Displaying items by tag: etchings

During a career that spanned much of the 20^th century, Russian artist Marc Chagall (1887-1985) was associated with a number of artistic movements, making a name for himself as a pioneer of modernism. Considered one of the most successful artists of his time, Chagall drew inspiration from his Orthodox Jewish upbringing, a theme that prevailed through the many mediums and styles he explored.  

The Musee de Luxembourg in Paris has organized an exhibition devoted to the artist titled Chagall: Between War and Peace. The show, which focuses on Chagall’s work between 1914, when he developed his own style, and the mid-1950s, when many critics deemed his work repetitive, includes approximately 100 oil paintings, watercolors, drawings and etchings in relatively chronological order.

Between War and Peace is broken into four pivotal periods in Chagall’s life and work. After living in Paris from 1910 to 1914 and associating with many prominent figures of the avant-garde, Chagall returned to his native Russia to be with his future wife, Bella. “Russia in Wartime” explores Chagall’s work from this period, which was haunted by the brutality and horrors that World War I brought to his homeland.

In 1922, Chagall left Russia for Berlin. He soon returned to Paris where he re-established himself as a painter. “Between the Wars” focuses on this period, which includes Chagall’s work as an illustrator. Many of the pieces from this time feature landscapes, portraits of the artist with his wife, circus scenes, and hybrid creatures, which are prime examples of Chagallian bestiary.

In 1937, Nazis seized any works by Chagall that resided in public collections in Germany. As World War II unfolded, Chagall left France for New York, which is the subject of “Exile in the United States.” His work took a somber turn as his native land was ravaged by the war. A particularly productive time for Chagall, he also created a number of works devoted to Bella, who died in 1944.

The exhibition’s final portion, “The Post-War Years and the Return to France,” explores Chagall’s move back to Europe in 1949. During this time Chagall experimented with stained glass, sculpture, ceramics, mosaic, and various engraving techniques. His works from this period radiates with light and emotional tonalities.

Chagall: Between War and Peace is on view through July 21, 2013.

The Getty Research Institute in Los Angeles has acquired a number of 18^th and 19^th century prints by James Ensor (Belgian, 1860 – 1949) and Jean-Jacques de Boissieu (French, 1736 – 1810). An anonymous collector gifted the works to the museum. “Prints are a significant collecting priority for us,” said Marcia Reed, chief curator of special collections at the Getty. The gift will flesh out the museum’s already impressive Ensor holdings and will add a solid representation of Boissieu’s work.

Among the Ensor prints are three hand-colored etchings that are exceptional examples of his work from the 1890s, the period that is considered to be his artistic peak. Two of the three prints were inspired by Edgar Allen Poe stories and bear the skeletons, masks, and crowds of people that Ensor often included in his work. The Getty already has a compilation of Ensor’s correspondence and manuscripts including 100 signed postcards and letters, 16 prints, and his masterpiece, Christ’s Entry into Brussels in 1889 in its collection.

The gift of Boissieu’s work includes 23 etchings that span the artist’s career. Well-known as a painter and draftsman, Boissieu was also a renowned printmaker and was highly regarded for his work during the 18^th century. The collection includes several sheets of Boissieu’s studies of heads – both human and animal.

The Getty Museum plans to host a major, monographic exhibition of Ensor’s work in 2014. The show will include the prints gifted to the Research Institute.