Displaying items by tag: danh vo

The Walker Art Center, in Minneapolis, announced today it has acquired 200 new works through donation and purchase over the past year. The acquisitions include pieces by artists such as Trisha Brown, Beauford Delaney, Chuck Close, Joseph Kosuth, Liz Larner, Allen Ruppersberg, Barry Le Va, Danh Vo, and Akram Zaatari.

Deschenes’s piece Gallery 7 (2015) is a site-specific installation commissioned by the Walker, and an homage to the museum. A year-long production, it utilized the natural light from the gallery’s windows to expose a series of free-standing panels coated with photosensitive paper.

A Rotterdam court has ruled in favor of Dutch collector Bert Kreuk in the lawsuit launched against Danh Vō last September.

The polarizing collector sued the Danish-Vietnamese artist and Hugo Boss Prize winner for €898,000 (approximately $1.2 million), claiming Vō had failed to deliver an artwork for "Transforming the Known," an exhibition of Kreuk's collection at the Hague's Gemeentemuseum (Municipal Museum)—an assertion that Vō's representatives deny...

Magnificent Obsessions: The Artist As Collector, which opened at the Barbican Art Gallery in London earlier this month, is the first exhibition in the UK to present the personal collections of post-war and contemporary artists. Ranging from mass-produced memorabilia and popular collectibles to unique curiosities, rare artifacts, and natural history objects, each collection allows an unprecedented glimpse into the oftentimes eccentric predilections of some of today’s most collected artists.

Organized by Barbican curator Lydia Yee, Magnificent Obsessions features the personal collections of well-known artists such as Sol Lewitt, Damien Hirst, Peter Blake, Martin Parr, Hiroshi Sugimoto, Andy Warhol, and Martin Wong/Danh Vo, alongside at least one example of their work. The exhibition aims to use these collections as a means to provide insight into these artists’ inspirations, influences, motives, and fascinations. According to a press release from the Barbican, Jane Alison, Head of Visual Arts at the gallery, said, “What a joy to have brought together the treasured private collections of the fourteen artists in Magnificent Obsessions: The Artist as Collector. The thrill of collecting is something we can all relate to, and I am sure visitors will enjoy this deeply personal and endlessly fascinating show.”

The Walker Art Center, which is 75 years old this year, has acquired around 4,000 objects amassed by the late Chinese-American artist Martin Wong. The artist Danh Vo turned the hoard into an installation, "I M U U R 2," for a solo show at New York’s Solomon R. Guggenheim Museum in 2013 after winning its Hugo Boss Prize.

When the Walker bought the piece last September, it fulfilled Vo’s hope that the trove would enter a museum. The Danish-­Vietnamese artist made the work from the bric-a-brac that Wong had collected over four decades: Chinese teaware, calligraphy, Disney figurines, and assorted Americana alongside Wong’s own paintings.

Major art collector and polarizing figure Bert Kreuk has sued Danish-Vietnamese artist and Hugo Boss Prize winner Danh Vo for €898,000 (approximately $1.2 million), according to a report in the Netherland’s RTL Nieuws. Kreuk claims that Vo failed to deliver an artwork for an exhibition of Kreuk’s collection, titled "Transforming the Known," at the Hague’s Gemeentemuseum (Hague Municipal Museum), which closed in September of last year.

That artwork in question reportedly cost Kreuk $350,000.

The legendary art dealer Marian Goodman will open a London outpost this fall. Located in an 11,000-square-foot Victorian warehouse on Golden Square in Soho, the Marian Goodman Gallery will join a number of U.S.-based galleries in the neighborhood, including Gagosian Gallery, David Zwirner Gallery, Hauser & Wirth, and Pace Gallery. Goodman, who has well-established galleries in New York and Paris, represents a bevvy of influential artists, including conceptual artists John Baldessari, Dan Graham, and Lawrence Weiner; photographers Jeff Wall, Rineke Dijkstra, and Thomas Struth; installation artists Annette Messager and Danh Vō; and painters Julie Mehretu and Gerhard Richter.

The London-based architect David Adjaye has helmed the renovation of the gallery space. Adjaye, who designed Denver’s Museum of Contemporary Art and the Smithsonian Institution’s National Museum for African American History and Culture, which is currently under construction, is known for his ingenious use of materials and his ability to showcase light.