Displaying items by tag: oil painting

One of the last great Turner masterpieces remaining in private hands will be the highlight of Sotheby’s London Evening sale of Old Master on 3rd December 2014. Painted in 1835 by Britain’s most celebrated artist, Rome, from Mount Aventine is among Turner’s most subtle and atmospheric depictions of the Italian city, a subject that captivated Turner for over twenty years. The large-scale oil painting is further distinguished by its exceptional state of preservation, as well as a prestigious and unbroken provenance, having changed hands for the only time in 1878, when it was acquired by the 5th Earl of Rosebery, later Prime Minister of Great Britain. The picture has remained in the Rosebery collection ever since and will be offered for sale with an estimate of £15-20 million.

Discussing the forthcoming sale, Alex Bell, Joint International Head and Co-Chairman of Sotheby’s Old Master Paintings Department said: “There are fewer than ten major Turners in private hands known today and this work must rank as one of the very finest.

A tomato ketchup-stained work by LS Lowry has been restored ahead of its public debut in Salford.

The oil painting, titled "The Thames at Greenwich," is thought to have picked up the stains in a family home where it has hung since the 1970s.

A spokeswoman for The Lowry arts center said the work "had a light layer of surface dirt [and] two small and very old, ketchup stains".

It will be on show at the center, along with a related drawing, until December.

An oil painting of Brighton by noted artist John Constable has failed to sell at an auction.

A Sea Beach – Brighton, had been expected to fetch between £400,000 and £600,000 at a Bonhams Old Master Paintings sale in London yesterday(Wed).

However it did not meet its reserve price.

A Bonhams spokesman said the painting's owner, a private collector, would now have to decide whether to take it back or try again at a future sale.

Constable and his family were frequent visitors to Brighton for the sake of his wife, Maria's, health.

It was the most valuable piece of artwork ever identified in the 36-year history of the Antiques Roadshow.

But the triumph of discovering a rare 17th-century Van Dyck painting was deflated last night after the work failed to sell at auction.

Fiona Bruce, the show's presenter, first spotted the oil painting in December last year and had a hunch it could be a genuine piece by the Flemish artist. After restoration work the painting, called "Head Study of a Man in a Ruff," was verified by a leading authority on Van Dyck.

The Delaware Art Museum will auction off one of its iconic Pre-Raphaelite paintings, "Isabella and the Pot of Basil" at Christie's in London next month, museum officials announced Tuesday. The William Holman Hunt oil painting, purchased by the museum in 1947, is one of as many as four works the museum will sell over the next several months to pay off construction debt and replenish its endowment. The Delaware museum boasts the most significant collection of Pre-Raphaelite works outside of the United Kingdom.

Museum officials have declined to release the names of the other works, explaining that it could hurt the market for private sales. They have promised not to sell any works acquired through gift or bequest. Winslow Homer's "Milking Time," one of the museum's most treasured works purchased in 1967, disappeared from its wall and collections database last month. Museum officials won't confirm that it is scheduled to be sold.

An oil painting by Claude Monet of London’s Waterloo Bridge is among the 180 artworks recently found in Cornelius Gurlitt’s home in Austria. Monet painted the Waterloo Bridge repeatedly between 1900 and 1908, often using a limited palette of blues, yellows, and greens to capture the bridge in the dreary London weather at various times of day. 

In November 2013, it was reported that in 2012, over 1,400 artworks, many of which were stolen from their owners by Nazis, were discovered in Gurlitt’s apartment in Munich. The subsequent investigation led authorities to Gurlitt’s other home in Salzburg, where two additional troves were discovered. A total of 238 works were found in Austria and are currently being held in a high-security storage unit. In addition to the Monet painting, the recently discovered works include a bronze sculpture by Pierre-Auguste Renoir and drawings by Paul Gauguin, Paul Cezanne, and Pablo Picasso.

Gurlitt, 81, is the son of the art dealer Hildebrandt Gurlitt, who supposedly acquired the works in the late 1930s and 1940s. Gurlitt’s father had been put in charge of selling the stolen artworks abroad by Joseph Goebbels, Hitler’s Minister of Propaganda, but secretly hoarded many of them and later claimed that they were destroyed in the bombing of Dresden. Gurlitt sold a number of the paintings over the years and lived off of the profits.
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German authorities have formed a task force that is responsible for establishing the ownership histories of each artwork. While many of the works were looted, a number of pieces were acquired legitimately by Gurlitt’s father both before and after the war. Last week, Gurlitt’s lawyers said that their client would return any stolen artworks to their original owners or their heirs.

Authorities have been photographing and uploading each artwork to Germany’s Lost Art Internet Database.

The Pennsylvania Academy of the Fine Arts will sell a painting by Edward Hopper to start an endowment fund to acquire contemporary art. East Wind Over Weekhawken is one of two paintings by the American Modernist artist in the museum’s collection. The work will be sold at auction at Christie’s in New York in December and is expected to garner between $22 million and $28 million.

East Wind Over Weehawken was purchased by the museum from Hopper’s dealer, Frank K.M. Rehn, in 1952 for $2,750. If the painting realizes its pre-sale estimate, it will quintuple the funds generated annually for acquisitions. While a portion of the endowment will be used for purchasing historic art, the majority of new acquisitions will be in contemporary art, mainly American painting and sculpture.

The Pennsylvania Academy will keep its other Hopper painting, Apartment Houses, which was purchased from the artist directly and was the first oil painting by Hopper to enter the Pennsylvania Academy’s collection.

A Danish phD thesis revealed that a common preservation method may cause more harm than good to artworks. The study showed that when an oil painting treated with the once-popular wax-resin lining is exposed to relative humidity over 60 percent there is a good chance that it will shrink, compressing the paint and causing it to flake off. The revelation was part of Cecil Krarup Andersen’s thesis, which was recently defended at the Royal Danish Academy of Fine Arts School of Conservation.

During the 20th century the “lining” technique was popular among conservators and used to protect well-known masterpieces including works by Rembrandt and Vincent van Gogh while traveling for loan exhibitions. For her thesis Lined canvas paintings: Mechanical properties and structural response to fluctuating relative humidity, Andersen studied the Danish national gallery's collection of Danish Golden Age paintings and examined the difference in moisture sensibility before and after wax-resin lining.

The wax-resin technique became popular during the 1960s but was obsolete by the 1970s since the method tended to darken paintings’ colors. However, the discovery of relative humidity’s effect on wax-resin lined canvases is a new finding. While the majority of museums maintain an approximate relative humidity of 50 percent, malfunctioning climate controls and flooding could leave some of the finest works in the canon of art in perilous danger.

An 18^th century portrait of the German Duchess Anna Amalia of Saxe-Weimar-Eisenach commissioned by the German writer Johann Wolfgang von Goethe has been returned to its rightful heirs after 70 years. The oil painting by Angelika Kauffmann went missing from the duchess’ descendants’ palace in Poland during World War II. The work did not resurface until 2011 when a Polish consignor brought the work to Sotheby’s.

The painting was returned to the city of Weimar during a ceremony at the Weimar palace. Michael Saxe-Weimar-Eisenach, the heir of the painting, has decided to loan the work to the city permanently. Upon its completion, the work, which is said to be worth hundred of thousands of euros, hung in the Roman House in Weimar, which was also commissioned by Goethe. The painting was later moved to the palace in Weimar and then to a family residence in Silesia, which is now part of Poland.

A Sotheby’s employee in London was the first to spot the painting on a German database for lost art. After reporting its reappearance to Weimar city officials, Sotheby’s held on to the painting until an agreement was reached. An exhibition of the work at the Roman House is being planned for next year.