Displaying items by tag: Smithsonian

“Rockwell’s greatest sin as an artist is simple: His is an art of unending cliché.”

In that Washington Post criticism of a 2010 exhibition of Norman Rockwell paintings at the Smithsonian, Blake Gopnik joined a long line of prominent critics attacking Rockwell, the American artist and illustrator who depicted life in mid-20th-century America and died in 1978.

“Norman Rockwell was demonized by a generation of critics who not only saw him as an enemy of modern art, but of all art,” said Deborah Solomon, whose biography of Rockwell, “American Mirror,” was published last year. “He was seen as a lowly calendar artist whose work was unrelated to the lofty ambitions of art,” she said, or, as she put it in her book, “a cornball and a square.” The critical dismissal “was obviously a source of great pain throughout his life,” Ms. Solomon, a frequent contributor to The New York Times, added.

A major exhibition of paintings and etchings by James McNeill Whistler opens in Washington this weekend—but don't expect to see his mother there.

"An American in London: Whistler and the Thames" spotlights the 19th century American artist's many years in the British capital and his fascination with the storied river than runs through it.

Starting with his vivid depictions of life along the Thames, the show—at the Smithsonian's Freer and Sackler Galleries on the National Mall—progresses to the moody, virtually abstract twilight images, or Nocturnes, that Whistler began creating around 1871.

The Smithsonian’s Hirshhorn Museum and Sculpture Garden in Washington, D.C. has received a gift of $1 million from British artist and philanthropist Basil Alkazzi for the acquisition of paintings and drawings by contemporary American and British artists. Alkazzi decided to make the generous donation to the Hirshhorn because of his admiration for the museum’s commitment to supporting emerging artists.

Kerry Brougher, the Hirshhorn’s interim director and chief curator, said, “His gift will allow the Hirshhorn to significantly enhance its holdings of hand-painted paintings and drawings by key figures in the U.S. and U.K. As we celebrate and highlight our collection this year during our 40th anniversary, we are thrilled that thanks to the public-spiritedness of donors like Basil Alkazzi this collection will continue to grow and be a lasting legacy to the nation.”

The Hirshhorn focuses its collection-building and exhibition-planning on modern and contemporary art and sculpture.

The General Motors Foundation has donated a $1 million grant to Lonnie G. Bunch, the founding director of the Smithsonian’s National Museum of African American History and Culture. The museum is currently under construction and is slated to open next door to the Washington Monument in late 2015. Oprah Winfrey, the Bill and Melinda Gates Foundation and American Express have already made substantial contributions to the museum.

Construction began on the $500 million museum back in 2012 and the project’s cost will be evenly split between private and public funding. So far, approximately $400 million has been raised. The museum’s collection will be comprised of objects from across the country that come together to tell the stories that make up the African American experience. The National Museum of African American History and Culture is the only national museum dedicated exclusively to the documentation of African American life, art, history and culture. 

The Smithsonian’s National Museum of African Art has received a $1.8 million gift from Oman; it is the largest donation in the institution’s history. The bequest will fund a series of programs called “Connecting the Gems of the Indian Ocean: From Oman to East Africa,” which will focus on Omani art and the connections between cultures in East and North Africa and the Middle East.

The National Museum of African Art, which was founded in 1964, holds about 9,000 works, making it the largest publicly held collection of African Art in the United States. The museum’s holdings include musical instruments, sculpture, jewelry, textiles, photographs, and pottery.

The Andrew W. Mellon Foundation will grant the Smithsonian’s Freer and Sackler Galleries $1 million to help conserve Chinese paintings housed in the museum’s galleries of Asian art. The Smithsonian says that it is the only institution in the United States to offer a program that teaches conservators how to care for fragile Chinese paintings. The new grant will endow a position for an assistant Chinese painting conservator to provide support for the program.

While there are thousands of delicate Chinese paintings in American museums, there are only four expert conservators. Smithsonian officials said that the number of experts trained to care for Chinese paintings is dwindling, which is troublesome as these works are challenging to care for. Many Chinese paintings are very old and made up of layers of varying materials including paper, silk, fabric and paste, which all require different preservation methods.

The Mellon grant requires that the Smithsonian match the funds with an additional $750,000 by 2016 in order to endow the position.

The Smithsonian Institution in Washington, D.C. announced that Oprah Winfrey will donate $12 million to support the capital campaign of the new National Museum of African American History and Culture. Winfrey donated $1 million in 2007, bringing her total contribution to the project to $13 million. She has been a member of the museum’s advisory council since 2004. To thank her for her generosity, the Smithsonian will name the museum’s 350-seat theater the Oprah Winfrey Theater.

The museum, which is currently under construction, is expected to cost $500 million by the time it reaches completion. Congressional funding provided half of the capital and the rest is being raised by the museum. The museum is situated on 5 acres of land and sits next to the Washington Monument. It will be the 19^th Smithsonian museum.

Wayne Clough, the Smithsonian Secretary, said, “At its heart, the National Museum of African History and Culture is a showcase for a richer, fuller picture of the American experience. The Oprah Winfrey Theater will bring untold stories alive through films, performances, artistic expression and public dialogue.”

The National Museum of African American History and Culture is slated to open in late 2015.

Exhibition areas in three Smithsonian museums in Washington, D.C. will close on Wednesday, May 1, 2013 due to substantial budget cuts known as federal sequestration. Parts of the National Museum of African Art, the Hirshhorn Museum and Sculpture Garden, and the Smithsonian Castle will be closed through September 30, 2013.

The closures are part of a sweeping $42 million budget cut that began March 1, 2013 and will last through the end of the fiscal year. The diminished security budget is the main reason officials decided to shut down certain parts of the Smithsonian. Cuts to travel and building maintenance as well as a hiring freeze were announced when the sequestration first went into effect. Smithsonian officials claim that no major exhibition areas will be affected by the closures.

The Smithsonian Castle will close the Commons, a room that features objects from around the Smithsonian; the National Museum of African Art will shutter a section of its permanent exhibition, African Mosaic; and the Hirshhorn Museum will close various sections of its third floor galleries, which house its permanent collection.

The Smithsonian in Washington, D.C. is currently hosting a number of events commemorating the 150^th anniversary of the arrival of the Emancipation Proclamation (1963) during the Civil War (1861-1865). The exhibition, The Civil War and American Art, focuses on how the devastation, emotions, and revolution associated with the war affected what appeared on the canvas for many artists working at the time.

Now on view at the Smithsonian’s American Art Museum, The Civil War and American Art relies on Winslow Homer (1836-1910), Eastman Johnson (1824-1906), Frederic Church (1826-1900), and Sanford Gifford (1823-1880) to ground the show. Through 75 works including paintings and vintage photographs, the exhibition creates a linear model, which mirrors the progression of the Civil War as a sense of unease on the eve of war transitioned to hope that the conflict would be resolved speedily to the harsh realization that there were too many wrongs to be righted quickly. Genre and landscape painters best captured the transformative effect of the Civil War as amber waves of grain were reduced to trampled crops, burned-down trees, and blood-soaked fields littered with bodies. There was also much to grapple with as the war ended and the country was left to restore itself and its identity.

The photography component of the exhibition includes snapshots taken on the battlefield by Alexander Gardner (1821-1882), Timothy H. O’Sullivan (1840-1882), and George Barnard (1819-1902). These photographs, which document the Civil War’s carnage and destruction, shed light on the very real devastation that was suffered by many.

The Civil War and American Art will be on view at the Smithsonian through April 28, 2013 and will travel to the Metropolitan Museum of Art (May 21-September 2, 2013) in New York after its run in Washington.

Thanks to a generous gift from longtime museum donors, Daniel Greenberg and Susan Steinhauser, the Los Angeles County Museum of Art added 37 new pieces, including vessel forms and sculpture, to their permanent glass collection. The acquisition includes works by notable glass artists such as Michael Glancy (b. 1950), Klaus Moje (b. 1936), Ann Warff Wolff (b. 1937), and Richard Marquis (b. 1945).

LACMA’s glass art collection, which focuses on studio glass from the mid-1960s to the late 1990s, contains more than 100 objects, most of which came from Greenberg and Steinhauser who started donating to the institution in 1984. The museum’s relationship with the couple is so strong that earlier this year Greenberg and Steinhauser invited LACMA officials to handpick works from their personal collection for the museum. Besides their substantial glass gift, Greenberg and Steinhauser made a monetary donation to LACMA to go towards educational programs about glass.

Greenberg and Steinhauser’s collection boasts 400 to 500 works and is considered among the top five studio glass collections in the United States. The couple began avidly collecting in the mid-1970s and slowed down around the mid-1990s when sculpture and nontraditional forms became more prominent than the vessel art they adored. The duo has since taken to collecting contemporary photography.

In celebration of the studio glass movement’s 50^th anniversary, Greenberg and Steinhauser decided to disperse most of their collection to a number of institutions across the country. The couple will keep 15 to 20 sentimental pieces for themselves and the rest of their works will go to LACMA, the Museum of Fine Arts Houston, the Museum of Fine Arts Boston, the Minneapolis Institute of the Arts, and the Corning Museum of Glass. Greenberg also hopes to donate works to the Smithsonian, New York’s Museum of Arts and Design, the Mint Museum, the Contemporary Museum in Honolulu, and the Racine Art Museum, although arrangements with those institutions still need to be made.