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Although the exhibition Chihuly at the Virginia Museum of Fine Arts closed on February 10, 2013, the show’s success left a lasting mark on the Richmond institution. The exhibition, which opened on October 10, 2013, was devoted to the popular American glass artist and sculptor, Dale Chihuly (b. 1941), who is credited with revolutionizing the Studio Glass movement.

Chihuly at the Virginia Museum of Fine Arts brought a record number of visitors during its nearly four-month run. The show welcomed around 160,000 patrons, far exceeding the 115,000 visitors museum officials were expecting. The exhibition also set records for the museum store where Chihuly Studio editioned glass sculptures and lithographs were for sale. The store sold 69 works priced between $4,600-$8,600 and $2,500-$2,800 between November, December, and January.

The show at the Virginia Museum was the third major exhibition in the U.S. to focus on Chihuly’s work in recent years. He was also the subject of record-breaking shows at San Francisco’s de Young Museum (2008) and the Museum of Fine Arts, Boston (2011).

Published in News
Wednesday, 14 November 2012 17:10

George Bellows Retrospective Opens Tomorrow at the Met

An expansive survey of works by the American realist artist, George Bellows, will open November 15 at the Metropolitan Museum of Art in New York City. The exhibition features 120 works including the paintings of boxing matches and gritty New York tenements that Bellows is best known for. The artist also painted cityscapes, seascapes, war scenes, portraits, and made illustrations and lithographs over the course of a varied career that was cut short when Bellows passed away at 42.

Born and raised in Columbus, Ohio, Bellows moved to New York City in 1904 to study with the influential artist and teacher, Robert Henri, and soon became the youngest member of the Ashcan School. Dedicated to chronicling the realities of day-to-day life, Bellows made a name as the boldest of the Ashcan artists. The Met acquired Bellows’ Up the Hudson (1808), the institution’s first Ashcan painting, in 1911.

Organized by the National Gallery of Art in Washington, D.C. in association with the Met and London’s Royal Academy of Art, the retrospective is the most comprehensive presentation of Bellows work in nearly fifty years. The exhibition will be on view through February 18, 2013.

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