “The reopening of the BMA’s historic Merrick Entrance and the Dorothy McIlvain Scott American Wing will be an extraordinary moment in the museum’s distinguished history—bringing together museum-goers of all ages to experience John Russell Pope’s first vision of a great public art museum. We are looking forward to celebrating the BMA’s 100th anniversary with many new and exciting experiences for our visitors.”

The Baltimore Museum’s Merrick Entrance, which was designed by the American architect John Russell Pope, welcomed generations of visitors into the museum from 1929 to 1982. The entrance’s facade is being conserved and will have improved lighting. The existing doors and vestibule will remain unchanged. A $1 million gift from the France-Merrick Foundation is supporting this portion of the renovation.

The Cloisters museum and gardens, a branch of The Metropolitan Museum of Art located in northern Manhattan’s Fort Tryon Park, will celebrate its 75^th anniversary this year. Assembled from architectural elements, both domestic and religious, that date from the 12^th through the 15^th century, the Cloisters houses approximately 3,000 works of art from medieval Europe.

To commemorate its 75^th year, the Cloisters has a number of celebratory exhibitions planned. Search for the Unicorn: An Exhibition in Honor of the Cloisters’ 75^th Anniversary will present the Unicorn Tapestries (1495-1505), a series of seven tapestries, which were a gifted to the museum by John D. Rockefeller, Jr. when the Cloisters opened in 1938. The Tapestries are the museum’s best-known masterpieces, but their history and meaning remain mysterious. The Unicorn Tapestries will be exhibited alongside approximately 40 works from the Metropolitan, sister institutions, and private collections. Search for the Unicorn will be on view from May 15-August 18, 2013.

In September, the Cloisters will mount an installation by Janet Cardiff (b. 1957). The Forty Part Motet (2001) is comprised of 40 speakers, each playing the sound of one singer in a 40-voice choral performing “Spem in alium numquam habui” (circa 1573) by the Tudor composer Thomas Tallis (circa 1505-1585). The installation will play on a loop in the Cloister’s Fuentidueña Chapel through December 8, 2013. The Forty Part Motet is the first piece of contemporary art to be featured at the Cloisters.

The Cloisters will wrap up its anniversary celebrations with the exhibition of six near life-size stained glass windows on loan from England’s historic Canterbury Cathedral. It will be the first time the panels have left the cathedral since their creation in 1178-80. Current repairs to the cathedral’s stonework required the removal of the windows, which have recently been conserved. The stained-glass windows that will be on view at the Cloisters feature six figures from an original cycle of 86 ancestors of Christ, the most comprehensive stained-glass cycle known in art history. The Romanesque masterpieces will be on view from March through May 2014.

Henry Moore’s (1898-1986) severely damaged sculpture Knife Edge Two Piece (1965) will finally be restored according to the Parliamentary Art Collection. The sculpture, which is prominently displays outside of the Houses of Parliament in London, is England’s most revered work by the British sculptor.

Moore and the Contemporary Art Society donated Knife Edge Two Piece to England in 1967 but the work fell into disrepair after administrative changes left it with no legal owner. Eventually, the British government suggested that the House of Commons take ownership for the sculpture and that the Parliamentary Art Collection take responsibility for the its care.

The bronze sculpture, which is marred by discoloration, deterioration, and incised graffiti, will undergo conservation beginning February 16, 2013. Conservator Rupert Harris will lead the effort, which involves removing the sculpture’s protective lacquer and abrading its surface to eliminate the damage. The work will then be repatinated and treated with wax in order to protect it from future environmental damage.

The conservation project is expected to cost a little over $50,000 with most of the funding coming from the Parliamentary Art Collection. The Henry Moore Foundation will contribute about $17,000 to the effort. The Knife Edge Two Piece restoration project is expected to reach completion at the end of March 2013.