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Displaying items by tag: watercolors
From quick sketches to watercolors and finished masterpieces, works by artists such as Eugène Delacroix, Jacques-Louis David, Edgar Degas, Edouard Manet, Paul Cézanne, Vincent van Gogh, Egon Schiele, Piet Mondrian and Pablo Picasso are brought together in Mind’s Eye: Masterworks on Paper from David to Cézanne (on view through October 26, 2014). Organized by the Dallas Museum of Art, the exhibition features more than 120 works on paper—many of which have never been exhibited publicly—by 70 artists. Drawn in part from the DMA’s collection, but with significant loans from private collections in North Texas, Mind’s Eye, offers new insights into the working methods and practices of these artists, providing an intimate view of their approach to art making while also presenting the drawings and watercolors as finished works of art in their own right.
“One of the goals of the Dallas Museum of Art is to encourage collecting within the community. There is no better example of how to do this than to highlight the Museum’s graphic holdings together with those that have been assembled in private homes throughout our area,” said Maxwell L. Anderson, The Eugene McDermott Director of the DMA. “Mind’s Eye: Masterworks on Paper from David to Cézanne presents a rich and fascinating array of works in various media by artists from the Austro-Hungarian, Belgian, British, Dutch, French, German, Spanish and Swiss schools, spanning nearly 150 years—from the French Revolution to the dawn of modernism.”
The Peabody Essex Museum is presenting the largest U.S. exhibition of Joseph Mallord William Turner's maritime paintings.
"Turner & the Sea" features more than 100 works spanning the 50-year career of one of Britain's most celebrated painters. Encompassing oils, watercolors, prints and sketches from the 1790s to the mid-1800s, this first full-scale examination of Turner's lifelong attraction to the sea follows the artist's evolution from precocious young painter to one of the most important, controversial and prolific masters of his art. Dramatic and roiling, sunlit and cloudstruck, the power of Turner's glorious canvases changed the maritime aesthetic and influenced countless painters hundreds of years after his time.
The National Gallery of Art unveils a show of artwork from one of America's best known painters, Andrew Wyeth, on May 4th that has a decidedly new twist. The exhibit focuses on Wyeth’s fascination with windows – an apparently unnoticed feature of his work that came to light when a curator began wondering about a Wyeth acquisition that came to the gallery in 2009.
The evocative painting of a window with gently billowing curtains and a landscape through the window, “Wind from the Sea,” made curator Nancy K. Anderson start looking for more. “Are we making this up?” she asked, only to have Wyeth family members confirm his interest in windows.
Last March, the New-York Historical Society launched “Audubon’s Aviary: The Complete Flock.” The sweeping, three-part exhibition celebrates the 150th anniversary of the Society’s purchase of the 435 avian watercolors that John James Audubon’s created for his seminal volume, “Birds of America.”
While “Audubon’s Aviary: Part I of the Complete Flock” offered patrons a rare glimpse into Audubon’s earlier years, “Parts Unknown (Part II of the Complete Flock),” will consider Audubon as an established artist-naturalist, a world traveler, and a well-known figure in a growing nation. The show, which focuses on Audubon’s preparatory watercolors for “Birds of America,” will present more than 132 watercolors depicting mainly water birds and waders, many of which are among Audubon’s most spectacular and largest birds. The show will be complemented by audio of bird calls and songs of each species from the Cornell Lab of Ornithology.
“Audubon’s Aviary: Parts Unknown (Part II of the Complete Flock)” will open at the New-York Historical Society on March 21, 2014 and will remain on view through May 26, 2014. The exhibition’s third installment will open in 2015.
The Museum of Fine Arts, Houston is currently hosting the exhibition “John Singer Sargent: The Watercolors.” During the late 1800s, John Singer Sargent gained recognition for his technically masterful portraits that revealed the personality and individuality of his sitters. As the 20th century approached, Sargent ventured into watercolors, eventually mastering the medium and creating some of the most celebrated works in his oeuvre.
“John Singer Sargent: The Watercolors” presents 100 watercolors including early 20th-century scenes of landscape, labor and leisure. The works on view are from two of the most significant collections of Sargent’s watercolors -- holdings from the Brooklyn Museum and the Museum of Fine Arts, Boston. This exhibition marks the first time in history that the two collections have been on view together.
The watercolors featured in the show were created during the artist’s trips through the Mediterranean region and the Middle East. They are organized geographically and subjects include the people of the Bedouin community, Venetian architecture, villa gardens, marble quarries, and gondoliers at work.
“John Singer Sargent: The Watercolors” will remain on view at the Museum of Fine Arts, Houston through May 26, 2014. The exhibition was previously on view at the Museum of Fine Arts, Boston and the Brooklyn Museum.
The Arkansas Arts Center in Little Rock has received 290 watercolors and drawings by the early American modernist, John Marin, from Norma B. Marin, the artist’s daughter-in-law and administer of his estate. Norma Marin said, “I am thrilled that this collection of my father-in-law's watercolors and drawings is going to the Arkansas Arts Center, where it will give people a deeper understanding of his work. The Arts Center has a long history of collecting and exhibiting great American works on paper on paper, so I feel like we've found the perfect home for them.” This substantial gift, coupled with the works already in the Center’s collection, establishes the Arkansas Arts Center as the second largest repository of works by Marin in the world.
Marin, who was one of the first American artists to experiment with abstraction, is best known for his depictions of urban structures, landscapes and seascapes. The gift spans Marin’s career, beginning with early architectural drawings, moving on to the works created by Marin at the turn of the century in Paris, and ending with the modernist works he made following his return to America. The collection also includes works that explore subjects not readily associated with Marin such as portraits, nudes, animals, and the circus.
The Arkansas Arts Center is planning a major Marin exhibition tentatively scheduled for 2016.
On January 25, Sotheby’s held the auction ‘Visual Grace: Important American Folk Art from the collection of Ralph O. Esmerian’ in New York. The sale, which included over 208 lots ranging from watercolors, portraits, pottery, furniture and weathervanes to carvings, needlework, sculpture and scrimshaw, fetched $12,955,943, significantly exceeding its pre-sale estimate of $9.5 million. The sale set a new record total for any auction of American folk art.
The top lot of the auction was a carved figure of Santa Claus by wood carver Samuel Robb, which sold for $875,000, far surpassing its pre-sale estimate of $250,000. Other important sales included Ruth Whittier Shute and Samuel Addison Shute’s portrait of Jeremiah H. Emerson, which brought $665,000; a rare carved pine pheasant hen weathervane from the late 19th century, which sold for $449,000; and ‘The Carver Limner,’ a painting depicting three members of Freeport’s Carver family, which fetched $521,000.
Esmerian, the former chairman emeritus of New York’s American Folk Art Museum, is currently serving a six-year sentence for fraud. The sale at Sotheby’s was ordered by the U.S. Bankruptcy Court and generated $10.5 million for Esmerian’s creditors including Sotheby’s and Christie’s.
On January 18, the Crystal Bridges Museum of American Art will present the exhibition ‘At First Sight: Collecting the American Watercolor.’ The show will explore Crystal Bridges’ founder Alice Walton’s affinity for watercolors and how her early interest in the medium helped shape her future as one of the most important collectors of American art.
‘At First Sight’ will features some of the works that sparked Walton’s earliest collecting interests including paintings by Thomas Hart Benton, John Singer Sargent, Winslow Homer, Andrew Wyeth and Georgia O’Keeffe. Walton will loan a portion of her private collection to the museum for the exhibition.
‘At First Sight’ will be on view at the Crystal Bridges Museum through April 21, 2014. Admission to the exhibition will be free.
The Michael C. Carlos Museum of Emory University is currently hosting the exhibition ‘Romare Bearden: A Black Odyssey.’ Romare Bearden, one of the most important figures in 20th century art, created a series of collages and watercolors based on Homer’s epic poem, ‘The Odyssey’ during the late 1970s. Shortly after its completion, the series was broken up and scattered amongst private collections and public art museums. ‘A Black Odyssey’ presents the complete series thanks to the Smithsonian Institution Traveling Exhibition Service, which assembled the show in cooperation with the Romare Bearden Foundation and Estate and DC Moore Gallery.
Bearden, who moved to New York City from North Carolina as a child, was part of the Great Migration of African Americans from the tumultuous South to greater opportunity in the North. Throughout his career, Bearden explored themes such as home, classical subjects, and belonging, all of which are touched upon in his Odyssey series.
‘Romare Bearden: A Black Odyssey’ will be on view at the Michael C. Carlos Museum through March 9, 2014.
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The Henry and Rose Pearlman Foundation, owner of 72 works of Impressionist and Post-Impressionist art, has launched a website (www.pearlmancollection.org) to make its collection readily available to the public. The site allows visitors to explore individual artists and works, create their own galleries from the collection, and to save those galleries privately or share them socially.
At the core of the Pearlman Collection are 33 works by Paul Cézanne including 16 watercolors that are rarely exhibited because of their sensitivity to light. The collection also includes works by Vincent Van Gogh, Amedeo Modigliani, Chaim Soutine, Paul Gauguin, Edouard Manet, Pierre-Auguste Renoir, Henri de Toulouse-Lautrec and Edgar Degas.
Henry Pearlman, the founder of Eastern Cold Storage, collected from the mid-1940s up until his death in 1975. The Henry and Rose Pearlman Collection is on long-term loan to The Princeton University Art Museum, where many of the major works are on display. A five-city tour of the collection’s masterpieces – organized in conjunction with Princeton – is planned for 2014-15. While individual works are often loaned to special exhibitions around the world, the collection has not been seen outside of the New York area for more than 35 years.
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