Displaying items by tag: rijksmuseum

Thanks to a new film based on the critically acclaimed exhibition "Rembrandt: The Late Works" that debuted at the National Gallery, London, and opens at the Rijksmuseum, Amsterdam, on February 12, U.S. audiences will be able to experience the exhibition on screen. For one night only, on February 24, the new film "Rembrandt from the National Gallery London and Rijksmuseum Amsterdam" will be presented at over 300 movie theaters across the country.The film gives viewers an opportunity to see the once-in-a-lifetime installations of Rembrandt's paintings, prints, and drawings in these two preeminent institutions and learn more about the revered Dutch artist from scholars, curators, and art historians. Given exclusive access by both museums, the film documents this extraordinary presentation and interweaves Rembrandt's life story with the preparations at both institutions.

Betsy Wieseman, Curator of Dutch and Flemish Paintings, National Gallery, and Jonathan Bikker, Curator of Research at the Rijksmuseum, among others, provide illuminating context regarding Rembrandt's life and times.

The Rijksmuseum in Amsterdam will be open on Friday nights in the coming months to give people more opportunity to visit the large Late Rembrandt exhibition. The exhibition opens on February 12th. 

The exhibition includes more than a hundred paintings, drawings, and prints and is the first retrospective the Rijksmuseum offers of Rembrandt’s work between approximately 1652 and 1669.

Museums do not usually like surprises, but the Minneapolis Institute of Arts (MIA) is planning an entire year’s worth of them. In honor of its centennial, the MIA is unveiling a series of high-profile international loans and public art projects without warning. The first birthday surprise, unveiled today, is "Woman Reading a Letter," around 1663, by Johannes Vermeer, which is on loan from the Rijksmuseum in Amsterdam until April 19.

Most of the large museums in the Netherlands had more visitors this year than last year. The Rijksmuseum and the Van Gogh Museum in Amsterdam especially had many visitors, 2.5 million and 1.6 million respectively. This is according to a survey done by the ANP.

Five museums had a record year: the Rijksmuseum and Stedelijk Museum in Amsterdam, the Gemeentemuseum in The Hague, the Spoorwegmuseum (Railway museum) in Utrecht and the Rijksmuseum van Oudheden (National Museum of Antiquities) in Leiden.

The Rijksmuseum in Amsterdam acquired a 17th-century sculpture by Adriaen de Vries at Christie's New York last week for a record $27.9 million against an estimate of $15—25 million. The recently rediscovered bronze—a Bacchic figure supporting a globe—is said to be one of the artist's best works and represents one of the first De Vries statue in a Dutch art collection, according to a statement from the museum.

Adriean de Vries “is the Dutch Michelangelo and his works are equally rare," said Rijksmuseum general director Wim Pijbes. “Therefore it is absolutely great that we have been able to buy this fabulous sculpture for the Netherlands."

In the late 19th century, Eadweard Muybridge experimented with multiple cameras, fast shutter mechanisms, and tripwires to study animal and human motion. He produced hundreds of plates, including his famous sequence showing that a horse’s four legs all leave the ground at some point when it runs. A few decades later, Man Ray neglected the camera altogether to create his “rayographs,” creating pictures by placing objects on photographic paper and exposing the sheet to light. Taking to the streets in the mid-20th century, William Klein wielded his lens in a rapid and direct manner to capture the raw reality of everyday life. These represent some of the major innovations in the history of photography, explored in "Modern Times. Photography in the 20th Century," a new exhibition that opened recently at Amsterdam’s Rijksmuseum.

This summer, fourteen monumental sculptures by Alexander Calder (1898-1976) are taking over the Rijksmuseum’s 'outdoor gallery' for the largest freely accessible outdoor exhibition of his work to date.

Calder (1898-1976) is undoubtedly one of the most celebrated inventors of modern sculpture. His cut-out and colorful abstract objects that move in the air or rest firmly on the ground can be found throughout the world, whether in museums or in gardens and public plazas, ranking him among the first and most prolific sculptors of large-scale outdoor works. This show of his monumental sculptures in the gardens of the Rijksmuseum creates a fascinating landscape of stately abstract forms.

Guest curator Alfred Pacquement, former director of Musée National d’Art Moderne Centre Pompidou in Paris, has selected mobiles, stabiles, and standing mobiles by Calder from major museums and private collections.

This exhibition is the second in a series of annual international sculpture displays, which will be presented in the Rijksmuseum’s gardens over the next four years, made possible with funding from the BankGiro Loterij and the Terra Foundation for American Art.

Christie’s auction house says science has confirmed that a disputed painting is the work of Dutch master Johannes Vermeer. The painting could fetch 8 million pounds ($13 million) when it is sold next month.

“Saint Praxedis” is believed to be the earliest surviving work by the 17th-century artist, but there has long been a question mark over its authenticity.

The work was tentatively attributed to Vermeer after it appeared in an exhibition at New York’s Metropolitan Museum in 1969, and the authorship was reinforced in 1986, when leading Vermeer scholar Arthur Wheelock argued it was authentic.

Agents from the Agencia Tributaria—the Spanish IRS—announced the find of a priceless Van Gogh which disappeared from the Kunsthistorisches Institut in Vienna, Austria. Dated in 1889, the painting "Cypress, sky and field" was discovered in a safe deposit box that belonged to a Spanish fraudster.

According to El Mundo (in Spanish), the 13.7 x 12.6-inch (35 x 32-centimeter) unframed painting has been authenticated by two art experts from the Spanish Ministry of Culture.

The J. Paul Getty Museum in Los Angeles announced that its exhibition dedicated to Jackson Pollock’s recently restored “Mural,” has given the museum a welcome boost in attendance. In March, 127,466 patrons visited the Getty, an increase of 3% from the same month in 2013. Last year, the museum also saw an unusually high attendance rate due to an exhibition of Johannes Vermeer’s “Woman in Blue,” which was on loan from the Rijksmuseum in Amsterdam. From 2010 to 2012, average March attendance at the Getty hovered around 97,000.

“Mural," a stunning oil-on-canvas measuring more than 8 feet tall and nearly 20 feet long, recently underwent a year-long restoration at the Getty. Conservators removed a layer of varnish from “Mural,” which now appears much brighter and closer to its original appearance. The work, which was painted in 1943 for the well-known art collector Peggy Guggenheim, represents a turning point in Pollock’s career in which he gravitated towards the abstract expressionist characteristics that define his seminal “drip” paintings. The work belongs to the University of Iowa Museum of Art, which received it as a gift from Guggenheim in 1951.

The Pollock show opened at the Getty on March 11 and details the conservation of the painting. During the first week of the exhibition, the Getty welcomed 29,374 visitors, a 25% increase from the first week of the month. The last week of March saw a 46% jump from the first week of the month.

"Mural" will remain on view at the Getty through June 1.